Richibi’s Weblog

Just another WordPress.com weblog

Category: Ovid

“Metamorphoses” (The Giants’ War, XI) – Ovid

david-1624(4).jpg!Large

    “Neptune and Triton (1620 – 1622) 

 

          Gian Lorenzo Bernini

 

                ____________

 


              When Jupiter, surveying Earth from high,
              Beheld it in a lake of water lie,
              That where so many millions lately liv’d,
              But two, the best of either sex, surviv’d;
              He loos’d the northern wind; 

 

the new world begins

 

                                                       fierce Boreas flies
              To puff away the clouds, and purge the skies:
              Serenely, while he blows, the vapours driv’n,
              Discover Heav’n to Earth, and Earth to Heav’n. 

 

Boreas, ruler of the northern wind, as in 

aurora borealis, at the instigation of the

officiating Jupiter, disperses the clouds, 

drives away the vapours, allowing Heav’n 

to see Earth, and Earth  to see Heav’n, 

nothing between the earth and the 

clear blue sky


              The billows fall, while Neptune lays his mace
              On the rough sea, and smooths its furrow’d face. 

 

while billows fall, gusts of boreal wind, 

Neptune, god of the Sea, as well and 

simultaneously in the service of Jupiter

smooths the surface of the water by 

laying his mace, a club with spikes, 

upon it, to still the unruly waves


              Already Triton, at his call, appears
              Above the waves; 

 

Triton, son of Neptune, also a sea deity

 

                                           a Tyrian robe he wears; 

 

Tyrian, of Tyre, a city in what is now

Lebanon, but was then Phoenicia, it 

was famous at the time for its cloth 

of a particular colour, Tyrian purple

 

Tyre is one of the oldest continuously

inhabited cities in the world

 

              And in his hand a crooked trumpet bears. 

 

Triton is characteristically depicted 

with a conch shella crooked trumpet 

 

see above

 

              The soveraign bids him peaceful sounds inspire,
              And give the waves the signal to retire. 

 

[t]he soveraign, or sovereign, is none

other than Neptune, his father 


              His writhen shell he takes; whose narrow vent
              Grows by degrees into a large extent, 

 

writhen, twisted, contorted, as is typical 

of a conch shell, which grows from 

where one blows into it, by degrees,  

towards the much larger opening from 

which the sound emanates

 

              Then gives it breath; the blast with doubling sound,
              Runs the wide circuit of the world around: 

 

Triton blows into the conch, gives it 

breath, the blast [ ] doubling [the]

sound, resounding, reverberating, 

the world around, the world over


              The sun first heard it, in his early east,
              And met the rattling ecchos in the west.
              The waters, listning to the trumpet’s roar,
              Obey the summons, and forsake the shore.


the waters begin to recede

 

 

R ! chard

 

“Metamorphoses” (The Giants’ War, X) – Ovid

deucalion-and-pyrrha-praying-before-the-statue-of-the-goddess-themis.jpg!Large

  “Deucalion and Pyrrha Praying before the Statue of the Goddess Themis (c.1542) 

 

          Tintoretto


             _____


 

              A mountain of stupendous height there stands
              Betwixt th’ Athenian and Boeotian lands, 

 

Boetia was, and still is, a region of 

Central Greece, its largest city is,

and was, Thebes, a major rival in

ancient times of Athens


              The bound of fruitful fields, while fields they were, 

 

bound, boundary, the fruitful fields

within a certain limited area, between 

Athens, here, and Boetia


              But then a field of waters did appear: 


              Parnassus is its name; whose forky rise
              Mounts thro’ the clouds, and mates the lofty skies. 

 

Parnassus is a mountain in Central 

Greece, however forky, however 

forked, craggy, uneven, sacred 

especially to Apollo, god of too 

many things to list here, and the 

site, at Delphi, on its south-western 

slope, of his Oracle, famous for 

being consulted on a variety of 

matters, from personal to affairs 

of state, its high priestess was 

believed to incarnate the very 

voice of Apollo

 

Parnassus was also the home, 

incidentally, of the Muses, goddesses 

in their own right, of the several arts, 

who ministered to Apollo


              High on the summit of this dubious cliff,
              Deucalion wafting, moor’d his little skiff. 

 

Deucalion is the Abrahamic Noah‘s

counterpart, sole survivor, with his 

wife Pyrrha, of the flood 

 

the cliff is dubious because the

mountain is still deep in water,

its summit precarious yet 

 

              He with his wife were only left behind
              Of perish’d Man; they two were human kind. 

 

they two alone were left of humankind,

of perish’d Man

 

              The mountain nymphs, and Themis they adore, 

 

Themis, goddess of Divine Justice

 

              And from her oracles relief implore. 

 

Deucalion and Pyrrha pray to Themis

at Delphi, its first high priestess, hungry

for, and heedful of, her oracles, counsel

 

see above

 

              The most upright of mortal men was he;
              The most sincere, and holy woman, she. 

 

a chance at a new world

 


R ! chard

“Metamorphoses” (The Giants’ War, IX) – Ovid

the-nereids-1886.jpg!Large

     “The Nereids (1886) 

 

            Joaquín Sorolla

 

                     _______

 


once the water begins to everywhere

oferflow, humans are left to somehow

find shelter, or perish

 

               One climbs a cliff; one in his boat is born: 

 

born here should be our 21st Century

borne, as in carried away, past participle 

of the verb to bear, to transport, a 

combination, incidentally, of verb forms, 

and divergent spellings, we’ve seen

here before

 

               And ploughs above, where late he sow’d his corn. 

 

ploughs, in the line above, deftly plays 

with a double meaning, to plough as in 

to struggle through, and to plough as 

in to work a field, the struggle is through 

water this time, however, not through

grassland


               Others o’er chimney-tops and turrets row,
               And drop their anchors on the meads below: 

 

meads, meadows


               Or downward driv’n, they bruise the tender vine,
               Or tost aloft, are knock’d against a pine. 

 

tossed, or tost, upon the waves, people 

are thrown about indiscriminately, some

against things that they break, bruise,

the tender vine, for instance, others 

against things that break them, the 

pine[s], all order, in the chaos, having 

been subverted

 

               And where of late the kids had cropt the grass, 

 

kids, baby goats


              The monsters of the deep now take their place. 

 

monsters of the deep, creepy things 

that lurk beneath the waves, now 

graze where earlier there’d been 

pasture, baby goats

 

               Insulting Nereids on the cities ride, 

 

Nereids, sea nymphs, daughters of Nereus

and Doris, god and goddess themselves, 

of water, fifty of them, one brother, Nerites

all often accompanying Poseidonsupreme 

ruler of the Sea, Neptune‘s Greek 

counterpart

 

the Nereids were especially known, in later, 

less turbulent times, to come to the aid of 

sailors 

 

               And wond’ring dolphins o’er the palace glide. 

 

wond’ring, would be wandering, as 

in to roam aimlessly, but one can 

hear rustling, in the background of

that unconventional spelling, the 

idea of dolphins wide-eyed, 

marvelling, filled with wonder, at 

this new, palatial, environment 

 

               On leaves, and masts of mighty oaks they brouze; 

 

brouze, browse, or the more familiar, 

graze, said of animals who eat grass, 

whereas those who browse, or brouze, 

eat leaves, shrubbery, greens which 

grow higher up


               And their broad fins entangle in the boughs. 

 

the fins of dolphins become entangled 

in the branches, boughs, of trees

 

               The frighted wolf now swims amongst the sheep; 

 

wolf and sheep, cast asunder, much 

like, above, man at the mercy of the 

pine, or the tender vine, all equals 

in their overriding fight for survival 


               The yellow lion wanders in the deep: 

 

the deep, the water

 

               His rapid force no longer helps the boar: 

 

earlier inherent skills have been

rendered irrelevant

 

               The stag swims faster, than he ran before.
               The fowls, long beating on their wings in vain,
               Despair of land, and drop into the main. 

 

the main, the ocean


               Now hills, and vales no more distinction know; 

 

the water has flattened all horizons


               And levell’d Nature lies oppress’d below. 

 

Nature, distinct from water here, 

now lies below the water’s surface

 

               The most of mortals perish in the flood:
               The small remainder dies for want of food. 

 

if Ovid remains to tell the tale, one

must suppose that this story must,

however relatively, have a happy 

ending

 

stay tuned

 


R ! chard

 

 

 

“Metamorphoses” (The Giants’ War, VII) – Ovid

the-garden-of-earthly-delights-1515-7.jpg!Large

    The Garden of Earthly Delights (1510 – 1515) 

 

             Hieronymus Bosch

 

                  __________

 

 

              Nor from his patrimonial Heaven alone
              Is Jove content to pour his vengeance down; 

 

let me say something about Heaven 

here, a concept that is quite different 

from the earlier Ancient Greek and 

Roman understanding of the term, 

was it, for that matter, even a term

then, of the Ancients, that would’ve 

meant nothing other to them than 

the blue sky above, not at all an 

area reached by extraterrestrial 

transcendence

 

the abode of the gods and goddesses 

at the time of Ovid was Mount Olympus

and had been for centuries, much closer 

to the earth than the more ethereal home 

we imagine of the gods today, every one

of them, however professedly uniquely  

supreme, otherworldly

 

all gods, note, no goddesses, what’s up  

with that, I’ve long wondered

 

the Underworld was for the Ancients 

the dwelling place of the departed, 

somewhere deep beneath the earth, 

or at the very ends of all the seas, 

never totally beyond the very 

cosmos, as our prevailing faiths 

now uniformly preach 

 

the image of Heaven, Hell, and 

Purgatory for that matter, that last

a completely Catholic invention – to 

account for the salvation, however 

partial, of innocent souls deprived 

of Heaven for not having been 

christened, though not able yet, at 

so early an age, to have sinned – 

was pretty well codified by Dante

in the 14th Century in his 

masterpiece, The Divine Comedy,​ 

a daunting, but profoundly

illuminating read, which has 

shaped our impression of these 

several possible afterlives ever 

since

 

see above

 

this particular translation, however 

magisterial, but crafted after over a

thousand years of Catholic cultural 

domination, cannot avoid the impact 

of the Catholic understanding of 

Heaven

 

neither, now, can we, for that matter, 

intimately imbued as we are with

the binding faiths of our relatively

more recent forebears

 

be therefore perspicacious

 

 

              Aid from his brother of the seas he craves,
              To help him with auxiliary waves. 

 

later, we’ll learn that Jove’s brother 

of the seas is Neptune, god of all

aqueous things


            The watry tyrant calls his brooks and floods,
            Who rowl from mossie caves (their moist abodes); 

 

rowl, or roil, upset 

 

mossie, mossy


            And with perpetual urns his palace fill:
            To whom in brief, he thus imparts his will.

 

Neptune is stockpiling water, with

the help of his conforming waterways


            Small exhortation needs

 

no time, in other words, no need, 

to do much coaxing, much 

exhortation

 

                                          your pow’rs employ: 

 

use, put into action, or employ, 

your pow’rs


            And this bad world, so Jove requires, destroy. 

 

Jove, god of gods, is here commanding, 

authorizing, orchestrating    


            Let loose the reins to all your watry store:
            Bear down the damms, and open ev’ry door.


             The floods

 will inexorably follow

 

stay tuned

 

 

R ! chard

 

 

“Metamorphoses” (The Giants’ War, IV) – Ovid

Lycaon-Greece

    “Jupiter and Lycaon” 

 

          Jan Cossiers

 

              _______

 

having already warned his court of Lycaon’s

excesses, Jove instructs his deities to

 

             Cancel your pious cares; already he
             Has paid his debt to justice, and to me. 

 

job accomplished


             Yet what his crimes, and what my judgments were,
             Remains for me thus briefly to declare. 

 

let me tell you briefly, however, how

I came about it, Jove confides

 

             The clamours of this vile degenerate age,
             The cries of orphans, and th’ oppressor’s rage,
             Had reach’d the stars: 

 

he tells them

 

                                               I will descend, said I,
             In hope to prove this loud complaint a lye. 

 

in order to prove that these clamours 

stood for nothing, this loud complaint 

a lye, or lie, he would, Jove explains,  

descend to Earth in order to investigate  

 

             Disguis’d in humane shape, I travell’d round
             The world, and more than what I heard, I found. 

 

from his travels around the world,  

his proofs, Jove claims, were mostly 

personally obtained, rather than 

having been merely hearsay

 

humane here, note, is an archaic 

spelling of human

 

             O’er Maenalus I took my steepy way, 

 

Mount Maenalus, Latin for Mainalo, was 

mountain in Ancient Greece, sacred, 

incidentally, to the god Pan, god of 

rusticity, undomesticated nature 

 

             By caverns infamous for beasts of prey: 

 

beasts of prey, note, would not have

been unexpected in Pan‘s territory


             Then cross’d Cyllene, and the piny shade
             More infamous, by curst Lycaon made: 

 

Mount Cyllene, or Kyllini, is again a 

mountain in Ancient Greece, this one 

sacred to the god Hermes, god of 

messages, communication, travellers, 

speedy deliveries

 

what Lycaon did to make the piny shade 

of Mount Cyllene more infamous, I’m 

afraid I haven’t been able to ferret out

 

             Dark night had cover’d Heaven, and Earth, before
             I enter’d his unhospitable door. 

 

nighttime permeates Jove’s arrival in

this new, and unfamiliar, unhospitable,

environment 

 

            Just at my entrance, I display’d the sign
            That somewhat was approaching of divine. 

 

as he entered this unfamiliar place, 

Jove says, he display’d the sign of

his divinity, but one only approaching 

of divine, he specifies, a subtle sign, 

something merely suggestive 


             The prostrate people pray; the tyrant grins; 

 

[t]he prostrate people get it, prostrate,

face down in reverence or submission, 

Lycaon, the tyrant, however, doesn’t

 

            And, adding prophanation to his sins, 

 

prophanation, profanation


            I’ll try, said he, and if a God appear,
            To prove his deity shall cost him dear. 

 

Lycaon challenges the god, any god,

to, should he appear, prove his divinity,

goddesses, surely also, would’ve been 

similarly confronted, otherwise any

impostor would grievously suffer


            ‘Twas late; the graceless wretch my death prepares,
             When I shou’d soundly sleep, opprest with cares: 

 

while Jove sleeps, giving respite to 

his cares, Lycaon plots his murder


             This dire experiment he chose, to prove
             If I were mortal, or undoubted Jove: 

 

[t]his, or what is to follow, Jove points out, is

the method Lycaon had already decided he

would try out to determine Jove’s undoubted, 

or indubitable, divinity

 

             But first he had resolv’d to taste my pow’r; 

 

the test


             Not long before, but in a luckless hour,
             Some legates, sent from the Molossian state,
             Were on a peaceful errand come to treat: 

 

legates, ambassadors

 

the Molossians, a tribe of Ancient 

Greece come to peacefully confer 

with Lycaon

 

             Of these he murders one, he boils the flesh;
             And lays the mangled morsels in a dish:
             Some part he roasts; then serves it up, so drest,
             And bids me welcome to this humane feast. 

 

humane here again is an olden form

of human, as in they were feasting 

on human flesh


             Mov’d with disdain, the table I o’er-turn’d;
             And with avenging flames, the palace burn’d. 

 

Jove thunders, see above


             The tyrant in a fright, for shelter gains
             The neighb’ring fields, and scours along the plains. 

 

Lycaon has realized that this guest is 

indeed a god


             Howling he fled, and fain he wou’d have spoke;
             But humane voice his brutal tongue forsook. 

 

fain, or most willingly

 

again here humane means human, 

Lycaon could no longer speak in a 

human voice

 
             About his lips the gather’d foam he churns,
             And, breathing slaughters, still with rage he burns, 

 

though his voice and lips begin to be

affected, Lycaon continues through 

this channel to fume, rage, breath[e] 

slaughters 

 

             But on the bleating flock his fury turns. 

 

but his anger, his fury, is now directed 

towards flocks of bleating sheep


             His mantle, now his hide, with rugged hairs
             Cleaves to his back; a famish’d face he bears;
             His arms descend, his shoulders sink away
             To multiply his legs for chase of prey. 

 

the metamorphosis of Lycaon has 

begun, he wears a hide instead of 

a mantle, an overgarment, his back 

becomes hairy, his arms become 

legs as his shoulders sink away

a transformation appropriate to 

hunt prey 

 

             He grows a wolf, his hoariness remains, 

 

hoariness, the condition of being 

old and grey, a remnant of his 

earlier human self


             And the same rage in other members reigns.
             His eyes still sparkle in a narr’wer space:
             His jaws retain the grin, and violence of his face 

 

Lycaon’s members, or limbs, rage, 

or exhibit fury

 

his eyes become narrower

 

Lycaon has turned into a wolf

 


R ! chard

 


 


 

“Metamorphoses” (The Giants’ War, III) – Ovid

charon-carries-dead-souls-across-the-river-styx.jpg!Large

    “Charon Carries Dead Souls across the River Styx(1861)

 

           Konstantin Makovsky

 

                 ____________

 

Jove, god of Thunder, speaks

 

            I was not more concern’d in that debate
            Of empire, when our universal state
            Was put to hazard, and the giant race
            Our captive skies were ready to imbrace: 

 

I was not especially disturbed, Jove says,

when the state of our universe was 

challenged, or debate[d], when the giants 

tried to usurp our territory, were ready to 

imbrace, or embrace, take on, our  

vulnerable, [o]ur captive, skies


            For tho’ the foe was fierce, the seeds of all
            Rebellion, sprung from one original; 

 

because the enemy, then, the adversary, 

came from the one original source, its 

however manifold predations, its 

however myriad desecrations, would’ve

been identifiable to Jove, not foreign, not

unmanageable, he would’ve recognized

the black sheep of the Olympian family,

the giants  

 

            Now, wheresoever ambient waters glide,
            All are corrupt, and all must be destroy’d. 

 

ambient, nearby, related, infected, corrupt,

all has been corrupted


            Let me this holy protestation make,
            By Hell, and Hell’s inviolable lake, 

 

here’s another anachronism, for Hell wouldn’t’ve 

been even a concept in the era of Ovid, where

the Underworld, and Hades, entirely different

afterworlds, would’ve prevailed, areas of 

persistent gloom and shade, see Homer here,

for instance, or Virgil

 

the Underworld of the ancient world was 

surrounded by five rivers, Hell’s inviolable 

lake, the most famous of which was the 

river Styx

 

in the Divine Comedy, Dante updates this 

watery boundary for his own 14th Century

readers, and makes it the passageway to

the fifth circle of Hell, where Charon 

remains, after even over a thousand 

years, the very same ferryman

 

see above

 

nor was there either any of our present

conception of Heaven, Heaven would’ve 

been Olympus then, the exclusive domain 

of the Gods, either Greek or Roman 

 

            I try’d whatever in the godhead lay: 

 

Jove says, I tried everything a god 

could use


            But gangren’d members must be lopt away,
            Before the nobler parts are tainted to decay. 

 

you’ve got to lop[ ] away, cut off, the bad 

parts before they infect the more vital 

components of the body

 
            There dwells below, a race of demi-gods,
            Of nymphs in waters, and of fawns in woods:
            Who, tho’ not worthy yet, in Heav’n to live,
            Let ’em, at least, enjoy that Earth we give. 

 

not all beings are corrupt, but nymphs 

and fawns, innocents, Jove pleads, 

should be given consideration on 

Earth, if they be not yet worthy of the 

majesty of Heav’n, and granted earthly 

areas of enjoyment in the confines of 

their forsaken place 


            Can these be thought securely lodg’d below,
            When I my self, who no superior know,
            I, who have Heav’n and Earth at my command,
            Have been attempted by Lycaon’s hand? 

 

if Lycaon could attack me, Jove, god 

of Thunder, asks, how can these 

innocents, nymphs, fawns, ever be 

safe

 

             At this a murmur through the synod went,
             And with one voice they vote his punishment. 

 

the punishment of Lycaon, which we’ll 

soon encounter


             Thus, when conspiring traytors dar’d to doom
             The fall of Caesar, and in him of Rome,
             The nations trembled with a pious fear;
             All anxious for their earthly Thunderer: 
 

 

Thus, or in a similar manner, did the nations

of the earth tremble when Caesar, their 

earthly Thunderer, was assassinated 

 

nations, incidentally, is another anachronism,

nations didn’t appear on earth until the 

18th Century, with the French Revolution

 

             Nor was their care, o Caesar, less esteem’d
             By thee, than that of Heav’n for Jove was deem’d: 

 

Ovid addresses Caesar here, his contemporary,

and compares that emperor’s esteem for nations, 

his reliance on their allegiance, to the esteem 

Heav’n has for Jove

 

             Who with his hand, and voice, did first restrain
             Their murmurs, then resum’d his speech again. 

 

Jove calls for silence in the assembly

before speaking again


             The Gods to silence were compos’d, and sate
             With reverence, due to his superior state. 

 

The Gods … sate, or sat, then took heed,

bowing to Jove’s superior position

 

the tale of the punishment of Lycaon

will follow  

 


R ! chard

 


 


art in a time of crisis

prelude-to-alice-1955.jpg!Large

     “Prelude to Alice (1955) 

 

         Charles Blackman


               __________

 


in all the fallout from the very early 

reactions still to the present global 

crisis, self-isolation, a retreat from 

the, not only usual but consolidating, 

aspects of our communal interactions, 

there remain effective manners of 

dealing with this sea, this profoundly 

existential, change we are viscerally

experiencing

 

a social animal is being asked to 

eschew – Gesundheit – social contact, 

this is not an inconsequential ask

 

religions might’ve earlier been common

recourses for many believers, but the 

restrictions on assembly are already

impeding such solutions, we are left,

therefore, to find personal answers to 

our prescribed isolation – what do I do 

with my time, how do I subsist when 

my supports are disintegrating 

 

let me suggest immersion in the lessons

art has bequeathed us through the ages

 

it isn’t a bad time to review, for instance,,

the majesty of Homer’s Iliad, Ovid’s 

Metamorphoses, his interpretation of 

the origin of the world, its genesis, 

Shakespeare’s tragedies, Beethoven’s

transcendental music, since many of us 

are confined to our homes

 

rather than rue, bristle, use our time, I

suggest, to contemplate, learn, discover 

 


in looking for flowers recently, for a 

friend who’s undergone her own 

private agony, unrelated to the 

recent international medical crisis,

I fell upon, again, the magical 

inventions of this utterly inspired 

painter

 

like many other, even celebrated, even 

revered, artists, this, however insulated,

however apparently isolated, visionary,

with the strength of his inspiration, 

gives weight to the power of mere 

poetic passion, a thrust towards what

is thought of as beautiful, however

individual, suggesting that each our 

own aesthetic is of value, when

fervently followed, pursued,

check him out


meanwhile, I’m learning to sing, creating 

a repertoire, what have I got to lose

 


R ! chard

 


 


 

“Metamorphoses” – Ovid, 102

to-be-titled.jpg!Large

   To Be Titled (1987) –

 

          Jean-Michel Basquiat

 

                     __________

 


next, according to Ovid, inspired, presumably,  

by the Gods, is what happens before the world 

is created

 

        Before the seas, and this terrestrial ball, 

 

which is to say, the earth

 

        And Heav’n’s high canopy, that covers all,

        One was the face of Nature; if a face:

 

the “face of Nature” was “One”, an 

indistinguishable, perhaps not even, “face”

 

        Rather a rude and indigested mass:

        A lifeless lump, unfashion’d, and unfram’d,

        Of jarring seeds; and justly Chaos nam’d.

 

this undifferentiated agglomeration, this “lifeless 

lump” was called Chaos

 

note the “seeds”, however, potential, though 

“jarring”, or conflicting, the genesis for what 

is to follow   

 

           No sun was lighted up, the world to view;

           No moon did yet her blunted horns renew:

 

the horns of the moon are visible when the 

crescent moon lies flat on the horizon, in 

the shape of a smile, presenting “horns”, 

the twin elevated extensions

 

           Nor yet was Earth suspended in the sky,

           Nor pois’d, did on her own foundations lye:

 

or lie

 

           Nor seas about the shores their arms had thrown;

           But earth, and air, and water, were in one.

 

see again Chaos here

 

           Thus air was void of light, and earth unstable,

           And water’s dark abyss unnavigable.

           No certain form on any was imprest;

           All were confus’d, and each disturb’d the rest.

           For hot and cold were in one body fixt;

           And soft with hard, and light with heavy mixt.

 

 

next, the first metamorphosis

 

stay tuned

 


R ! chard

 

 

 

“Metamorphoses” – Ovid, 101

primavera-1478(1).jpg!Blog

   “Primavera (1478) 

 

       Sandro Botticelli

 

             _________

 

 

a friend expressed some interest in Ovid’s

Metamorphoses recently after I’d sung for 

a few moments its praises, had told her I 

was revisiting it after some time with the 

intention of duly, this time, completing it, 

given that, hey, we’ve got lots of time, at 

present, all of us, on our hands, by very 

mandate  

 

it sounds wonderful, she briefed me after 

I’d sent her the appropriate link, but there 

are some parts I don’t understand

 

I’ll help, I said, only too eager to share 

the delights of this inprobable treasure,

a gift nearly two thousand years old, 

with the magic still of very revelation

 

Metamorphoses is a creation story, the 

equivalent of the Bible for those who 

revered the Roman deities, the same 

deities that the Greeks revered, but 

transplanted, renamed, to Roman 

stock, like the Puritans did their  

Christian seed at Plymouth Rock  

 

Ovid, 43 BC to 17/18 AD, was a Roman

poet, paying fealty to Augustus, Emperor

of Rome, 63 BC to 14 AD, therefore his 

Roman goddesses, gods, and his, 

contemporary, Latin

 

which was translated into English early 

in the Renaissance, but found its best

expression, to my mind still, in the 

eminent hands of Sir Samuel Garth,

John DrydenAlexander PopeJoseph

AddisonWilliam Congreve, among 

others in, already, 1717

 

listen 

 

The Creation of the World

 

       Of bodies chang’d to various forms, I sing:
 

Ovid is saying my topic is transformation, very

metamorphoses, plural of metamorphosis


       Ye Gods, from whom these miracles did spring,
       Inspire my numbers with coelestial heat;
       ‘Till I my long laborious work compleat:
       And add perpetual tenour to my rhimes,
       Deduc’d from Nature’s birth, to Caesar’s times. 

 

poets have traditionally called upon their related

muses to inspire them to accomplish their task,

Ovid invokes his Gods, compare Shakespeare’s 

O for a Muse of fire, that would ascend / The

brightest heaven of invention, his prologue to 

Henry V   

 

“Ye Gods”, Ovid says, from whom these 

miracles did spring”, those everyday wonders 

that surround us, inspire me, he asks, that I 

might “compleat”, which is to say complete, 

his poem, this long laborious work”

 

his “numbers” are his years, “coelestial”, or

celestial, “heat”, is inspiration

 

“tenour to my rimes” means rhythm, weight, 

to his poetry

 

“Nature’s birth”, or the beginning of time, to

“Caesar’s time”, Ovid‘s own period under

Augustus

 

Ovid asks the Gods to fuel him with the

fire to tell the story of the world from its 

very beginning to his own epoch,

Caesar’s 

 

how’s that for a project

 

 

enough for now

 

but stay tuned for, to follow, the Creation,

capital C, I tell you 

 

 

R ! chard

 

 

 

“The Iron Age” – Ovid

 

the-age-of-iron-1641-1.jpg!Large.jpg

                                “The Age Of Iron (1637-1641)

                                          Pietro da Cortona

                                               __________

The Iron Age

Hard steel succeeded then: 
And stubborn as the metal, were the men. 
Truth, modesty, and shame, the world forsook: 
Fraud, avarice, and force, their places took. 
Then sails were spread, to every wind that blew. 
Raw were the sailors, and the depths were new: 
Trees, rudely hollow’d, did the waves sustain; 
E’re ships in triumph plough’d the watry plain.

Then land-marks limited to each his right: 
For all before was common as the light. 
Nor was the ground alone requir’d to bear 
Her annual income to the crooked share, 
But greedy mortals, rummaging her store, 
Digg’d from her entrails first the precious ore; 
Which next to Hell, the prudent Gods had laid; 
And that alluring ill, to sight display’d. 
Thus cursed steel, and more accursed gold, 
Gave mischief birth, and made that mischief bold: 
And double death did wretched Man invade, 
By steel assaulted, and by gold betray’d, 
Now (brandish’d weapons glittering in their hands) 
Mankind is broken loose from moral bands; 
No rights of hospitality remain: 
The guest, by him who harbour’d him, is slain, 
The son-in-law pursues the father’s life; 
The wife her husband murders, he the wife. 
The step-dame poyson for the son prepares; 
The son inquires into his father’s years. 
Faith flies, and piety in exile mourns; 
And justice, here opprest, to Heav’n returns.

                                        Metamorphoses – Ovid

just saying

Richard