Richibi’s Weblog

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Month: September, 2016

on art, its purpose

poet-with-flower-2008-jpgblog

                                Poet With Flower (2008)

                                          Stefan Caltia

                                                 _____

wherefore art, I’ve long and often wondered,
with only a wink to Juliet’s Romeo, for my
question dug deeper, why, indeed, itself art

we build our souls on the stories we’ve 
heard, the impressions we’ve received
from voices that spoke directly to our 
senses, painters with paint, musicians
with music, writers with words, poets 
with poems

it started with fairy tales, which told of
right and wrong, good and bad, courage,
kindness, responsibility, and dire 
consequences for discord

Biblical stories also took up a lot of my own
childhood, Jesus, Adam and Eve, Moses
and the Ten Commandments, this last 
reinforced by Cecil B. DeMille’s epic

but soon enough it was Oliver TwistLittle
Nell, and by an inescapable authorial leap, 
since these were all by an irresistible 
Charles Dickens for a guy my age, Sydney
Carton, who valiantly stands in for his
friend, Charles Darnay, at the guillotine, a 
quantum, even existential, leap from 
Peter Pan and Mary Poppins 

though I had the good fortune to learn to 
read and write music as a boy, play music, 
learn about Bach, Brahms and Beethoven, 
it didn’t take anyone else much more than
their enthusiasm to see what the Beatles
were similarly doing, the Rolling Stones, 
the Supremes, they were not only singing, 
but making history, shaping it, and us, we 
followed the questions they rose, their 
responses, the effects upon ourselves
for nothing is considered until it’s 
mentioned, spoken, made clear, and they
were those prophets

the same goes for art, we see as we see
cause Monet, Picasso, Warhol showed 
us how to see, what to look at

and of course poets, Shakespeare, 
RostandDanteGoethe, to inform, each,
their individual language, and culture

I have been Philip CareyScarlett O’Hara, 
Blanche DuboisGary Cooper in High
Noon“, both Martha and George in 
Who’s Afraid of Virginia Woolf“, lately 
I’ve been even Hank Williams

as Babette would say, a French doll who 
gets abducted in Raggedy Ann and Andy:
A Musical Misadventure“, an animated 
movie from the Seventies, – oo aahrr yoo 

Richard

psst: all of them have been me too,
      incidentally

“The Man I Love” – George and Ira Gershwin

apollon-1937-jpglarge

             Apollon” (1937) 

             Charles Despiau

                    _______

when my heart is broken, I learn the 
words to torch songs, and wallow in 
my misery until the poignancy of the
poetry seduces me and I revel in its 
caress

for a while now I’ve been yodelling 
along with Hank Williams, who, 
incidentally, sings in my key, though 
the accurate reach of his far-flung 
notes can be tricky

but today, I inadvertently slipped into 
this Sophie Tucker classic enough to 
change my tune

watch this wonderful rendition of 
The Man I Love in a version you’ll 
never forget for both its originality
and its great humanity

Richard

” Shakespeare and Politics”- Professor Paul Cantor

on-the-waterfront-set-design-for-shakespeare-s-drama-the-merchant-of-venice(1).jpg!Large.jpg

 On The Waterfront. Set Design For Shakespeare’s Drama

   “The Merchant Of Venice” (1920)

 

      Alexandre Benois

 

                 ________

 

 

though this recommendation might seem 

erudite, esoteric, indeed eccentric, if not

even improbable, I vaunt this invaluable 

series to the stars, Professor Paul Cantor

of the University of Virginia, speaking from 

Harvard, however, here, shines such 

glorious light on the already extraordinary 

Shakespeare so as to make him the equal 

of very  Beethoven, poets of nearly 

supernatural ability 

 

Professor Paul Cantor views Shakespeare 

through Shakespeare’s understanding of  

politics, comparing his political settings – 

commercial Venice, imperial Rome, 

medieval and Renaissance England, 

Denmark under a Christian king – to not 

only shed light on those individual 

political systems alive at a time when 

democracy was being born, but as well 

on Shakespeare’s own unexpectedly 

probing philosophical insights in the 

matter of governance, right up there 

with John Locke and Machiavelli

 

who’d ‘o thunk it 

 

the professor is engaging throughout, his  

information entirely absorbing, you’ll come 

out a new wo/man

 

 

the lectures are not short at an hour, twenty
minutes, I break to powder my nose, get a
a glass of wine, even answer the phone to,
of course, preferred only parties, but have 
been returning addictively daily 

 it’s a heady indeed addiction

 
 
Richard