how to listen to music if you don’t know your Beethoven from your Bach, XVIII – Rachmaninov

Portrait of the composer Sergei Rachmaninov, 1925 - Konstantin Somov

 

     Portrait of the composer Sergei Rachmaninov

 

                   Konstantin Somov

 

                                ______

 

though you probably still wouldn’t be able

to tell a prelude from a hole in the wall, 

nor, admittedly, can I, unless indicated,

if you’ve listened to the pieces I’ve

recently presented, you’ve noted, even 

merely sensed, really, that the preludes 

of one composer don’t sound at all like

those of the others, Bach doesn’t sound 

like Chopin, who doesn’t sound at all   

like Debussy, the first step in telling  

your Beethoven from your Bach, as 

promised in my title

 

you might not even be able to tell which  

is which as you’re listening, but you can

tell they’re different, you do the same 

thing telling your Monet from your 

Renoir

 

Rachmaninov also wrote, like Chopin, 

and Debussy, 24 preludes, and, like 

Chopin, in every key, major and minor

 

but spread out through three publications, 

Opus 3, no. 2from 1892, comprising of 

only one prelude, but a scorcher, The 

Bells of Moscow, listen

a second set, Opus 23, consists of ten, 

mostly iconic, pieces, you’ve heard 

them somewhere before, therefore 

iconic

 

the final set comes out in 1910, 

Opus 32with thirteen preludes,

for a total of 24

 

you’ll marvel, even Marilyn Monroe 

famously did

 

enjoy 

 

 

R ! chard