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Category: Piet Mondrian

parsing art – David Hockney‏

David Hockney - "Rubber Ring Floating in a Swimming Pool"

Rubber Ring Floating in a Swimming Pool (1971)

David Hockney


in responding to the powerful dictates
of Abstract Expressionism, dominant
in mid-Twentieth-Century art, its return
to essentials, the technical elements
of the medium – as indeed was taking
place in music and literature as well
during that period, see John Cage,
or Samuel Beckett, for instance, if
you dare – David Hockney, as well
as other related artists at the time,
were, it would seem, looking to
reconnect with a more general public,
their, after all, burgeoning market in
the post-war rise of the Middle Class,
not only with objects it would find
familiar, even iconic, Campbell Soup
s, Marilyn, but with outright fun,
a not inconsequential attribute

out with ontological musings, they
were saying, dry taxonomy, and in
with, as it were, the bomp sh’ bomp
sh’ bomp

or Pop Art

noteworthy for its sense of
outrageousness, levity

and fashion, incidentally

not either inappropriately, fashion
was what the popes had been doing,
after all, adorning the Sistine Chapel

David Hockney here takes colour field
– flat, undifferentiated areas of a single
colour, a founding element of Abstract
Expressionism – and applies it to a
recognizable surface, which,
incidentally, he insists in his very title,
is not “Abstract”

we delight in the ingenuity of this
conjunction, form has become
function, or the reverse

and note furthermore the aptness
of other painterly preoccupations,
texture, a consideration that goes
back to Vermeer, and further

dimensionality, there is no horizon
to force representation of a third
dimension, which nevertheless
ingeniously doesn’t obliterate
clear three-dimensional

geometry, a hats-off to Mondrian
perhaps, and Cubism, though
we’ve come a long way from the
more diaphanous and shimmering
Cubism, just click

in fine, I’m impressed by the manner
in which this painting, despite its
naked and overt representation of
its subject, devoid of any context,
urges a more theoretical
consideration than substantial,
indeed “Abstract” rather than
grounded, rock, materially
speaking, solid

does Rubber Ring Floating in a
Swimming Pool
inform the form,
in other words

or does the form inform the
Rubber Ring Floating in a
Swimming Pool

is this grammar or a poem

you tell me


“Essay on Wood” – James Richardson


Piet Mondrian - "Woods Near Oele" (1908)

Woods Near Oele (1908)

Piet Mondrian


if my last entry was about an Étude
in the Form of a Waltz
an unlikely
combination, here’s an essay in the
form of a poem, kind of like my
own stuff



Essay on Wood

At dawn when rowboats drum on the dock
and every door in the breathing house bumps softly
as if someone were leaving quietly, I wonder
if something in us is made of wood,
maybe not quite the heart, knocking softly,
or maybe not made of it, but made for its call.

Of all the elements, it is happiest in our houses.
It will sit with us, eat with us, lie down
and hold our books (themselves a rustling woods),
bearing our floors and roofs without weariness,
for unlike us it does not resent its faithfulness
or question why, for what, how long?

Its branchings have slowed the invisible feelings of light
into vortices smooth for our hands,
so that every fine-grained handle and page and beam
is a wood-word, a standing wave:
years that never pass, vastness never empty,
speed so great it cannot be told from peace.

James Richardson