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Category: Homer

________
‘Twas now, while these transactions past on Earth,
And Bacchus thus procur’d a second birth,
had been granted a second birth
after he’d been plucked from
Semele‘s womb in a first, abortive,
/ Zeus‘s thigh to term for the
When Jove, dispos’d to lay aside the weight
Of publick empire and the cares of state,
As to his queen in nectar bowls he quaff’d,
“In troth,” says he, and as he spoke he laugh’d,
“The sense of pleasure in the male is far
More dull and dead, than what you females share.”
you might note here that these last
eight verses have been one long
sentence, incorporating here and
there other full sentences, but
within commas, like railroad cars
pulled along by a locomotive, none
independent of the others, it seems
to me I’ve seen that kind of thing
before
quaff’d, drank, took a draught
to his queen, in her honour
in troth, in truth, truly
to settle with Juno / Hera, he claims
that men are less attuned to
pleasure than women are
Juno the truth of what was said deny’d;
Tiresias therefore must the cause decide,
Tiresias will be the arbiter, he will
the cause decide
Tiresias, mythical prophet
For he the pleasure of each sex had try’d.
hmmm, you don’t hear stuff like
that in the Bible, the monotheistic
counterpart to Ovid’s pantheistic
a pantheistic religion would have
no categorical set of values, no
themselves would not agree on
a code of behaviour, morality
would be in the eye of the
beholder, not divinely mandated,
Nietzsche will have a lot to say
about that in the 19th Century
eminently pertinent to ensuing
generations
It happen’d once, within a shady wood,
Two twisted snakes he in conjunction view’d,
in conjunction, mating
When with his staff their slimy folds he broke,
And lost his manhood at the fatal stroke.
you shouldn’t mess around with
snakes, it appears
But, after seven revolving years, he view’d
The self-same serpents in the self-same wood:
self-same serpents, surely he means
the same species, not the same
snakes
“And if,” says he, “such virtue in you lye,
That he who dares your slimy folds untie
Must change his kind, a second stroke I’ll try.”
if it worked once, it might work a
second time, Tiresias supposes
Again he struck the snakes, and stood again
New-sex’d, and strait recover’d into man.
it worked, Tiresias is reconfigured,
reconstituted, as a man
Him therefore both the deities create
The sov’raign umpire, in their grand debate;
create, appoint, assign duties to
the grand debate, the question,
the calculus, of pleasure
sov’raign umpire, chief, ruling,
irreversible by consent, judge
And he declar’d for Jove:
women are more susceptible to
pleasure than men are, Tiresias
definitively decides
when Juno fir’d,
More than so trivial an affair requir’d,
fir’d, not happy, furious, motivated
More than so trivial an affair, this
incident shouldn’t’ve been the
cause of, requir’d, the extreme
Depriv’d him, in her fury, of his sight,
And left him groping round in sudden night.
Tiresias, the blind prophet, the
apocryphal blind prophet, so
grimly subjected, finds powerful
resonance, incidentally, in Homer,
another, even more famous, and
actual, which is to say historically
authenticated, blind prophet, both,
nevertheless, of immeasurable
cultural consequence
But Jove (for so it is in Heav’n decreed,
That no one God repeal another’s deed)
an honour code among the gods,
to balance competing, however
august, visions, morality, in other
words, by consensus
Irradiates all his soul with inward light,
And with the prophet’s art relieves the want of sight.
thus Tiresias becomes the famed
prophet, for better, it’ll turn out,
or for worse, cursed, and blessed,
simultaneously
stay tuned
R ! chard

_______
all mythologies have their picture, their
rendition, their evocation of an afterlife,
states of either resignation, in earlier
traditions, perdition or bliss in the later
Christian view, manifest, these latter,
in Dante, his depictions of Hell,
Commedia, are probably its most
explicit evocations
the Greek and Roman pictures of
their own representative Underworld,
notably, is less compartmentalized,
less extreme in its divisions, a gloom
pervades, but nowhere fire and
brimstone, nor the diametrically
opposed consolation of archangels
and trumpets, only an unending
sense of desolation, be one worthy
of it or not
limbo comes to mind
but Envy’s realm is actual, not
belated, in the Ancient Greek and
Roman traditions, it is of this world,
present, however horrid, a place
that lurks in the hearts of men, of
people, always, ever, accessible
Dante situates his nexus of Envy in
Purgatory, the afterlife, the nether
world, its Second Circle, of seven,
Wrath, Envy, Pride, Lust, Gluttony,
Greed, Sloth
for Ovid, you can reach Envy’s
dominion, in the nearby mountainous
areas, if only you’ll follow Minerva
the one course is transcendental,
the other, organic, note, physical,
carnate
Directly to the cave her course she steer’d;
Against the gates her martial lance she rear’d;
The gates flew open, and the fiend appear’d.
the fiend, Envy herself
A pois’nous morsel in her teeth she chew’d,
And gorg’d the flesh of vipers for her food.
yech
Minerva loathing turn’d away her eye;
as, incontrovertibly, would I
The hideous monster, rising heavily,
Came stalking forward with a sullen pace,
And left her mangled offals on the place.
Soon as she saw the goddess gay and bright,
She fetch’d a groan at such a chearful sight.
Livid and meagre were her looks, her eye
In foul distorted glances turn’d awry;
A hoard of gall her inward parts possess’d,
And spread a greenness o’er her canker’d breast;
Her teeth were brown with rust, and from her tongue,
In dangling drops, the stringy poison hung.
She never smiles but when the wretched weep,
Nor lulls her malice with a moment’s sleep,
Restless in spite: while watchful to destroy,
She pines and sickens at another’s joy;
Foe to her self, distressing and distrest,
She bears her own tormentor in her breast.
the passage, without explication,
speaks for itself, I cede to its
manifest erudition
The Goddess gave (for she abhorr’d her sight)
her sight, what she was looking
upon
A short command: “To Athens speed thy flight;
On curst Aglauros try thy utmost art,
And fix thy rankest venoms in her heart.”
Minerva condemns, curs[es],
This said, her spear she push’d against the ground,
And mounting from it with an active bound,
Flew off to Heav’n:
Minerva reminds me of my own
meanwhile, the hag, Envy, with
eyes askew
Look’d up, and mutter’d curses as she flew;
For sore she fretted, and began to grieve
At the success which she her self must give.
success, the humiliation of
Then takes her staff, hung round with wreaths ofthorn,
And sails along, in a black whirlwind born,
the picture of a witch on a
broomstick shouldn’t
here be unanticipated
O’er fields and flow’ry meadows: where she steers
Her baneful course, a mighty blast appears,
Mildews and blights; the meadows are defac’d,
The fields, the flow’rs, and the whole years laidwaste:
the whole years, the yearly crops
On mortals next, and peopled towns she falls,
And breathes a burning plague among their walls.
the, not unfamiliar to us, season,
now, of the witch
R ! chard