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during the third evening of recitals, the
program, to my surprise, starts with a
work even earlier than the earliest
one we’ve heard yet in this
he was seventeen, he would’ve
been, and was, steeped in Mozart,
music to amuse musical coteries
but at the start of the second movement,
I heard an air I’d heard somewhere
before, it turned out to be the seed of
a magical part in one of his later
transcendental pieces
Schubert was already imbued with his
divinity, see above, you can hear it,
R ! chard