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“The Birth of Bacchus” (ll)– Ovid
by richibi

_________
Old Beroe’s decrepit shape she wears,
Her wrinkled visage, and her hoary hairs;
Old Beroe, faithful servant of Semele
hoary hairs, love it
Whilst in her trembling gait she totters on,
And learns to tattle in the nurse’s tone.
Juno / Hera transforms herself into
Old Beroe, tattl[ing], talking idly, in
the nurse’s tone, impersonating her
in order to seek revenge, if you’ll
her husband’s progeny
The Goddess, thus disguis’d in age, beguil’d
With pleasing stories her false foster-child.
foster-child, a child who is fostered,
nurtured, by someone other than a
parent, Semele, by Old Beroe,
purportedly, in this instance
false, Juno / Hera is not Old Beroe,
but the nurse’s duplicitous, false,
in both senses of the word here,
double
beguil’d, enchanted, amused
Much did she talk of love, and when she came
To mention to the nymph her lover’s name,
Fetching a sigh, and holding down her head,
“‘Tis well,” says she, “if all be true that’s said.
I thought, meets Sleeping Beauty’s
wicked stepmother, for a more
contemporary coupling
But trust me, child, I’m much inclin’d to fear
Some counterfeit in this your Jupiter:
Some counterfeit, yourJupiter is not
your [actual] Jupiter, Juno / Hera
suggests
Many an honest well-designing maid
Has been by these pretended Gods betray’d,
well-designing, without guile, with
no ulterior motive
pretended Gods, men who unjustifiably
beat their chest, tell tall tales, unequal
to their proclaimed accomplishments
But if he be indeed the thund’ring Jove,
Bid him, when next he courts the rites of love,
Descend triumphant from th’ etherial sky,
In all the pomp of his divinity,
Encompass’d round by those celestial charms,
With which he fills th’ immortal Juno’s arms.”
to ask her lover, when next he courts
the rites of love, to prove he is indeed
appropriately
Encompass’d round, accoutred,
enveloped, in
the pomp, incidentally, the splendour
of his divinity, take on a couple of
extra poetic lines, verses, indicative
of that very splendour
note also that Semele seems to have
marital status, about bearing the child
of another woman’s man, indeed that
of a very, in this instance, goddess,
Th’ unwary nymph, ensnar’d with what she said,
ensnar’d, ensnarled, caught up in
Desir’d of Jove, when next he sought her bed,
To grant a certain gift which she would chuse;
Desir’d of, asked of, requested of
chuse, choose
“Fear not,” reply’d the God, “that I’ll refuse
Whate’er you ask: may Styx confirm my voice,
Chuse what you will, and you shall have your choice.”
forms the boundary between Earth and
Titans and been granted by him that
oaths should henceforth all be sworn
upon her, and be punctiliously observed
his own son Phaeton his wish upon very
for both, of consequences
“Then,” says the nymph, “when next you seek my arms,
May you descend in those celestial charms,
And fill with transport Heav’n’s immortal dame.”
show me, Semele asks of her suitor,
what she gets, what Juno / Hera gets,
when next you seek my arms
go, girl, I thought, if you’re going
to be irreverent
The God surpriz’d would fain have stopp’d her voice,
But he had sworn, and she had made her choice.
on very Styx, he’d sworn, ever so
perilously
stay tuned
R ! chard
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Filed Under: "Metamorphoses",
a poem to ponder,
Apollo,
in search of beauty,
in search of God/dess,
in search of truth,
literature to ponder,
mythology,
Ovid,
paintings to ponder,
parsing art,
poetry,
poetry to ponder,
up my idiosyncrasies,
walking in beauty
Tags: "Romeo and Juliet" - Shakespeare :
"Jupiter and Semele" - Gustave Moreau :
"The Birth of Bacchus" - Ovid :
Jove / Jupiter / Zeus / god of gods :
Juno / Hera - queen of the gods :
Old Beroe :
Phaeton - son of Helios / Phoebus / Apollo and of Clymene :
Phoebus / Apollo - god of the Sun :
Semele - consort of Jove / Jupiter / Zeus :
Sleeping Beauty :
Styx/ goddess :
the Underworld :
the river Styx :
War of the Titans