Quartet 1 in B major (“La chasse”), op. 1 no. 1 – Haydn

by richibi


        “Louis XIV and Molière (1862) 

              Jean-Léon Gérôme


the string quartet didn’t come out of nowhere,
as nothing does – I think – but probably, I 
suspect, from the earlier period’s suites, the
Baroque’s, Bach’sfor instance

suites are a series of dance pieces, stylized 
for the purpose of the musical poet, a popular 
appropriation, an even natural one for 

the aristocracy, by the middle of the 18th
Century, demanded erudite entertainment,
something that Louis XlV, the Sun King,  
had instilled, a little earlier, during his 
Radiant Reign – see Racine, Corneille
Molière, see above, as well, incidentally –
1643 to 1715, up at Versaillesas 
prerequisite for excellence in being a
monarch, a sovereign, sponsorship of 
culture, painting, poetry, music

dukes and counts and barons and 
princesses got onto the bandwagon 
and the arts consequently flourished

witness Haydn and Mozart then, still, 
now, giants 

here’s Haydn’s first, his Quartet no 1
in B major, (“La chasse”), op. 1 no. 1,
the first significant string quartet in 
our Western culture

you’ll note five movements, following 
the suite model described above, with 
mirrored minuets sandwiched between 
opposing mirrored prestos, and an 
adagio in the very middle, as though  
their crowning moment 

an adagio, to my mind, always gives 
away a composer’s worth, listen to 
this one, it’s melting

and he’s got 67 more to go through, I    
marvel, a veritable, and utter,
however improbable, musical

R ! chard