Mozart Concerto for Two Pianos and Orchestra, K365‏

by richibi

  Blind Man's Bluff - Jean-Honore Fragonard

                               Blind Man’s Bluff(1769-70)

                                               Jean-Honoré Fragonard
the spirituality that is everywhere in Bach, the
sense of musical exploration and ultimate solace,
will not be found again in the history of music
for another hundred years, in Anton Bruckner
then, 1824 – 1896, a profoundly devout Catholic
organist – Bach, 1685 – 1750, was Lutheran –
then for another hundred years again, in Olivier
Messiaen, 1908 – 1992, again a profoundly
devout Catholic organist, perhaps a
reincarnation, like a Dalai Lama 
already in his day Bach was being considered
old-fashioned, gasp, the new age was revelling
in courtly extravagance, see also for instance
François Boucher, and Fragonard, featured for
your convenience above
Mozart would fit right in, for a good time call
Wolfgang Amadeus  
Mozart takes the tools that Bach created, the
newly installed well-tempered clavier and does
what kids do with their parents heritage, play
with it, Mozart doesn’t explore, he entertains,
notes are the toys in his sandbox, and he makes
the very most of it, never leaving his kindergarten
sanctum, nor would anybody be as effervescent
again for, this time, another 150 years, with
Prokofiev, 1891 – 1953, even more outrageous,
though ultimately not for that more famous,  
being perhaps for many too out there, fun like
jack-in-the-box, too unnervingly unpredictable, 
Mozart, though eminently delightful, is
appropriately predictable for his epoch
of all of his works my favourite, is what I put
on for instant exhilaration
it never fails me