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Tag: the XVth Tchaikovsky Competition

“Rhapsody on a Theme of Paganini” – Rachmaninov‏

portrait-of-the-composer-sergei-rachmaninov-1925.jpg!Large

 
                                      Konstantin Somov
 
                                              _________
 
 
no one plays Rachmaninov better than
Rachmaninov, of which we’ve got aural
representations though no visual live
performances
 
but here’s a Rhapsody on a Theme of 
Paganini to knock your socks off, in 
all its kinetic, electrifying energy
 
you might remember Daniil Trifonov
from my coverage of the XVth 
who has gone on to achieve a 
stunning international reputation, 
entirely, I submit, deservedly
 
watch him set the piece on fire, at 
pace I find faster than most, with 
nevertheless all the requisite 
dexterity, indeed prestidigitation,  
necessary to weave the intricacies 
of Rachmaninovian sound into 
apposite magic, that magic 
Rachmaninov would surely ‘ve 
looked for
 
check them both out
 
 
Richard

at the XVth International Tchaikovsky Competition – Shino Hidaka

  "The Musical Contest" -  Jean-Honoré Fragonard

The Musical Contest (1754-5)

Jean-Honoré Fragonard

______

with only four contestants to go,
I already crown Shino Hidaka the
winner of the XVth Tchaikovsky
Competition
, this kind of affinity
only comes around once in a
lifetime, her Bach was not only
perfect but inspired, probing,
her ensuing Chopin,
mesmerizing, the Beethoven
that followed aptly, though ever
unexpectedly, transcendental,
transcendence not ever
happening without absolute
mystical concentration, her
Tchaikovsky, an evocation
rather than a mere description
of a Russian village, her
Rachmaninov, on utter fire

Dmitry Shishkin, before her,
neither was un-brilliant, a
consummate technician,
however, rather than an outright
revelation, his spirited Bach was
a turning point for me, finally
someone who got it, his Mozart,
as frivolous and delightful as
Mozart would’ve wanted it to be,
the rest appropriately everywhere
dazzling, second, therefore, ever
so illustrious, nevertheless,
prize, bravo

neither, incidentally, milked any
of their notes, just played what
was written

Richard

psst: compare Fragonard, above, to
Mozart, a synaesthetic match,
where sight and sound are
interwoven, giving you social
intimations of the mid-18th
Century