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Tag: the Second World War

November / Month of the Sonata – 20

Double Self-Portrait - Ernst Ludwig Kirchner

 

        “Double Self-Portrait 

 

               Ernst Ludwig Kirchner

 

                           ________

 

 

Ravel’s Violin Sonata no 2, of 1927, is a 

long way from the Romantics, though I

usually settle Ravel among the 

Impressionists, this piece seems rather

to reflect the later Expressionists in art,

see above, for its virulence and eccentric 

tonalities and performance techniques 

in both the violin and the piano, the age 

had given us the First World War, and 

would soon lead to the Second

 

the three Classical imperatives of tonality, 

tempo, and repetition are maintained still, 

but their descendants are unruly, willful, 

bold and impervious, there are no holds 

barred here, they take no prisoners

 

listen

 

 

R ! chard

“Through a Glass, Darkly” – General George S. Patton, Jr.

general_george_patton_a_p

                 General George S. Patton, Jr.

                           ______________

Through a Glass, Darkly

Through the travail of the ages,
Midst the pomp and toil of war,
I have fought and strove and perished
Countless times upon this star.

In the form of many people
In all panoplies of time
Have I seen the luring vision
Of the Victory Maid, sublime.

I have battled for fresh mammoth,
I have warred for pastures new,
I have listed to the whispers
When the race trek instinct grew.

I have known the call to battle
In each changeless changing shape
From the high souled voice of conscience
To the beastly lust for rape.

I have sinned and I have suffered,
Played the hero and the knave;
Fought for belly, shame, or country,
And for each have found a grave.

I cannot name my battles
For the visions are not clear,
Yet, I see the twisted faces
And I feel the rending spear.

Perhaps I stabbed our Savior
In His sacred helpless side.
Yet, I’ve called His name in blessing
When after times I died.

In the dimness of the shadows
Where we hairy heathens warred,
I can taste in thought the lifeblood;
We used teeth before the sword.

While in later clearer vision
I can sense the coppery sweat,
Feel the pikes grow wet and slippery
When our Phalanx, Cyrus met.

Hear the rattle of the harness
Where the Persian darts bounced clear,
See their chariots wheel in panic
From the Hoplite’s leveled spear.

See the goal grow monthly longer,
Reaching for the walls of Tyre.
Hear the crash of tons of granite,
Smell the quenchless eastern fire.

Still more clearly as a Roman,
Can I see the Legion close,
As our third rank moved in forward
And the short sword found our foes.

Once again I feel the anguish
Of that blistering treeless plain
When the Parthian showered death bolts,
And our discipline was in vain.

I remember all the suffering
Of those arrows in my neck.
Yet, I stabbed a grinning savage
As I died upon my back.

Once again I smell the heat sparks
When my Flemish plate gave way
And the lance ripped through my entrails
As on Crecy’s field I lay.

In the windless, blinding stillness
Of the glittering tropic sea
I can see the bubbles rising
Where we set the captives free.

Midst the spume of half a tempest
I have heard the bulwarks go
When the crashing, point blank round shot
Sent destruction to our foe.

I have fought with gun and cutlass
On the red and slippery deck
With all Hell aflame within me
And a rope around my neck.

And still later as a General
Have I galloped with Murat
When we laughed at death and numbers
Trusting in the Emperor’s Star.

Till at last our star faded,
And we shouted to our doom
Where the sunken road of Ohein
Closed us in it’s quivering gloom.

So but now with Tanks a’clatter
Have I waddled on the foe
Belching death at twenty paces,
By the star shell’s ghastly glow.

So as through a glass, and darkly
The age long strife I see
Where I fought in many guises,
Many names, but always me.

And I see not in my blindness
What the objects were I wrought,
But as God rules o’er our bickerings
It was through His will I fought.

So forever in the future,
Shall I battle as of yore,
Dying to be born a fighter,
But to die again, once more.

                 General George S. Patton, Jr.

                        ____________

General George S. Patton, Jr., a 
celebrated American general who 
fought bravely during the Second  
World War, is known to my  
generation especially through the 
much acclaimed film, Patton“, 
which lionized him then, 1970 

George C. Scott portrayed him 
impeccably, indelibly searing him 
into our collective consciousness

he appears to have been the very
paradigm of American heroism, 
rough, coarse even, wilful, 
inflexible, unforgiving, righteous 
to a fault, but instilled with a 
sense of divine mission 

he believed in reincarnation, notably,
the poem above recounts throughout 
history his many lives as a warrior

to me he seems the very incarnation 
of the Greek god Ares, rather, come 
down from high Olympus, again 
throughout history and time, to  
 effect his defining role as the
immortal God of War

George S. Patton was also, it would 
appear, a poet, if the example above 
is to count, maybe he was, indeed, 
inspired

Richard

“Suite Française” (2014)

 "Madonna and Child Pentaptych" - Luca di Tommè Madonna and Child Pentaptych

Luca di Tommè

__________

Suite française“, had it not been for
its musical associations, would’ve
been called a “quintette”

a suite is, of course, a series of five
dance movements, a sarabande, a
minuet, a gigue, for instance, most
commonly with reference to Bach’s
Baroque masterpieces

which is to say that without its dance
implications, a suite would’ve been
called simply a sonata with five
movements, or a duet, trio, quartet,
and so forth, depending on the
participating instruments

in fiction, a sequence of five books
equals a quintet, see Durrell’s
Avignon Quintet“, for instance

in art, five panels are called a
pentaptych, see above

five books had been intended for her
Suite française“, but in 1942 their
author, Irène Némirovsky, was arrested
for being Jewish, and died later at
Auschwitz, she’d completed only two
of her intended manuscripts, a tragic
account of day-to-day life during the
Second World War

these texts were only discovered by her
daughters in 1998, who then had them
published in 2002, in just one volume
called Suite française

the superb movie came out last year

it’s a whiff of another era, a
recollection of things past

also a timely consideration of the
flawed foundations of any occupation,
I thought

Richard

psst: incidentally, in French, capital
letters are eschewed – gesundheit –
after the first initial, therefore
the French title, Suite française“,
sports a lower case f

the film, Suite Française uses
the English construction

 

“Sergeant York”

to my dismay when I turned to Sergeant York
thinking it’d be a short and hopefully sweet 
movie, clocking in at only one hour fourteen,
I’d read, according to the bottom time bar, I’d
only got the first part of the movie I found out, 
where he grows up in the Ozarks, or somewhere
like it, or is it like them, a stretch of film I found
essentially corny, but for Gary Cooper, who is 
consistently impeccable as a principled hillbilly,
and entirely worth watching 
 
but I only turned to the second part cause
change of setting, I thought, might hold more
promise, and indeed it did
 
it is however a lesson in how America developed 
its devotion to guns, it seems an early actual
textbook declaration of it, shot through with the
sounds of celestial strings, you’ll note, when the
commander expounds on its philosophical basis,
with instead of a Bible in hand a book called “The
History of the United States”, for maximum moral
suasion  
 
Sergeant York needs to accommodate his pacifist
stance, as delivered by the Bible and his Lord,
to the new paradigm of patriotism, national
defence, which calls of course for killing, in a
rousing call to arms his superior speaks of the
new ideal of freedom, which is worth, in his
impassioned dialectical exposition, dying for, 
in contrast to the traditional, more fraternal,
less annihilating, Word of God 
 
he is given 10 days leave to sort out his objections,
which may as well have been forty days and forty
nights, with next to no food and water on even a
very mountain, much like Moses on Mount Sinai,
to receive his spiritual enlightenment, trumpets
blow, lightning crashes, Biblical parallels rebound 
like echoing thunder
 
 
the movie came out in ’41, I suspect it was made
in view of marching America into the Second World
War, they didn’t commit to Europe until ’42
 
 
the battle scenes are worthy of Saving Private Ryan” 
 
Sergeant York bumps up against New York, like
the Beverly Hillbillies later hit Los Angeles 
 
Gary Cooper doesn’t miss a single beat on his
way to his fully earned Oscar
 
 
Alvin C. York, the actual war hero, had insisted,
incidentally, that no one but Gary Cooper should
play his part, had had it written specifically and 
incontrovertibly in his contract, Alvin must’ve
known something
 
since Gary Cooper is no longer around to play
my part I’d now let no one other than Joseph  
 
 
         “Sergeant York”, part 1
 
 
 
enjoy
 
 
Richard