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Tag: The New Yorker

on Billy Collins – “Safe Travels”

Photo on 2016-05-24 at 6.31 PM.jpg

          me, May 24, 2016

               __________

I save all the New Yorker poems  
to read after I’ve been through
everything else in the issue, 
like dessert after a meal, icing 
on the cake, sometimes too 
heavy, sometimes too light,
sometimes too rich, sometimes
just right

today, I found my favourite poem,
period, this year, stepped right 
into its shoes, like old slippers, 
the only difference being my 
walls are painted a variety of
contrasting colours, studded 
with memorabilia, treasured 
artefacts, see above

also, no one’s translating my 
poems, though even our metre
is the same, try it, sing us out 
loud, you’ll dance 

R ! chard

_____________

Safe Travels

Every time Gulliver travels
into another chapter of “Gulliver’s Travels” 
I marvel at how well travelled he is
despite his incurable gullibility.

I don’t enjoy travelling anymore
because, for instance,
I still don’t know the difference
between a “bloke” and a “chap.”

And I’m embarrassed
whenever I have to hold out a palm
of loose coins to a cashier
as if I were feeding a pigeon in a park.

Like Proust, I see only trouble
in store if I leave my room,
which is not lined with cork,
only sheets of wallpaper

featuring orange flowers
and little green vines.
Of course, anytime I want
I can travel in my imagination

but only as far as Toronto,
where some graduate students
with goatees and snoods
are translating my poems into Canadian.

Billy Collins

__________

psst: I said just recently to a poet 
          acquaintance that what poetry 
          needed in the 21st Century is 
          humour, the only art form not 
          catching up with the rest,
          otherwise it’ll die of, indeed
          succumb to, its own 
          lugubriousness

          thank you again, Billy Collins

“Adam and Eve” – Lucas Cranach the Elder

Cranach Adam Eve

Adam and Eve (1596)

Lucas Cranach the Elder

____________

from The New Yorker, January 27, 2014

Adam and Eve” by Lucas Cranach the Elder, 1526

She seems a mere girl really,
small-breasted and slim,
her body luminescent
next to Adam, who scratches
his head in mild perplexity,
So many baubles hang
from the tree
it didn’t hurt to pick one.
The snake is a quicksilver curve
on a branch she is almost
young enough to swing from.

The garden bores her anyway:
no weedy chaos among
the flowers and vegetables;
the animals so tame
you can hardly tell the lamb
from the lion, the doe from the stag
whose antlers outline Adam’s modesty.
She is like that teen-age girl
who wandered from the mall last week
not to be seen again, the world before her
glittering and perilous.

Linda Pastan

______________

yesterday on a mission to buy socks,
finally – I had only a pair left and one
of those with a hole in it – I wondered
about clothes, why hadn’t we evolved
fur or feathers or, heaven forbid,
scales, like all other creatures,
without exception

cherry trees were in blossom, birds
sang along my path, despite an
inoffensive drizzle as I went along

perhaps, I thought, by standing erect
our private parts were too much in
evidence for even indiscriminate
Nature to bear, though apes in all
their varieties walk on two legs and
seem to cavort happily, indeed
lasciviously, though ever
unsheathed, I objected, everywhere

the only difference I could muster
between us and them was that we’d
eaten from the Tree of Knowledge,
the fruit, apparently, of our
apocalyptic decadence, while they’d
never had ever an Eve, nor, for that
matter, an, equally complicit, note,
Adam, no matter what the, mostly
male, elders might say

therefore apes gambol in their
Garden of Eden still, as you can
see in the Cranach above, serenely
uncontrite, while we buy socks in
the jungle next door, and berate,
burdened, our bedevilled lubricities,
what’s under those strategically
positioned, and obliterating, leaves

Tree of Knowledge indeed

Richard

psst: from the Courtauld Gallery in
London, more on Cranach’s
painting
, just click