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Tag: The Afternoon of a Faun – Debussy

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a sonata can be written for any instrument,
some just more prevalent than others,
here’s one for clarinet, Brahms’ Opus 120,
after the distortions of later composers
you might remember from these pages,
it’s nearly quaint to return to the
traditional templates for the sonata,
more than one movement, no more
than two instruments, and attention
to the Classical imperatives of tempo,
tonality, and repetition
Brahms doesn’t put a foot wrong, all
of the requirements are observed
punctiliously, you could even sing
or dance to this music, something
you couldn’t later do, unless with
choreography, see, for instance,
Nijinsky
talking about Nijinsky, the clarinetist
here is as feral as the faun Nijinsky
version, in his homage to Debussy’s
The Afternoon of a Faun, 1912, he
even seems, the clarinetist, the very
god Pan, come down from Olympus
to frequent the backwoods of Ionia,
to beguile those who would be
beguiled, with his flute, see above
his accompanist is equally hot
R ! chard