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Tag: the 14th Arthur Rubinstein International Piano Master Competition

my reply to BookInhabiter, a.k.a. Brain

a reader writes

“Hello Richard,
Recently I’ve been watching up on many dance competitions. I knew of the existence of piano competitions but never thought that they would be filmed. I must listen to the top contenders. How did you hear about this competition?”

here is my, admittedly extended, answer, with pertinent links

Richard

_____________


I haven’t missed So You Think You
Can Dance
“,
Brain, for 11 years, so
we’ve probably been watching the
same “many dance competitions”

“piano competitions” aren’t much
different, just another art, judged
here by professionals throughout,
rather than entire publics

the competitions are fierce, to a
person the competitors are world
class

the music is often sublime, utterly
transcendent, though more rigorously
intellectual than popcorn – pace
Mozart – this puts some people off

much as you probably find covers of
songs you like, I go out looking for
sonatas, string quartets, concerti I
already know of and admire, I check
out the big names, Chopin, Beethoven,
Rachmaninov, see what might be up

the Internet abounds with nearly
anything you might want to find, the
only obstacle is the quality

the Van Cliburn competition, from
Houston, was dreadful, enough to
put me off it, but looking for musical
counterparts to pieces of interest, I
found the Rubinstein one in Tel
Aviv
offering sterling performances

I quickly flew across the globe,
virtually, of course, speaking

the experience has been well worth
it, I heard miracles of music, haven’t
had so much fun since reading Proust,
in French of course, but you must
understand I’m an inveterate egghead,
totally chronic

this week I started Edward Gibbon’s
The Decline and Fall of the Roman
Empire”
, text and, to my delight,
audiotape, its reader is extraordinary

check out the Chopin Competition
for, up to this point anyway in my
investigation, only Chopin, but he’ll
do for a significant while, his music
is consistently breathtaking

I’ll also check out the Russian
Tchaikovsky Competition, which Van
Cliburn made famous for us in the late
50’s
, by winning it, despite the rancours
of the Cold War, with a still paramount
rendition of Tchaikovsky’s own
monumental First Concerto

wow, I’ve been hooked ever since

thanks for stopping by my blog, Brain,
you’ll find, incidentally, a lot of excellent
performances highlighted there, several
of the best, in fact, from the most recent
Rubinstein Competition
, none of which,
to my utter consternation, managed to
win

other recommendations follow, check
it out

I think your blog is wonderful, keep
it up

Richard

Ji Yong Kim


as far as technical ability is concerned,
can it get any better, Ji Yong Kim knocks
it right out of the ball park

watch him render also transcendent, at
the Rubinstein International Piano Master
Competition
, a commanding, a riveting,
Corigliano

wow

Richard

“L’escalier du diable” – György Ligeti‏

one of the benefits of watching a piano
competition, or any recital, or concert,
for that matter, is in finding gems you
wouldn’t otherwise have heard of

at the 14th Arthur Rubinstein International
Piano Master Competition
held only last
month, May, Sun Yutong delivered a
riveting Ligeti, “L’escalier du diable”,“The
Devil’s Staircase”,
great, incidentally, title

here’s Sean Chen doing the same piece, if
you don’t have time for the extraneous
elements of a competition, however
meritorious this exhilarating presentation
might’ve been

cheers

Richard

psst: find Yutong doing the Ligeti at 28:00

the 14th Arthur Rubinstein International Piano Master Competition

Thomas Gainsborough - "The Blue Boy (Portrait of Jonathan Buttall" (1770)

The Blue Boy (Portrait of Jonathan Buttall) (1770)

Thomas Gainsborough

____________


if you’ve missed me lately, it’s because I’ve been
in Tel Aviv for the past week, virtually of course,
taking in the 14th Arthur Rubinstein International
Piano Master Competition
, and they’re not kidding,
every challenger to date has been at the very least
astonishingly dextrous, sparkling even, though
some have been hampered by their own dire
program, with the unfortunate added condition
that, for all, they must integrate one of two
commissioned works that, to my mind, are
completely uninspired

other performers have been astounding, lots
of Beethoven of course, Chopin, Liszt, the
technically utterly daunting

among the moderns Ravel takes centre stage
as an option, with too many, to my mind, of his
tedious pieces,“Gaspard de la nuit”, yawn,
“La [, yawn again] valse”

but Bartok pops up, and Prokofiev, a great set
of variations by Szymanowski, unexpectedly,
and, at one point, a completely irresistible
Ligeti, more of which later

Nikolay Khozyainov starts with the only Ravel
I’ve been able to sit through without getting
impatient, “Gaspard de la nuit” to my mind
should stay there, “La valse” should
immediately stop, but Khozyainov‘s “Pavane
pour une infante défunte”
, or “Procession for
a Deceased Princess” was everything you
would want in a dirge, solemn, transcendental,
transfixing

he follows up with a Liszt to knock your socks
off, “Feux follets”, “Fireflies”, fleet as the night
air, as mesmerizing

the final Rachmaninov sonata reminds us of
how wonderful Rachmaninov really was

watch, listen

Richard