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Tag: Pallas Athena – goddess of War / Wisdom

“The Story of of Cadmus” (V) – Ovid

Minerva or Pallas Athena, 1898 - Gustav Klimt

         Minerva or Pallas Athena” (1898)

 

                Gustav Klimt

 

                       ______

 

 

an interesting thing has happened with

the story of Cadmus, he is not only a

mythical figure, but also a legendary

one, which is to say that Cadmus has

roots in actual history, he’s not just an

imaginary construct like those that

until now have peopled Ovid’s text

 

Cadmus appears to have actually

founded Thebes, whose origins,

however, are lost in antiquity, going

back to, it appears, the late Bronze

Age, around 2000 BC, goodness

 

stories evidently grew around

Cadmus, that transformed him into

our first documented hero, indeed

superhero

 

counterparts exist in other traditions,

consider David, for instance, who

slew his own dragon, Goliath, before

becoming king of the Israelites, 10th

Century BCE, at Jerusalem, where

he consorted, incidentally, later, with

Bathsheba, however illicitly, but

that’s another story

 

King Arthur, late 5th to early 6th

Centuries CE, stems from British

lore, though his historical actuality

has been contested, is also a hero

with preternatural capabilities based

on some historical accountability

 

in our day, there’s James Bond,

based on real, living and breathing,

personalities

 

or, dare I say, even Jesus

 

the point here is that actual people

are being included in the, however

culturally specific, mythologies,

which, in each, had earlier consisted

of metaphorical constructs merely,

the concept of History, in other words,

was being born, memorable events

were to be remembered, recorded,

documented, if only, originally, orally,

around, say, campfires, however

aggrandized might have been their

recollected heroes

 

Cadmus, meanwhile, in our story, is

about to establish his own historical,

and archeologically confirmed, note,

credentials

 

            The dire example ran through all the field,
            ‘Till heaps of brothers were by brothers kill’d;

 

The dire example, the dragon’s teeth,

grown into men, had begun, if you’ll

remember, to slaughter one another

 

example, display


            The furrows swam in blood: and only five
            Of all the vast increase were left alive.
            Echion one, at Pallas’s command,
            Let fall the guiltless weapon from his hand,

 

Echion, one of the five surviving

brothers

 

Pallas, Pallas Athena, goddess of

Wisdom, also of War

 

see above

 

            And with the rest a peaceful treaty makes,
            Whom Cadmus as his friends and partners takes;

 

the rest, the four other survivors

 

            So founds a city on the promis’d earth,
            And gives his new Boeotian empire birth.

 

promis’d earth, the premonition of

the oracles whose counsel Cadmus

had sought at Delphi, if you’ll

remember

 

            Here Cadmus reign’d; and now one would have guess’d
            The royal founder in his exile blest:

 

his exile, from Tyre, Cadmus’ original

home, from which his father, Agenor,

had sent him, not to return, he’d

warnedwithout his sister, Europa


            Long did he live within his new abodes,
            Ally’d by marriage to the deathless Gods;

 

Ally’d by marriage, at the end of a

period of penance for having killed

the dragon, which had been sacred

to Ares, god of War, the gods gave

Cadmus Harmonia, goddess of

Concord, to be his wife

 

Ares would eventually exact mighty

vengeance, but that’s another story

 

            And, in a fruitful wife’s embraces old,
            A long increase of children’s children told:
            But no frail man, however great or high,
            Can be concluded blest before he die.

 

even Cadmus, though he might

enjoy a long life, and many, a long

increase of, children, is not immune

to any of the vicissitudes of life either

until his own time has come, the poet

advises, however ominously

 

and here Ovid also introduces the

subject of his next metamorphosis,

Actaeon, however early, luring us

thereby, deftly, literarily, towards

his next instalment, Actaeon’s

story, eponymously, there, given

its title

 

            Actaeon was the first of all his race,

            Who griev’d his grandsire in his borrow’d face;

            Condemn’d by stern Diana to bemoan
            The branching horns, and visage not his own;

 

his grandsire, his grandfather,

Cadmus was the father of Autonoë,

who was the mother of Actaeon

 

borrow’d face, Actaeon was

transformed into a stag by the

goddess Diana / Artemis, of the

Hunt, of the Moon, of Chastity,

for having seen her naked as

she was bathing

 

he now has the face, the visage, of

someone, something, he hadn’t

been before, borrow’d


            To shun his once lov’d dogs, to bound away,
            And from their huntsman to become their prey,

 

having been transformed into a

stag, or metamorphized, Actaeon

would end up hunted, and worse,

by his own, once lov’d, dogs


            And yet consider why the change was wrought,
            You’ll find it his misfortune, not his fault;
            Or, if a fault, it was the fault of chance:
            For how can guilt proceed from ignorance?

 

to have been at the wrong place

at the wrong time, yet to suffer,

however unfairly, the consequences,

that, Ovid asks, is the question, the

conundrum

 

stay tuned

 

 

R ! chard

“The Story of of Cadmus” (lV) – Ovid

     Cadmus Sowing the Dragon’s Teeth” (1610/1690)

 

               Peter Paul Rubens

 

                       ___________

 

 

                Cadmus beheld him wallow in a flood
                Of swimming poison, intermix’d with blood;

 

swimming poison, the venom the

dragon had spewed, intermix’d

with blood, after Cadmus had

struck the beast with his jav’lin,

if you’ll remember


                When suddenly a speech was heard from high
                (The speech was heard, nor was the speaker nigh),

 

the suggestion here is that the voice

is disincarnate, ethereal, otherworldly,

from high, not nigh

 

                “Why dost thou thus with secret pleasure see,
                Insulting man! what thou thy self shalt be?”

 

secret pleasure, the self-satisfaction

of the soul, unspoken

 

what thou thy self shalt be, a prophecy

as cryptic as oracular pronouncements

ever tended to be,also ever ominous


                Astonish’d at the voice, he stood amaz’d,
                And all around with inward horror gaz’d:

 

all around, the detritus, the waste, the

ravages that surrounded him, that

Cadmus viewed, gaz’d at, amaz’d …

with inward horror


                When Pallas swift descending from the skies,
                Pallas, the guardian of the bold and wise,

 

Pallas, the goddess Athena, of Wisdom,

of War, bold and wise patroness,

protectress of, among other Greek

cities, incidentally, Athens, site of, on

the Acropolis there, the Parthenon,

her temple


                Bids him plow up the field, and scatter round
                The dragon’s teeth o’er all the furrow’d ground;

 

we’ve seen this happen before, if you’ll

remember, with Deucalion and Pyrrha,

casting the stones, their mighty mother‘s

bones, to replenish, after the flood, the

resurgent Earth with people


                Then tells the youth how to his wond’ring eyes
                Embattled armies from the field should rise.

 

wond’ring, startled

 

                He sows the teeth at Pallas’s command,
 
               And flings the future people from his hand.
 
               The clods grow warm, and crumble where he sows;

 

Cadmus is sow[ing] people, future

people, however, apparently, military,

at the command of the goddess, but

Pallas, remember, is goddess of  War,

these metamorphosizing, ahem, 

entities would be her progeny, her

spawn


                And now the pointed spears advance in rows;
                Now nodding plumes appear, and shining crests,
                Now the broad shoulders and the rising breasts;
                O’er all the field the breathing harvest swarms,
                A growing host, a crop of men and arms.

 

an army – listen, this is how I think

Shostakovich would’ve heard it,

from his 7th Symphony, the

Leningrad, its first movement, a

searing allegretto, a movement

he’d initially entitled War before

deciding against it

 

here’s the entire symphony, should

you be, and I highly recommend it,

into it, a much more convincing, to

my mind, production, however

significantly extended

 
                So through the parting stage a figure rears
                Its body up, and limb by limb appears
                By just degrees; ’till all the man arise,
                And in his full proportion strikes the eyes.

 

as each of the teeth develops, grow[s]

warm, as each figure rears … and limb

by limb appears, men arise, recognizable

as such, each in his full proportion


                Cadmus surpriz’d, and startled at the sight
                Of his new foes, prepar’d himself for fight:
                When one cry’d out, “Forbear, fond man, forbear
                To mingle in a blind promiscuous war.”

 

forbear, hold on, desist, stop

 

promiscuous, indiscriminate


                This said, he struck his brother to the ground,
                Himself expiring by another’s wound;
                Nor did the third his conquest long survive,
                Dying ere scarce he had begun to live.

 

the new foes are slaughtering each

other, Cadmus doesn’t have to lift

a finger

 

what’s up

 

stay tuned

 

 

R ! chard