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Tag: Otto Erich Deutsch

Schubert – Piano Sonata D959‏

to my utter surprise when I checked I’d never
but only once in the many months I haven’t
been able to shut up since I started spouting
my bristling endorsements, like a very rushing
river gushing with the overflowing bounty of
an inveterate spring, mentioned Schubert, an
incandescent voice from surely heaven

it was about his String Quartet in C major, the
D956, not surprisingly, it is utterly enchanting,
D for Otto Erich Deutsch still, incidentally

here’s an alternate version of it, an utterly
inspired one

but if I’ve reintroduced Schubert it’s specifically
this time to compare him with Beethoven, they’re
easily confounded, I even did it once myself, to
my crushing embarrassment, in erudite and
unflinching company, oof, I cringe to even
remember it

the D959, moments only after the 956 of course,
has all the idioms of a Beethoven, and exercises
them as expertly, the beat, however, is always
on, unlike Beethoven, whose beat is always off,
contrary, rebellious, against the prevailing
order

though this variance might seem slight, one
senses already in the younger and later
Schubert a return to form, elegance, and civility,
the First Empire had indeed taken hold during
the transformation of Napoleon from hero of
the Revolution to a different incarnation of
Emperor, Chopin as well would be beholden
to later similarly reinstated French courts

so seemingly trivial an alteration speaks
volumes when one attentively listens, one
must do this with one’s heart

such a return to aristocratic principles is not
uncommon, incidentally, we seem, indeed, to
thirst for dynasties, if you’ll note the return of
late, of the Bushes, the Clintons, and most
recently the Canadian Trudeaux

Putin is another, though arguably somewhat
less democratic, version of that principle

Beethoven is off the beat then, Schubert on, you
won’t find much else that’s different upon first
listening, you’ll note only that their music is very
much the same, rigorous beat, tonal, essentially,
harmonics, and the return eventually of the
melodies, Classical imperatives, but with the
distinction of the new Romantic,
transformational however, sensibilities

Schubert might’ve even outpaced Beethoven
had he survived, I think, but he didn’t, he died
much too young, at the most tender age of
only 31, younger even than the more
celebrated Mozart, famous for succumbing
prematurely at the still early age of 36

may they rest, may they all rest, Schubert,
Mozart, and the somewhat longer-lived
Beethoven, still early deceased at 56, in
eternal peace, for they have brought us
but wonders

Richard

psst: here’s a movie to go with the earlier
Schubert
, The Company of Strangers“,
the very best film Canada has ever had
to offer, bar none, a gaggle of old women
are stranded in the Laurentians after their
tour bus breaks down, Schubert would’ve
loved it

and been honoured

Franz Schubert – String Quintet in C major, D 956‏

"Schubert at the Piano" II (1899) - Gustav Klimt

Schubert at the Piano (1899)

Gustav Klimt

________

the Filarmonica Quartet, which I’d earlier described
as “not at all unimpressive”, show themselves here,
performing Schubert‘s otherworldly String Quintet
in C major, D 956
, to be the very sound of those
angels Schubert calls upon to perform his
miraculous music

their hometown Novosibirsk audience will continue
however to stubbornly, shamelessly, cough, in
scattered places, though the angels themselves,
the players, seem not especially distraught, they
play with great conviction, patience and tolerance
throughout superbly, caught up surely in their own
Schubertian Nirvana, a not uninstructive response

the Filarmonica Quartet of course will need a fifth
to play with them a quintet, who is, I think, the
extra cello at the front on the right, uncredited,
the piece calls for two violins, a viola and two
cellos, instead of the standard, at the time, extra
viola, surely for their greater and more resonant
chthonic character, which is to say, triggered by
the very earth

Franz Schubert, 1797-1828, died much too young,
only 31, this piece was completed not two months
before he passed away

it is also therefore a very haunting last testament

Richard

psst: D is for Otto Erich Deutsch