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Tag: “Moonlight” Sonata – Beethoven

November / Month of the Sonata – 10

Moonlight, c.1895 - Felix Vallotton

    “Moonlight” or “Clair de lune” (c.1895) 

 

             Félix Vallotton

 

                  _______

 

 

at the end of the Nineteenth Century, a 

a seismic shift occurred in our Western 

culture’s sensitivity to art

 

much as visual representation during

the Renaissance and up until the late

Baroque Period had dominated, to 

be replaced by music during the 

Classical Age as the sensory 

temperature of the times, visual 

representation once again took over 

as arbiter of Western sensibility 

during Impressionism

 

you’ll remember the artists of the 

Renaissance, but not many of the 

composers, you’ll be able to name 

the composers of the Classical Age

and the Romantic, but not many, if

any, of the painters, you’ll then 

immediately toss off a list of artists 

of the Impressionist Era, but not 

many of its composers

 

this lasts till, I’d say, Andy Warhol,

when the visual arts still held sway,

but the present is, it seems, up for 

grabs

 

here’s meanwhile, an Impressionist,

Claude Debussy – his Clair de lune,

an obvious Impressionist statement, 

to be compared, incidentally, with 

its Romantic counterpart, Beethoven’s 

Moonlight Sonata – delivering his 

Sonata for Violin of 1917

 

enjoy

 

 

R ! chard

adagios

adagio-1899.jpg!Large

   Adagio (1899) 

 

       Tom Roberts


           _______

   

                           for my mom

 

my mom, the other day, said she’d

looked up adagio in the dictionary, 

after having read a recent post I’d

submittedas well, andante, and 

allegro 

 

well, that took long enough, I 

thought, but concluded that we all 

get the information we need in our 

own good time, and it’s never, ever, 

too late 

 

they’re all tempi, of course, adagio 

is slow, from ad agio in Italian, in 

English, at ease, the other two are 

incrementally faster  

 

the adagio doesn’t usually stand 

alone, it is too somber a pace to

immediately attract attention, it

therefore mostly fits into other 

compositions that have a more 

vigorous, a more engaging, 

introduction, usually as its 

second movement 

 

but here’s Albinoni’s Adagio in G 

minor, a work of only one segment, 

which indeed would’ve been part  

of a trio sonata, purportedly, had 

Albinoni lived to complete it

 

the rule is not fast, Beethoven 

starts his “Moonlight” Sonata with 

an adagio, for instance, boldly and 

unforgettably, indeed immortally

 

here’s the adagio that always 

stops my breath, from Schubert’s

masterpiece for string quintet, his

D956

 

listen

 


R ! chard

to spring

primavera-1478(1).jpg!Large.jpg

     Primavera” / “Spring (1478) 

              Sandro Botticelli

                   _________

according to long tradition, the 21st of March
has been the first day of spring, but yesterday,
the 20th, two people in separate encounters,
told me that spring had started that very day,
throwing my entrenched supposition out the 
window, for better or for worse

regardless, spring has now, surely decidedly, 
sprung

here’s Beethoven celebrating it, though the 
title, Spring“, was probably not his, others 
mostly gave his works their nicknames, for 
their own, usually associative, reasons – his
“Moonlight” Sonata also, for instance – but  
that’s been ever enough for me, it’s the 
music that ultimately matters, I think

the “Spring” Sonata, opus 24 then is for 
violin and piano, his 5th such, written in 1801, 
it is an early piece, full still of the verve we’ve 
heard here already in his Opus 5, no 1 for Cello
and Piano, with his musical phrases flying 
right through the bar lines and off the very
page

Kyung Wha Chung plays the violin, she 
remains after all these years my very 
favourite violinist 

enjoy

and have the greatest of springs, 
whenever you might want to start it


R ! chard