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Tag: Mary Oliver

up my idiosyncrasies – a bio

marcel-proust.jpg!Large

      “Marcel Proust” 
 
       Richard Lindner
 
          ___________
 
 
for a bio with which I’ve been asked 
to provide an online poetry magazine 
I’ve been encouraged to apply to, I’m 
submitting the following text
 
I thought you might enjoy it
 
 
Richard
 
           ______________
 
 
my name is Richard Bisson, from
which you’ll intuit my French 
Canadian background, though I 
write mostly in English, with no 
trouble however in French, my 
mother tongue is le français  
 
I am thus imbued, undoubtedly,
with that sensibility, my peers 
have been HugoFlaubert, and
most of all Marcel Proust, whom 
I imbibed for 33 years, in French,
page by page, reading each out 
loud as though it were my own, I 
cannot but be replicating now his 
rhythms, his aesthetic, his view 
of the world
 
it didn’t take me as long to read 
Homer, in the thunderous Robert  
Fitzgerald translation, – a mighty
roar resounding still from the 
ninth century before the Christian 
Era – from him I learned to speak 
from the heart, it’s not one’s style  
one has to master, but one’s 
humanity
 
Robert Browning gave me the 
dramatic monologue as a poetic
device, a gift he’d received from
 
Shakespeare himself, of course,
the unbridled freedom of his own 
literary imagination
 
Carl Sandburg‘s Chicago taught 
me to talk about every wo/man, 
about things even my own folks 
were doing
 
Collapsed showed me that even 
apparently inconsequential acts
can be poetry, poetry in the 
apparently humdrum 
 
Mary Oliver is a strong present 
influence
 
the cadence is entirely Beethoven,
with some help, I must admit, from 
the atonalists, SchoenbergBerg,
and Weberncommas are my bar 
lines
 
 
I call what I do prosetry, a word so 
new my computer won’t even let 
me write it, I’m a prosetrist, this 
word either
 
I want to link everyday experience 
with poetry, make poetry in the eye 
of the beholder, where truth and 
beauty lie
 
if people can see what I see, they 
can see that way themselves, it’s 
something one learns, and it’s all 
in the way one entrenches words 
and ideas
 
I eliminated the word “if” from my 
vocabulary once, for being then
too speculative, it changed my life, 
I’ve replaced it since with the word 
“miracle”, that has also changed 
my life
 
I am 67 years old
 
I live in Vancouver, Canada
 
I consider myself to be, at this 
point in my life, bibliosexual, I
sleep with my books, and we’re
all still getting along just fine 
 
may you be so blessed
 
 
Richard
 
psst: also Anaïs Nin, for the 
          intimacy of her diaries
 
          o, and Woody Allen, for
          giving up before his  
          nihilism and just 
          laughing

blog alert: “Wild & Precious Life”

wherein Wild & Precious Lifedescribes herself 

 
     “My love for poetry is simple but at the same time, hard to
      explain. I was drawn to it from an early age however, with
      questionable motives. In my young eyes, the appreciation
      of poetry personified sophistication, poise and intelligence.
      And so I became that nine year old reciting lines from Dylan
      Thomas poems even though I had yet to live enough life to
      truly understand the deeper themes. But I continued my
      poetry admiration, convinced that I looked wise beyond
      my years. Believe me,  the irony of it is not lost on me now……
 
      And then those life experiences that one needs to truly
      understand poetry came knocking, and at times pounding
      on my door. Some were welcomed but many were not, but
      with them came my true love of poetry.
 
      I now read poetry for a simple and unequivocal reason – it
      makes me feel connected to something tangible but at the
      same time larger than myself. When I am sad, overwhelmed,
      lost, lovelorn, confused, I turn to it. I’ll read a beautiful
      composition of words and suddenly realize that I am not
      the first or last person to feel such things and that calms me,
      gives me hope and makes me feel gratitude.
 
      That having been said, this website is a simple collection of
      beautiful words. They are poems, quotes, lyrics and excerpts
      that have resonated with me. They are words that have made
      me smile, laugh, cry and sometimes simply take pause. I hope
      you enjoy the website, lovingly titled [Wild & Precious Life] –
      the closing lines of [Mary Oliver’s The Summer Day]: 
 
 
                  Doesn’t everything die at last, and too soon?
                            Tell me, what is it you plan to do
                  with your one wild and precious life?
 
                                 ___________________
 
 
 
what I needed to reply
 
 
      coming from a small town in the middle of
      nowhere, I aspired even then to discover
      what the rest of the world was thinking,
      admired, why had literary giants become
      legends, even archetypes, what were the
      parameters 
 
      poetry ever however seemed especially
      sterile, odes, for goodness’ sake, on 
      Grecian urns, I ask you, I, a budding
      person before the unfolding world
 
      abstract art too was pretty questionable, 
      though I persisted, diligently probing 
      afield for convincing, manifest, arguments,
      the world couldn’t be so wrong
 
      until here and there a bud would blossom,
 
      I now read poetry just to find out what
      other hearts are thinking    
 
      some say quite wonderful things   
   
 
      ever the best 
 
      Richard 
 
      psst:  I’ve subscribed, by the way, to your 
              Wild and Precious adventure
 
               many thanks
  
 
 
Richard
 
 
 
 

sowing poems

since April, National Poetry Month, and a flurry of commemorative throughout poems, one at least a day sent out by a dutiful and diligent moderator, I’ve carried in my pocket at her inspired, I think, suggestion not one but two poems, one per side per page, to scatter indiscriminately as raindrops, it was recommended, anywhere

I cannot help but think that these inadvertent seeds will somehow somewhere flower

they needed to be accessible, I thought, not trite, distinct enough as well to be quickly unforgettable, by definition nearly therefore profound

one described a poet finding intimations of perfection in the song of a nearby thrush, thereby inspiration and an instant recuperative salve

the other takes you into the heart of any poem

both to my mind are brilliant

I’ve been leaving them in restaurants beside my less august of course tip 

                                                                                                                                                                                                                                      

Richard

                 __________________________

                                                                                                                                                                                                                                                   The Poet with His Face in His Hands

You want to cry aloud for your
mistakes. But to tell the truth the world
doesn’t need any more of that sound.

So if you’re going to do it and can’t
stop yourself, if your pretty mouth can’t
hold it in, at least go by yourself across

the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets

like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you

want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched

by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.
 

                                     Mary Oliver

          _______________________________

 

How to Read a Poem: Beginner’s Manual

First, forget everything you have learned,
that poetry is difficult,
that it cannot be appreciated by the likes of you,
with your high school equivalency diploma,
your steel-tipped boots,
or your white-collar misunderstandings.

Do not assume meanings hidden from you:
the best poems mean what they say and say it.

To read poetry requires only courage
enough to leap from the edge
and trust.

Treat a poem like dirt,
humus rich and heavy from the garden.
Later it will become the fat tomatoes
and golden squash piled high upon your kitchen table.

Poetry demands surrender,
language saying what is true,
doing holy things to the ordinary.

Read just one poem a day.
Someday a book of poems may open in your hands
like a daffodil offering its cup
to the sun.

When you can name five poets
without including Bob Dylan,
when you exceed your quota
      and don’t even notice,
      close this manual.
 

                      Pamela Spiro Wagner
 

     

       _____________________________