that we have dismissed, often indeed forgotten, the great voices of our culture,
the great oracles, the dead, they’ve dared to call them, painters, composers,
poets, doesn’t make their pronouncements less true, less inspiring, proof that
they are still very much alive, and relevant
that they are still relevant ties us to the great notion that we are from very
Homer to the present day one family, one illustrious family, which to disregard,
or any of its great giants, would be our inestimable loss
where would we be without their wisdom, leaves without a trunk
John Ruskin was a great influence on Marcel Proust, my own supreme poet and prophet, I needed to plumb his literary pockets for, I did not doubt, nuggets of priceless gold
Richard
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Chapter 7
8 – That then which I would have the reader inquire respecting
every work of art of undetermined merit submitted to his
judgment, is not whether it be a work of especial grandeur,
importance, or power; but whether it have any virtue or
substance as a link in this chain of truth; whether it have
recorded or interpreted anything before unknown; whether
it have added one single stone to our heaven pointing pyramid,
cut away one dark bough, or levelled one rugged hillock in our
path. This, if it be an honest work of art, it must have done, for
no man ever yet worked honestly without giving some such help
to his race. God appoints to every one of his creatures a separate
mission, and if they discharge it honourably, if they acquit themselves
like men and faithfully follow that light which is in them, withdrawing
from it all cold and quenching influence, there will assuredly come of
it such burning as, in its appointed mode and measure, shall shine
before men, and be of service constant and holy. Degrees infinite
of lustre there must always be, but the weakest among us has a
gift, however seemingly trivial, which is peculiar to him, and which
worthily used will be a gift also to his race for ever:
‘Fool not’, says George Herbert,
‘For all may have,
If they dare choose, a glorious life or grave’
John Ruskin (from “Modern Painters“)
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for my mom and for, of course, my father
July 8, 2008:
for reasons salacious perhaps the previous day, or perhaps because all by himself my father could, sui generis, transport himself in a mystical leap of his otherworldly essence quite independently of any other merely material considerations and imbue me readily with his radiant spirit, I awoke the next morning, his birthday, thus imbued, radiant of spirit, in a mood ready to celebrate
I read of course my Proust first, my morning prayer, followed with a few pages of Thoreau’s inspired “Walden” for poise, purpose and poetry
my morning coffee steamed at my side, golden and aromatic, my eiderdown pillow plushly propped up my back, a feather bedspread lightly cushioned my upturned knees where my book lay, a finger slowly savouring each flip of each precious page, while a bird at my window surely sang precise notes to the morning sun
then up from my devotions I called my mother to find out if she’d herself remembered, she hadn’t, the date, she remorsefully said, had entirely slipped her by
no matter, I retorted, allowing for no recriminations, tonight we’ll celebrate, it had been nineteen years at least since the last time
she set about her day, I mine, until we’d meet for dinner
meanwhile I called my sister, who’d of course remembered, sang even her song of his that she recalled he would sing apparently always at his birthday, my mom remembered it too when I asked, o it’s the eighth of July and Easter Sunday too, to indicate a day of high celebration
my nephew was not home but I left him, and his, loving words
my aunt then, and then another aunt, his only remaining sisters able to answer the phone, another would not be easily reached at her nursing home, might not have remembered even her brother, I did not try
I drew the line as well at cousins, they are dispersed and abound
but a friend who’d lost herself a father only a year earlier, I made a point of calling, in sympathetic communication, she was not home, I told her machine instead she was an angel, she’d hear when she got home
but already there was a buzz, and I’d been busy setting it, to my already glowing delight
along the street as I made my way to a dentist’s appointment I thought, my dad will appear today, somehow, he always does when I call, when I listen, and cocked an ear, kept an eye out, sharpened all my even extrasensory senses
but right then and there only the trees, as far as I could tell, were imparting, though mostly only to heaven, the leafy poems that they were writing there, about life, about the seasons, about transformation, about time, while we under their shelter and shade are busy especially running errands, leaving the patterns of their intricate shadows unnoticed mostly on our walk, walks, scrutable of course but for many hieroglyphic, esoteric, arcane, like for many for that matter many of our standard poems
I marveled at their rhythm, rejoiced at their rhyme, stood still to contemplate their wisdom, stood reverent before their poise and grace, at which they sibilantly sighed of course, sending me so inspired along
in all of this however I could only indiscriminately yet detect a father, my father
I pressed stalwartly on
today’s my father’s birthday, I blurted out to my dentist when he asked how I was, before I could even think of what I was saying
forthwith both he and his assistant put a cloud of dark condolence on, a pall was cast over each their ebullience, I felt the sun leave in an instant each their spirit, but I would have none of it, my father brought only joy, had been offering me only that for years now, I thought their response perhaps instinctive, certainly and graciously full of heart, but off the mark, there was no reason whatsoever to court sadness, none at all
I explained my relation to my father
before he died, dad, I said, let me know from the other side, I am your son, I’ll hear you, later of course I heard, often when I would be praying for something
at first I’d bargain, I’ll do this for that, I’d ply, then one day when my mom could not, she said, quite make out that he was there for her, like a revelation I replied, like a very inspiration I stated, ask for something, he’ll have to answer you, you’ll know then, and not only you’ll know but he’ll be overjoyed to be able to help you, to be with you, for you to be with him, for you to recognize he’s there, whereupon of course I was overwhelmed by tears of utter gratitude and wonder, I’d lived long with this truth already, but had never put it into words
a drill sat poised at my mouth, I suddenly noted, but hushed apparently by the Elysian nature of my account, Elysium, that mythic abode of the honourable dead, I deferred but was encouraged to tell on, therefore, aware that my teeth were presently to be done, briefly as I could, I recounted from my store representative miracles, though I warned, my miracles abound, I see them everywhere, to be at the foot of not one but two rainbows, for instance, with someone at that point who needed one, hadn’t been too sure of any till now, how much of a miracle was that, and that was an essentially easy one, others were intricate, textured and subtle, not as crisp, clear, iridescent as two incontrovertible rainbows
a burning bush, yes, a burning bush, a tree as though on fire, after a walk I had with God, fiery orange and bristling, or the purple aura of buds, their nascent energy, gleaming in the dewdrops along a brittle branch not quite recovered still from hard winter another night as I walked home, when God wasn’t there for me especially, just omnipresent as usual, they were catching the pulse and colour of yet unborn blooms, the glowing advent of their pink and precious incarnation
but these I didn’t even bring up
I told of a dinner in Vienna when my dad showed up in the guise of a melody, a “serenata” my mom would listen to when he passed away, with birds in it, the twitter of birds to decorate with garlands of their own ornithological music a pastoral piece for Classical orchestra, it has remained for nineteen years on her turntable, but nowhere anywhere else had I ever heard it before, she among only a few family and friends, who’d been moved by her being moved mostly
we’d been separately to the same restaurant in Vienna many years earlier, at separate times, a memorable historical place, the oldest in Vienna, the fare hearty and traditional, the service inspired, superb, the atmosphere scintillating, we’d contrived my mother and I to return together when it was happening I would be there, and she would meet me for the occasion
we were chatting over wine when my mother raised a finger to the music that was playing lightly, it was my father, a thousand miles away from home, joining us, we raised our hearts to love and basked as warmly in the golden moment as in its candlelight
the time in Buenos Aires also when a stone angel had become a man, a man become an angel, for where is the divide, I always ask, between the two, a mime so good, so convincing, I’d mistaken him for a sculpture, who’d then incrementally begun to move when a girl dropped a coin in an adjoining coin box for him, which indeed had puzzled me on what I’d thought was public art
a friend had asked if I had a coin, which he gave to a young girl for the coin box, a beautiful, in and of itself, act, I’d thought, of saintly charity, she dropped it in, the figure to my consternation moved, I trembled, beheld amazed the transsubstantiation
but it was time to return to my teeth
those are just the bare bones, I said, of those miracles, they become resplendent even more in more detail, and I let him enter my mouth, then, gagged and throttled, did not prevent him, couldn’t’ve, wouldn’t’ve, from wondering aloud about some of his own perhaps similar instances, old ladies, he said, mostly, who’d on occasion flit by, in the corner of an eye, that he’d noted and dismissed as too improbable, ask them instead for something next time, I said, you’ve excluded the possibility of their being for too long, time for something different
it was
what’s got a hold of me, I suddenly wondered, there in the dentist’s chair, blathering away despite even the dental paraphernalia hanging or hovering at my mouth, and with such insistence, and all morning
in Homer the Olympian gods speak and act through people, take over their spirit, get them to do their bidding on earth
this was my father, I suddenly saw, with more delight than consternation, laying claim to my filial respect and heart
I’m doing the Lord’s work here, I merrily gurgled, I’m doing the work of the Lord, for it had been a short step only a while back already now from my dad to my Creator, from my dad to my God, who shimmered interchangeably according to the occasion, according to the ground for my call
I was elated, thought this might be even grace, why not, I am as well a child of God, I countered, we all are
later I knew it was
but let me step back
we had a wonderful dinner, my mom and I, beneath an only blue sky on the ivied terrace of an Italian restaurant, drank expensive wine, ate succulent antipasto, pasta, toasted the idyllic night, walked home along inspired streets of summer
I’ve thought, what could he have been trying to say apart from hello, how are you, and maybe, not maybe but surely, o it’s the eighth of July and Easter Sunday too, celestial messages ought to be weightier than that, I reasoned, loftier
I believe that what he was trying to say was, there is a heaven, there’s heaven, purpose and hope, that July the eighth was Easter Sunday too, in fact, a day of also revelation, as all days are if you want them to
so spake, I believe, my father
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Sistine Madonna, c.1512-1514
Raphael
(1483-1520)
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in my search for what is beautiful, in my unending, my unyielding quest for the sublime, I’ve come upon many things that ‘ve been awesome, before the Venus de Milo I trembled, stood silent, reverent before her incandescent aura, in consternation before her shimmering grace, marvelled that time alone, I supposed, and magnificence could so irradiate, create actual energy
in Dresden the Sistine Madonna did the same, the only other work ever to so palpably illuminate
during the late Beethoven string quartets I cried, especially the fourteenth, but who wouldn’t, they are masterpieces
on first looking into Homer I confirmed indeed the promise of Keats, nearly subscribed to the gods of Olympus, would’ve converted to their convincing myths, but Proust finally remains my true religion, the reflection of all I believe, the poet aspiring to be a philosopher, the philosopher aspiring to be a poet, where Truth and Beauty inextricably intermix, interweave and inspire
for a while I had my doubts, art, music, literature seemed seductive enough, even important, but not urgent, not necessary, there would be life without art, I rued, but hadn’t been able to pursue it further
then in a revelation someone somewhere said, without art there would be no civilization, and I regained forthwith my faith
earnestly I’ve returned to its service
yours in art richibi
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should you have been following the contest in the Globe and Mail, here’s the latest:
THE 50 GREATEST BOOKS, to date
Mark Twain, The Adventures of Huckleberry Finn
Marcel Proust, Remembrance of Things Past
Charles Darwin, On the Origin of Species
Dante Alighieri, Commedia (The Divine Comedy)
Plato, The Republic
Miguel de Cervantes, Don Quixote
James Joyce, Ulysses
Karl Marx, Das Kapital
St. Augustine, Confessions
Niccolo Machiavelli, The Prince
my recent response :
first of all of the first ten choices of the 50 greatest books in English only three strictly fit the bill, the others are culled from everything already from French and German to verily Ancient Greek and Latin, by way of medieval Spanish no less, and Italian
with this I have no cavil but for not paying proper heed to translations, translators, and their varied abilities for delivering accurate goods, both in substance and in spirit, some references should be made to preferred renditions, I would suspect Dante for instance in even competent prose would be no match at all for nearly any in thoughtful verse, and these superior options should be duly credited and recommended, otherwise where is the “English” in these “50 greatest books”
“Remembrance of Things Past” got me off, it is my supreme masterpiece along with “The Iliad”, it got me interested in this contest, further choices did not disinterest, and I held back scepticism
however having just read Plato on essentially your instigation, and found him outrageous, indeed offensive, not least of all because he actually proposes to castrate Homer, censor parts of him, to fit a cockeyed political agenda, a tyranny in fact – for where is the line between tyranny and even enlightened kingship – a tyranny he would of course administer himself
Plato throughout merrily essentially rambles, nearly incoherently, certainly without any real relevance to ourselves, unless you want to start a tyranny, while his audience, Thrasymachus, Glaucon and the rest, let him ramble, tyrannically, for over four hundred nearly interminable pages
could they be thinking, could we
and where is Homer for that matter on your list
to propose a list of the 50 greatest books one would have to have read a good part of the canon, or have a pool of such people, for where otherwise is the validity of the contest, you can’t even begin to make those choices without having read too many of the masters that haven’t made the list yet
where is of course Shakespeare in all this, where is this pinnacle of English literature, where is Dickens, where is Henry Fielding and the boisterous “Tom Jones”, the gothic Emily Brontë of “Wuthering Heights, the ethereal and unforgettable Virginia Woolf, where, closer to home, are Truman Capote, Vladimir Nabokov, with each their masterful groundbreakers, “In Cold Blood”, “Lolita”
I won’t even start on literary titans in other languages
the choices in English to date have been quaint, “Ulysses” belongs there, “Tom Sawyer” instead of “Huckkleberry Finn”, but with next week F. Scott Fitzgerald’s “The Great Gatsby” the choices of your panel become questionable
where is Somerset Maugham’s “The Razor’s Edge” then, “Of Human Bondage”, or any of his perfect short stories if you’ll first give precedence to the entertaining but not nearly as prolific, nor able, Fitzgerald
I suspect not read
or closer to home where is “The Grapes of Wrath”, one of, just one of, John Steinbeck’s towering achievements
James Agee’s “Let Us Now Praise Famous Men” with Walker Evans, or his sublime “A Death in the Family”, right up there with “To Kill a Mockingbird”, Harper Lee’s triumph, where are these, could they have been read but still not trump next week’s trifle
where is “Gone With the Wind”, Margaret Mitchell’s magnum opus, in every sense of that first word, magnum great, magnum wonderful
where is the sensuous and searing “Alexandria Quartet” of Lawrence Durrell
more esoterically perhaps but no less deservedly where are the sublime “Diaries of Anaïs Nin”, an unparalleled account of a life lived at the very centre of cultural exchange in New York and Paris starting at the Jazz Age, moment by telling moment, and ending in the psychedelia of the Sixties and Seventies, written with stark and consummate ablility, artistry, and frankness
where for that matter is Anne Frank’s diary, about which a moment of silence would rather do than my mere words to sing its highest praises
there are only 40 places left, please fill them thoughtfully
thank you
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