Sergei Prokofiev’s piano concerto no 3, opus 26
Yuja Wang in many ways isn’t Martha Argerich, but in
many ways she’s just as extraordinary
here she is with the Royal Concertgebouw Orchestra
under Daniele Gatti in Amsterdam, October 3, 1910
disregard the written advice that you are watching
Strauss’ “Don Juan” at the beginning of the second
movement, this is Prokofiev’s piano concerto no 3,
opus 26, throughout
Sergei Prokofiev is the mad boy of music, a Harlequin,
a Pinocchio, the fool in Shakespeare, the court jester,
“A Midsummer Night’s Dream”‘s Puck, unpredictable,
effevescent, mercurial, irrepressible
in art I would compare him to maybe Miró, fanciful
though much more electric, with a touch of, say, the
seat, this is 1921, this is the Twentieth Century,
Prokofiev turns the heat on it right up
Richard