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Tag: “Chicago” – Carl Sandburg

up my idiosyncrasies – a bio

marcel-proust.jpg!Large

      “Marcel Proust” 
 
       Richard Lindner
 
          ___________
 
 
for a bio with which I’ve been asked 
to provide an online poetry magazine 
I’ve been encouraged to apply to, I’m 
submitting the following text
 
I thought you might enjoy it
 
 
Richard
 
           ______________
 
 
my name is Richard Bisson, from
which you’ll intuit my French 
Canadian background, though I 
write mostly in English, with no 
trouble however in French, my 
mother tongue is le français  
 
I am thus imbued, undoubtedly,
with that sensibility, my peers 
have been HugoFlaubert, and
most of all Marcel Proust, whom 
I imbibed for 33 years, in French,
page by page, reading each out 
loud as though it were my own, I 
cannot but be replicating now his 
rhythms, his aesthetic, his view 
of the world
 
it didn’t take me as long to read 
Homer, in the thunderous Robert  
Fitzgerald translation, – a mighty
roar resounding still from the 
ninth century before the Christian 
Era – from him I learned to speak 
from the heart, it’s not one’s style  
one has to master, but one’s 
humanity
 
Robert Browning gave me the 
dramatic monologue as a poetic
device, a gift he’d received from
 
Shakespeare himself, of course,
the unbridled freedom of his own 
literary imagination
 
Carl Sandburg‘s Chicago taught 
me to talk about every wo/man, 
about things even my own folks 
were doing
 
Collapsed showed me that even 
apparently inconsequential acts
can be poetry, poetry in the 
apparently humdrum 
 
Mary Oliver is a strong present 
influence
 
the cadence is entirely Beethoven,
with some help, I must admit, from 
the atonalists, SchoenbergBerg,
and Weberncommas are my bar 
lines
 
 
I call what I do prosetry, a word so 
new my computer won’t even let 
me write it, I’m a prosetrist, this 
word either
 
I want to link everyday experience 
with poetry, make poetry in the eye 
of the beholder, where truth and 
beauty lie
 
if people can see what I see, they 
can see that way themselves, it’s 
something one learns, and it’s all 
in the way one entrenches words 
and ideas
 
I eliminated the word “if” from my 
vocabulary once, for being then
too speculative, it changed my life, 
I’ve replaced it since with the word 
“miracle”, that has also changed 
my life
 
I am 67 years old
 
I live in Vancouver, Canada
 
I consider myself to be, at this 
point in my life, bibliosexual, I
sleep with my books, and we’re
all still getting along just fine 
 
may you be so blessed
 
 
Richard
 
psst: also Anaïs Nin, for the 
          intimacy of her diaries
 
          o, and Woody Allen, for
          giving up before his  
          nihilism and just 
          laughing

“Vancouver” – Philip Resnick

"Crosswalk" - Fred Herzog

Crosswalk (1960)

Fred Herzog

_______

not many poems exalt a city, the first
for me was Sandburg’s Chicago, a
far cry from Shelley, Byron, Keats,
and finally something that I could
sink my teeth into – though pretty,
the earlier, Romantic, poems had
been prissy, effete, skylarks,
Grecian urns, the irrelevant fall of
Babylon to the Assyrians
to me

– a lot of festooned air, I thought,
signifying nearly nothing, despite,
afterwards, its often very clever,
indeed truly inspiring, aphorisms

“Beauty is truth, truth beauty, — that is all
Ye know on earth, and all ye need to know.”

for instance

but I was young then, have gotten through
Romanticism’s idiosyncratic pretensions
to its noble universal heart, maybe ‘ve
even picked up a few of its literary
excesses since, what do you think

here’s one, right up there with Chicago“,
about Vancouver this time, my city

and it’s a dandy, I think

come visit

Richard

_______________

Vancouver

The most liveable city on the planet, they say,
which seems true enough on a mid-August afternoon,
sailboats dotting the bay,
picknickers at crowded beaches
competing for summer heat
and precious square centimetres of sand.
Sunlight casts its spell,
and hearing over and over again
how wonderful you are
has a hypnotic ring to it,
much like lovers gently rocking
to rhythms of the midnight hour
or first sight of running water to the parched.
We who grow old here
have like Cavafy‘s Alexandrians
learned to treat such messages with suspicion.
Those bereft of love
find little compassion betwixt concrete condo towers,
those with few means dwell in the same Inferno’s circles
as the bereft of other cities,
and those in hawk to the god of greed
are no less addicted for living in the suburbs of insatiability.

Philip Resnick