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Tag: “Big Zoo / Triptych” August Macke

November / Month of the Sonata – 16

Big Zoo, Triptych, 1913 - August Macke

                 

      Big Zoo, Triptych (1913)  

 

             August Macke

 

                 ________

 

 

the “Appassionata”, Beethoven’s Piano 

Sonata no 23, sounds a lot like his 

Piano Sonata no 21, the “Waldstein”,

both have three movements, fast, slow, 

fast, Beethoven still doing Beethoven, 

each only about a year apart, 1804, 

1805, listen to them side by side, from 

movement to movement, the moods 

in either are much the same

 

I’ll point out, however, that the second

and third movements in the “Appassionata”

are linked, there is no pause between them,

Beethoven is making clear that the sonata

is an integral whole, not a collection of 

disparate elements

 

what does that mean, it means that 

Beethoven is creating a literature, not

only tunes, but a story, with beginning, 

middle and end

 

compare in art with the triptych, see above,

with artists delivering more than individual

paintings, but a narration

 

both arts, music, painting, are meant to 

transcend their original ends

 

enjoy

 

 

R ! chard

a sonata / a suite of Robert Schumann

big-zoo-triptych.jpg!Large

    “Big Zoo, Triptych (1913) 

 

             August Macke

  

              __________

 

if a sonata is a piece of music with 

more than one segment, and a 

suite is also a piece of music with 

more than one segment, what’s 

the difference, you’ll ask, not 

unreasonably  

 

a sonata speaks for itself, as itself, 

is itself, whereas a suite, also in 

several sections, describes 

something else, something not 

itself, but a place, or an action, it’s

a tale, not an autobiography

 

this has some implications, the 

sonata will consequently be more 

expansive, displaying not only 

emotional impact, but also 

technical wizardry, will beat its 

chest, in other words, whether in 

agony or in bombast, whereas 

suite, while not excluding  

necessarily those aspects, will 

usually be more demure, objective

snap its suspenders less 

 

a suite also has more movements 

than the sonata’s usual three or 

four, consider the difference 

between, in art, a triptych, for

instance, and a collage, they’re

in either case artworks, but with

different intentions

 

does any of this matter, to the

aficionado it does, if you want to

buy a home, you could be looking

for a duplex instead of a condo, if

you’re listening to music, you

might  prefer chamber pieces to

large orchestras, suites to sonatas

 

Robert Scumann’s “Kinderszenen“,

or “Scenes from Childhood“,

though not yet identified, in 1838,

as a suite, since the term hadn’t

been used that way yet, is

nevertheless not any different

in kind from Debussy’s later

Children’s Corner“, 1908, so  

that the label fits, however

retroactively  

 

you could say the same of Beethoven’s 

“Pastorale” Symphony, for instance,

it’s also, however retroactively, a suite

 

but here’s Schumann’s Second Piano 

Sonata, to compare with his

Kinderszenen“, to get back to my

original subject, the difference

between a suite an a sonata

 

listen

 

R ! chard