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Tag: Alban Berg

November / Month of the Sonata – 24

Franz Liszt - Jean Auguste Dominique Ingres

        Franz Liszt 

 

     Jean Auguste Dominique Ingres

 

             ______

             

Alban Berg isn’t the only composer to 

write a sonata with only one movement, 

nor even the first, Franz Liszt, some

sixty years earlier, 1853, wrote this one,

his Piano Sonata in B minor, listen

 

Franz Liszt was an entertainer, more

performer than poet, you’ll hear more

bravado in this piece, to my mind, 

than substance

 

but then again, sometimes, that is  

the substance

 

though the finger work here is magical, 

entirely worth the price of admission

 

 

earlier still, during the Baroque era, 

sonatas had consisted of only one 

movement, but the term had referred 

to, then, the structure of the piece, its 

inner workings, not so much the form,

the intention, the change happened

during the Classical Era, starting

around the middle of the Eighteenth

Century, the mid-1700s, which has

been the focus of this month’s 

investigation, therefore excluded

from my survey, not being of the

modern era

 

but listen to a sonata of Scarlatti,

1685 to 1757, an exact contemporary, 

incidentally, of Bach, 1685 to 1750,  

except for the extra seven years, 

who wrote over five hundred of 

them, all available on the Internet

 

listen to one only of them, however 

contextually peripherally, you’ll 

be utterly enchanted, the Baroque 

is not an era to be easily overlooked

 

 

R ! chard

November / Month of the Sonata – 23

The treachery of images (This is not a pipe), 1928 - 1929 - Rene Magritte

    The treachery of images (This is not a pipe) (1928 – 1929) 

 

            René Magritte

 

                 _______

 

     

when is a sonata not a sonata, when, 

to my mind, it has less than two 

movements, but here’s Alban Berg 

doing just that in his Sonata, Opus 1

                                

Alban Berg was a student of Arnold 

Schoenberg, the composer who did 

the most to break down the pillars

of Classical music, tempo, tonality,

and repetition, you’ll here it all here

                                

Berg was working on a piece he 

expected would be a sonata, but 

after the first segment, he couldn’t 

find the inspiration to continue, 

Schoenberg replied that that must 

mean his work was complete, 

and Berg went along with that, 

calling it, nevertheless, a sonata, 

playing fast and loose with the

definition, poets do that, also 

painters, see above 

 

here’s Glenn Gould playing it, the

pianist I believe the greatest who 

ever lived, Gould admired the 

Berg, how could I argue with that

 

 

R ! chard

up my idiosyncrasies – a bio

marcel-proust.jpg!Large

      “Marcel Proust” 
 
       Richard Lindner
 
          ___________
 
 
for a bio with which I’ve been asked 
to provide an online poetry magazine 
I’ve been encouraged to apply to, I’m 
submitting the following text
 
I thought you might enjoy it
 
 
Richard
 
           ______________
 
 
my name is Richard Bisson, from
which you’ll intuit my French 
Canadian background, though I 
write mostly in English, with no 
trouble however in French, my 
mother tongue is le français  
 
I am thus imbued, undoubtedly,
with that sensibility, my peers 
have been HugoFlaubert, and
most of all Marcel Proust, whom 
I imbibed for 33 years, in French,
page by page, reading each out 
loud as though it were my own, I 
cannot but be replicating now his 
rhythms, his aesthetic, his view 
of the world
 
it didn’t take me as long to read 
Homer, in the thunderous Robert  
Fitzgerald translation, – a mighty
roar resounding still from the 
ninth century before the Christian 
Era – from him I learned to speak 
from the heart, it’s not one’s style  
one has to master, but one’s 
humanity
 
Robert Browning gave me the 
dramatic monologue as a poetic
device, a gift he’d received from
 
Shakespeare himself, of course,
the unbridled freedom of his own 
literary imagination
 
Carl Sandburg‘s Chicago taught 
me to talk about every wo/man, 
about things even my own folks 
were doing
 
Collapsed showed me that even 
apparently inconsequential acts
can be poetry, poetry in the 
apparently humdrum 
 
Mary Oliver is a strong present 
influence
 
the cadence is entirely Beethoven,
with some help, I must admit, from 
the atonalists, SchoenbergBerg,
and Weberncommas are my bar 
lines
 
 
I call what I do prosetry, a word so 
new my computer won’t even let 
me write it, I’m a prosetrist, this 
word either
 
I want to link everyday experience 
with poetry, make poetry in the eye 
of the beholder, where truth and 
beauty lie
 
if people can see what I see, they 
can see that way themselves, it’s 
something one learns, and it’s all 
in the way one entrenches words 
and ideas
 
I eliminated the word “if” from my 
vocabulary once, for being then
too speculative, it changed my life, 
I’ve replaced it since with the word 
“miracle”, that has also changed 
my life
 
I am 67 years old
 
I live in Vancouver, Canada
 
I consider myself to be, at this 
point in my life, bibliosexual, I
sleep with my books, and we’re
all still getting along just fine 
 
may you be so blessed
 
 
Richard
 
psst: also Anaïs Nin, for the 
          intimacy of her diaries
 
          o, and Woody Allen, for
          giving up before his  
          nihilism and just 
          laughing