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Tag: Agenor / king of Tyre

“The Story of of Cadmus” (V) – Ovid

Minerva or Pallas Athena, 1898 - Gustav Klimt

         Minerva or Pallas Athena” (1898)

 

                Gustav Klimt

 

                       ______

 

 

an interesting thing has happened with

the story of Cadmus, he is not only a

mythical figure, but also a legendary

one, which is to say that Cadmus has

roots in actual history, he’s not just an

imaginary construct like those that

until now have peopled Ovid’s text

 

Cadmus appears to have actually

founded Thebes, whose origins,

however, are lost in antiquity, going

back to, it appears, the late Bronze

Age, around 2000 BC, goodness

 

stories evidently grew around

Cadmus, that transformed him into

our first documented hero, indeed

superhero

 

counterparts exist in other traditions,

consider David, for instance, who

slew his own dragon, Goliath, before

becoming king of the Israelites, 10th

Century BCE, at Jerusalem, where

he consorted, incidentally, later, with

Bathsheba, however illicitly, but

that’s another story

 

King Arthur, late 5th to early 6th

Centuries CE, stems from British

lore, though his historical actuality

has been contested, is also a hero

with preternatural capabilities based

on some historical accountability

 

in our day, there’s James Bond,

based on real, living and breathing,

personalities

 

or, dare I say, even Jesus

 

the point here is that actual people

are being included in the, however

culturally specific, mythologies,

which, in each, had earlier consisted

of metaphorical constructs merely,

the concept of History, in other words,

was being born, memorable events

were to be remembered, recorded,

documented, if only, originally, orally,

around, say, campfires, however

aggrandized might have been their

recollected heroes

 

Cadmus, meanwhile, in our story, is

about to establish his own historical,

and archeologically confirmed, note,

credentials

 

            The dire example ran through all the field,
            ‘Till heaps of brothers were by brothers kill’d;

 

The dire example, the dragon’s teeth,

grown into men, had begun, if you’ll

remember, to slaughter one another

 

example, display


            The furrows swam in blood: and only five
            Of all the vast increase were left alive.
            Echion one, at Pallas’s command,
            Let fall the guiltless weapon from his hand,

 

Echion, one of the five surviving

brothers

 

Pallas, Pallas Athena, goddess of

Wisdom, also of War

 

see above

 

            And with the rest a peaceful treaty makes,
            Whom Cadmus as his friends and partners takes;

 

the rest, the four other survivors

 

            So founds a city on the promis’d earth,
            And gives his new Boeotian empire birth.

 

promis’d earth, the premonition of

the oracles whose counsel Cadmus

had sought at Delphi, if you’ll

remember

 

            Here Cadmus reign’d; and now one would have guess’d
            The royal founder in his exile blest:

 

his exile, from Tyre, Cadmus’ original

home, from which his father, Agenor,

had sent him, not to return, he’d

warnedwithout his sister, Europa


            Long did he live within his new abodes,
            Ally’d by marriage to the deathless Gods;

 

Ally’d by marriage, at the end of a

period of penance for having killed

the dragon, which had been sacred

to Ares, god of War, the gods gave

Cadmus Harmonia, goddess of

Concord, to be his wife

 

Ares would eventually exact mighty

vengeance, but that’s another story

 

            And, in a fruitful wife’s embraces old,
            A long increase of children’s children told:
            But no frail man, however great or high,
            Can be concluded blest before he die.

 

even Cadmus, though he might

enjoy a long life, and many, a long

increase of, children, is not immune

to any of the vicissitudes of life either

until his own time has come, the poet

advises, however ominously

 

and here Ovid also introduces the

subject of his next metamorphosis,

Actaeon, however early, luring us

thereby, deftly, literarily, towards

his next instalment, Actaeon’s

story, eponymously, there, given

its title

 

            Actaeon was the first of all his race,

            Who griev’d his grandsire in his borrow’d face;

            Condemn’d by stern Diana to bemoan
            The branching horns, and visage not his own;

 

his grandsire, his grandfather,

Cadmus was the father of Autonoë,

who was the mother of Actaeon

 

borrow’d face, Actaeon was

transformed into a stag by the

goddess Diana / Artemis, of the

Hunt, of the Moon, of Chastity,

for having seen her naked as

she was bathing

 

he now has the face, the visage, of

someone, something, he hadn’t

been before, borrow’d


            To shun his once lov’d dogs, to bound away,
            And from their huntsman to become their prey,

 

having been transformed into a

stag, or metamorphized, Actaeon

would end up hunted, and worse,

by his own, once lov’d, dogs


            And yet consider why the change was wrought,
            You’ll find it his misfortune, not his fault;
            Or, if a fault, it was the fault of chance:
            For how can guilt proceed from ignorance?

 

to have been at the wrong place

at the wrong time, yet to suffer,

however unfairly, the consequences,

that, Ovid asks, is the question, the

conundrum

 

stay tuned

 

 

R ! chard

“The Story of of Cadmus” (ll) – Ovid

St. George and the Dragon, c.1470 - Paolo Uccello

          “St. George and the Dragon” (c.1470)

 

                 Paolo Uccello

 

                            _______

 

 

             Cadmus salutes the soil, and gladly hails

             The new-found mountains, and the nameless vales,

             And thanks the Gods, and turns about his eye

             To see his new dominions round him lye;

 

Cadmus, son of Agenor, brother of

Europa, has, on the advice of the

Delphick oracles, settled where

the lonely cow, / Unworn with yokes,

unbroken to the plow had stoop’d,

and couch’d amid the rising grass,

and stakes there his new appointed

home

 

vales, valleys


             Then sends his servants to a neighb’ring grove

             For living streams, a sacrifice to Jove.

 

Cadmus, a prince, would’ve had

a retinue, followers, Hamlet for

instance, his Horatio, his

Rosencrantz and Guildenstern

 

Jove, note, is the god who abducted

Europa, though Cadmus, according

to our story, isn’t yet supposed to 

know this, never having found his

sister, nor identified, consequently,

her ravisher, namely Jovethe god

to whom Cadmus is now about to

give sacrifice, give thanks


             O’er the wide plain there rose a shady wood

             Of aged trees; in its dark bosom stood

             A bushy thicket, pathless and unworn,

             O’er-run with brambles, and perplex’d with thorn:

 

perplex’d, a wonderful metaphor

here for entangled, enmeshed

 

             Amidst the brake a hollow den was found,

             With rocks and shelving arches vaulted round.

 

brake, bracken, brush

 

             Deep in the dreary den, conceal’d from day,

             Sacred to Mars, a mighty dragon lay,

 

Mars, god of War

 

a mighty dragon, dragons, it appears,

go back to very prehistory, perhaps

as a memory in our reptilian brain of

dinosaurs, and the like, that made its

way into our poetic imagination

 

see above 


             Bloated with poison to a monstrous size;

             Fire broke in flashes when he glanc’d his eyes:

 

glanc’d his eyes, threw glances at

 

             His tow’ring crest was glorious to behold,

 

crest, as in roosters, or reptiles


             His shoulders and his sides were scal’d with gold;

 

scal’d, having scales, plates,

overlapping surfaces


             Three tongues he brandish’d when he charg’d his foes;

             His teeth stood jaggy in three dreadful rowes.

 

rowes, rows, three dreadful ones,

one behind the other


             The Tyrians in the den for water sought,

 

The Tyrians, Cadmus and his men,

all originally from Tyre


             And with their urns explor’d the hollow vault:

     

urns, to collect from living streams

within the vault a sacrifice to Jove


             From side to side their empty urns rebound,

 

rebound, knock against a harder

surface repeatedly


             And rowse the sleeping serpent with the sound.

 

rowse, rouse

             

             Strait he bestirs him, and is seen to rise;

             

he bestirs him, he bestirs himself

             

             And now with dreadful hissings fills the skies,

             And darts his forky tongues, and rowles his glaring eyes.

 

rowles, rolls


             The Tyrians drop their vessels in the fright,

 

vessels, urns

 

             All pale and trembling at the hideous sight.

             Spire above spire uprear’d in air he stood,

 

Spire above spire, scale upon scale

 

uprear’d, reared up

 

he, the serpent


             And gazing round him over-look’d the wood:

 

overlook’d, looked over, surveyed


             Then floating on the ground in circles rowl’d;

 

rowl’d, rolled


             Then leap’d upon them in a mighty fold.

 

fold, embrace, encirclement

 

             Of such a bulk, and such a monstrous size

             The serpent in the polar circle lyes,

             That stretches over half the northern skies.

 

The serpent in the polar circle, Serpens,

a constellation in the Northern Hemisphere

in close proximity to the North Pole

 

lyes, lies


             In vain the Tyrians on their arms rely,

 

their arms, their weapons


             In vain attempt to fight, in vain to fly:
             All their endeavours and their hopes are vain;
             Some die entangled in the winding train;

 

the winding train, the serpent’s

tail

 

             Some are devour’d, or feel a loathsom death,
             Swoln up with blasts of pestilential breath.

 

stay tuned

 

 

 

R ! chard

“The Story of of Cadmus” – Ovid

Lying Cow, 1883 - Vincent van Gogh

        Lying Cow(1883)

 

             Vincent van Gogh

 

                           ______

            When now Agenor had his daughter lost,

 

Agenor, king of Tyre, father of

Europahis daughter lost


            He sent his son to search on ev’ry coast;

 

his son, Agenor’s son, Cadmus,

Europa’s brother


            And sternly bid him to his arms restore
            The darling maid, or see his face no more,
            But live an exile in a foreign clime;
            Thus was the father pious to a crime.

 

pious to a crime, intent on, devoted to,

having justice restored

 

            The restless youth search’d all the world around;
            But how can Jove in his amours be found?

 

amours, loves, trysts, entanglements

 

            When, tir’d at length with unsuccessful toil,
            To shun his angry sire and native soil,

 

his angry sire, Agenor, father, sire

 

            He goes a suppliant to the Delphick dome;

 

suppliant, supplicant, petitioner,

one in search of a favour

 

Delphick dome, the Temple of Apollo

at Delphi, where the oracle, Pythia,

proclaimed her cryptic prognostications,

her famously ambiguous prophecies

 

Delphi, incidentally, was one of several

sacred sites in Greece, sanctuaries,

open to any Greek, or person who

could speak Greek, regardless of

geographical provenance, any

city-statefor instance then, or

kingdom, akin to embassies today,

or places where people can expect

to find similar political haven

 

Delphi was the destination then also of

pilgrimages, comparable to our own

Santiago de Compostela today, an

ancient path I dearly would’ve, but

never have, unfortunately, undertaken

 

though I did walk to Mission B.C. some

several years ago, from my home in

Vancouver, to a monastery there, a

place of recuperation when I needed

one, three days there, and a half, three

days and an equal half back, my feet

were blistered, I noticed at one point,

but hadn’t at all registered any pain,

a truth I gathered about the power of

intention, one’s very aim can be a

salve, a balm, a solace, against any

adversity

 

but back to Cadmus

 

            There asks the God what new appointed home
            Should end his wand’rings, and his toils relieve.

 

where do I land, asks Cadmus,where

is my appointed home, my final

destination


            The Delphick oracles this answer give.

 

The Delphick oracles, subordinates

to Pythia, the high priestess at Delphi

 

            “Behold among the fields a lonely cow,

            Unworn with yokes, unbroken to the plow;

            Mark well the place where first she lays her down,

            There measure out thy walls, and build thy town,

            And from thy guide Boeotia call the land,

            In which the destin’d walls and town shall stand.”

 

Boeotiaa region still of Greece

 

            No sooner had he left the dark abode,
            Big with the promise of the Delphick God,

 

the Delphick God, Apollo, god of

music, dance, truth, prophecy,

healing, the sun, light, poetry,

among many other things


            When in the fields the fatal cow he view’d,
            Nor gall’d with yokes, nor worn with servitude:

 

fatal, fateful

 

gall’d, irritated, frustrated


            Her gently at a distance he pursu’d;
            And as he walk’d aloof, in silence pray’d
            To the great Pow’r whose counsels he obey’d.

 

the great Pow’r, Apollo, by way of his

Delphick oracles,the high priestesses,

through their counsel, their divinations


            Her way thro’ flow’ry Panope she took,

 

Panope, plural, were sea nymphs, not

places, in Ancient Greece, therefore

Cadmus must’ve been crossing water,

however flow’ry, I’ll have to check my

Latin text for, maybe, inaccuracies in

the translation


            And now, Cephisus, cross’d thy silver brook;

 

Cephisus, or Cephissus, a river in Boeotia,

a brook, a stream, anthropomorphized here,

which is to say Cephissus, the flow, the

waterway, is being addressed as a rational

being, I have cross’d thy silver brook, he 

says, speaking to the torrent

 

meanwhile, to brook, to conquer, to

overcome, a wonderful, a shimmering,

literarily speaking, homonym, which is

to say, a word with two faces


            When to the Heav’ns her spacious front she rais’d,
            And bellow’d thrice, then backward turning gaz’d
            On those behind, ’till on the destin’d place
            She stoop’d, and couch’d amid the rising grass.

 

she, the fatal cow, see abovehas led

Cadmus to his famed, his mythic,

destination, destin’d place, destiny

 

stay tuned

 

 

R ! chard

“Europa’s Rape” (ll) – Ovid

The Rape of Europa, c.1732 - 1734 - Francois Boucher

         The Rape of Europa” (c.1732 – 1734)

 

               François Boucher

 

                      ___________

 

 

            Agenor’s royal daughter, as she plaid

            Among the fields, the milk-white bull survey’d,

 

Agenor, king of Tyre, in Phoenicia,

an area comprised then of ancient

Lebanon, as well as a good part of

the Eastern, and later, the Southern,

which is to say the African,

Mediterranean coasts, father of,

notably, Europa, his royal, his

indeed mythic, daughter 


            And view’d his spotless body with delight,

            And at a distance kept him in her sight.

 

Europa is intrigued, delight[ed], by this

milk-white …spotless …bull, but from

a distance, discreetly, furtively


            At length she pluck’d the rising flow’rs, and fed

            The gentle beast, and fondly stroak’d his head.

 

pluck’d, dared, mischievously, to

confront

 

the rising flowers, offering [their] cup

to the sun

 

            He stood well-pleas’d to touch the charming fair,

            But hardly could confine his pleasure there.

            And now he wantons o’er the neighb’ring strand,

            Now rowls his body on the yellow sand;

 

to wanton, to play, to frolic, often

immodestly, like puppies, goats

 

strand, shore

 

rowls, rolls

 

            And, now perceiving all her fears decay’d,

 

decay’d, dispelled, dissipated,

evaporated

 

            Comes tossing forward to the royal maid;

            Gives her his breast to stroke, and downward turns

            His grizly brow, and gently stoops his horns.

 

grizly, grizzly, grayish


            In flow’ry wreaths the royal virgin drest

 

drest, adorned

 

            His bending horns, and kindly clapt his breast.

            ‘Till now grown wanton and devoid of fear,

            Not knowing that she prest the Thunderer,

 

the Thunderer, Jove / Jupiter / Zeus

 

            She plac’d her self upon his back, and rode

            O’er fields and meadows, seated on the God.

 

however heedlessly, however

immoderately, immodestly,

however innocently

 

see above


            He gently march’d along, and by degrees

            Left the dry meadow, and approach’d the seas;

            Where now he dips his hoofs and wets his thighs,

            Now plunges in, and carries off the prize.

            The frighted nymph looks backward on the shoar,

 

shoar, shore

 

            And hears the tumbling billows round her roar;

            But still she holds him fast: one hand is born

 

born, borne, held

 

            Upon his back; the other grasps a horn:

            Her train of ruffling garments flies behind,

            Swells in the air, and hovers in the wind.

 

see here also for a more windswept

picture of Europamore in keeping

with the last few lines


            Through storms and tempests he the virgin bore,

            And lands her safe on the Dictean shore;

 

Dictean, of Dicte, or Dikti, a mountain

range in Eastern Crete, site of the

Diktaion Antronor Dictaean Cave,

the place where Jove / Jupiter / Zeus

was apparently born, if it wasn’t the

Idaean Cave, which is to say a cave on

Mount Idatherefore Idaean, also in

Crete, both hollows having claimed

the right to be called the site of the

exalted provenance

 

            Where now, in his divinest form array’d,

            In his true shape he captivates the maid;

 

Jove / Jupiter / Zeus manifest, no

longer bull, but divinity, dripping

still in bovine potency, however

residual


            Who gazes on him, and with wond’ring eyes

            Beholds the new majestick figure rise,

            His glowing features, and celestial light,

            And all the God discover’d to her sight.

 

once, to a man who’d bewitched me,

how could you touch me, I wrote, you

must’ve known you would transfix me,

leave me breathless, which he,

however inadvertently, had, did

 

I went on, of course, to not populate

continents, nor to become queen of

Crete, but was Europa, in that

instance, before my own exalted

entity 

 

 

R ! chard