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Diane Arbus – 1923-1971

     Diane Arbus, Identical Twins, Roselle, N.J.

                                    “Identical Twins, Roselle, N.J.“, 1967
 
                                                        Diane Arbus  
                                                                                                                                                                                                                                                                                                                   1923 -1971
                               
                                                          _______
 
                                                                                                                                                                                                                                                      with the camera the shutter becomes the brush, the art only a click away, the artistry, the creativity, debatable
 
where is the skill, the ingenuity, indeed the art
 
the snapshot is a picture of an imagination taken on the spot, the art must be in the very brain, not in, as one would expect, the dextrous fingers, the articulation, the prestidigitation, must be already sorted out, already calibrated, technical prowess not required, just able, artful observation
 
the shutter will do the rest
 
can a point of view then, a take, one will reasonably inquire, be art

 
Diane Arbus had been a fashion photographer, gave it up for something, it would appear, more meaningful, became thereby, in my estimation, unforgettable, broke down for me reservations about photography as art 
 
witness
 
Identical Twins, Roselle, N.J., 1967, is not about these twins, these unexceptional twins – otherwise merely a portrait, an indifferent even portrait – but about something much more relevant
 
two little girls in black and white – though this may be itself the kind of photography – look straight into the camera, you look to tell them apart
 
their little dress adorned by each the same white ruffle at the collar, recalling incidentally the Reformation Dutch, a witty touch, give no clue, they could be matching dolls, flat cut-outs, for that matter, given the minimal use of perspective
 
a matching hair band, the same hair, the same nose, the same mouth, don’t either, the eyes do but only just 

they tell though the entire story, their different light, their different incandescence, though even ever so slight, though ever even so elusive, is what finally tells them apart 

but the focus has switched, you’re observing something now immaterial, incorporeal, insubstantial, become simultaneously something mystical, metaphysical, transcendental, some might call God  
 
Michelangelo’s did the same thing for Adam, another much wittier art history touch

 
two other girls, “Untitled“, 1970-71, speak even more clearly perhaps about this 
 
note the angel come through in the girl on the left, in all its magnificent splendour

   

                                           Untitled“, 1970-71
 
                                                   Diane Arbus 

                                                   1923 -1971
                                                 
                                                      _______

                                                                                                                                                                                                                                                  Diane Arbus committed suicide on July 26, 1971, undoubtedly
undone by what she’d sought to witness, perhaps the too bright light
                                                                                                                                                                                                                                                     psst: why is it that those who are “Untitled” would never think of taking their own life, perhaps they’ve been blessed with an extra measure of courage

                                                                           

                                                                  

_________________________________________________

in defence of my penchant towards prose

                                                                                                                                          in defence of my penchant towards prose


the problem with poetry ‘s the rhyme,
it takes the seriousness out of the line,
it distracts from its meaning
giving bounce to the reading
forfeiting too much, I think, of the mind
 
not that I don’t like rhythm
but it shouldn’t supplant my mission
of putting the point, the more pertinent point,  
I believe, ahead of often more frivolous composition
                                                                                                                                        forgive then my impertinent prose,
I really don’t mean to oppose,
but I think it’s my lot,
to declare my thought
with less verse
than straightforward opinion

     

     _______________________

upon being asked to make a poem out of Pieter Bruegel the Elder’s “Landscape with the Fall of Icarus”

                  “Landscape with the Fall of Icarus”, c.1558

                            Pieter Bruegel, the Elder

                                    (1525-1569)

                                     __________

                                                                                                                                                                      upon being asked to make a poem out of Pieter Bruegel the Elder’s “Landscape with the Fall of Icarus”                                             

                                                                                                                                      what is a poem, the question came up around my earlier errant composition, was what I’d written a poem, though one could be made out between the, dare I say, ivied even cracks
 
something that rhymes, my mom answered when I asked, which mine of course didn’t
 
though mellifluous and rhythmic maybe, and peppered here and there with inventive and artful devices – metaphors, alliteration, onomatopeia, the like, the meat and potatoes, the very stuff, I think, of poems – I still didn’t rhyme, don’t rhyme, and run a sentence on mostly much too long for a proper pentameter
 
like, I guess, a prose poem 
 
or maybe even just prose
 

but about the Bruegel

 

at the back a radiant sun dominates the picture, sheds not only light but life on everything, the sky is thick with grays and blue and takes on actual dimension, whereas a more silken application of paint to the sun makes that orb evanescent, a portal into heaven, a source instead of a force, an opening instead of an engine
 
in the foreground a farmer ploughs his field, another tends his sheep, life is going on despite the splendour 
 
no one notices Icarus either, the flailing figure in the waves, bottom right, drowning, despite the might of the myth, the potency, the poignancy, of the poetry
 
but who notices even poetry 
 
 
across a stretch of water to the horizon and to at its edge the resplendent sun, ships with sails, indeed medieval galleons, sit in the placid harbour of a city in the blue crook of, upper left, a range of mountains, the City of God of Augustine maybe for its iridescent pastels, for its sunlit gold maybe the gilded Greek Atlantis  
                                                                                                                                                                       above the flailing Icarus a ship is setting joyful sail out towards the promise of the blazing sun, the way seems clear

there will be other, it appears, Icaruses

                                                                                                                                                               medieval caricaturization and perspective inextricably of course obtain throughout

 

 

           

 

   

    __________________________________________

ekphrasis

                                                                                                                                 ekphrasis

                                                                                                                                      poring among the possibilities the nearby university had to offer – they’re listed in a catalogue they seasonally send around – one on poetry, of course, how to make one out of a painting, stood out, how to make of something visual, a Monet, a Van Gogh, a Renoir, a poem 

ekphrasis, there’s a word for that, I thought

and ate it up

the picture I got to ekphrase, my word for that, was one of a set the teacher sent around of Kobayashis, snapshots, I’d never heard of him, her, either, Milt Kobayashi, all of them intriguing

I quickly snapped one up, letting my instinct instead of my judgment pick it out – I find it’s usually more accurate – in order to keep the ball rolling, not slow things up

a waif in especially blue, the colour also of chairs behind her – like skies in winter, I thought, when the pressure’s up and the light is pale, colours aren’t crisp but muted – making that sort of association, hoping that wouldn’t be unintelligent

rudimentary roses, wine red, spotted here and there her blue skirt, more like patches than ornamental flowers, a black top the colour of her jet black hair was cut low in a U at her neck, she leaned against a wall, itself nondescript, at the right of the picture, her left, far to that side, and in her own black shadow there splashed upon the wall, a fathomless apparently abyss, seemed to find refuge, a respite, like a womb, pushing herself and it nearly right out of the picture

her arms were crossed, but one reached for her shoulder, lightly resting there, covering inadvertently, or not, her chest, and by my inference her soul, her modesty, her bosom, whereupon, like Michelangelo’s God touched Adam, with love, light and understanding, inadvertently again or not, she touched mine

and her black, plaintive eyes were looking right back

                                                                                                                                     there’s next to nothing on the spartan walls, the table is somewhat set, but light reflected off some glasses there, and dishes, is gleaming, like in Dutch still lifes, artfully, and delightfully

“The Last Table” it’s called, though I’m not too sure what that’s about, a waitress calling it a day, a playful reference somehow to da Vinci’s “The Last Supper” maybe 

that’s what I’d have to make into a poem, ekphrase

 

               

  _____________________________________________

over a late lunch

for Wendy, who’s eyes glowed golden when she listened

                                                                                                                                                                                                                                                    over a late lunch:

after twenty-eight years, Proust, I said, has given me the answer to essentially everything

we’d met, a friend and I, over a late lunch, and I was keeping her abreast

he says your impressions are your only Truth, I said, what wells from the core of you, instinct, is your only sure reality, your fount of Truth, your work of art, its representation, is your duty to the world, to partake in the community that has found the way to do it is your mission, he says it is a most difficult path to follow, and most eschew it, gesundheit

but, he says, without it your unique contribution to what we can ever know as Truth will be lost, a resplendent soul, all souls of course are resplendent, returned to merely and tragically dust

I’m inspired to write, I said, more than ever, I think like a divine purpose

twenty-eight years, I pointed out, I thought maybe never, though I suspected Proust if anyone might come pretty close, closer than anyone, if anyone could indeed supply such an answer

Proust talks about memory though, it is the issue that transports him, it is the nebulous area that, in a moment of suspension of time when a device, a detail, will provoke an evocation of another time, another place – a perfume, a sound, a taste, might do it, any sensuous reality – another dimension is exposed, where time and space have been effectively bypassed, again eschewed, again gesundheit, sidetracked, and you are transported 

but what I want to talk about is miracles, what do you think of that, I asked, aware by now I might be being way too out there

that’s wonderful, she replied, her eyes were warm and to me glowed golden

that’s where I’m most comfortable, I continued, I want to describe that place where two realities coincide, this one and another, where everything is the same but different, where everything shimmers with a kind of heightened and iridescent energy, where usually there’s only real life

I want to show that these aren’t simply coincidences, unusual but isolated events, but rather revelations, answers to our most profound questions if we only allow, moments of patent lucidity and grace

how am I doing, I again cautiously asked, aware I might be flying off the handle, again be going too far

but there was no hint of any impatience, distress, incredulity, just warmth and thoughtful interest

I don’t think anyone else has ever written about that, I said, yes, the miraculous is inherent in any work of art but not as its prime subject, usually it is felt as its consequence, the source of the art itself, not its story

I felt on firmer ground now, back at the topic of writing, not the meaning of life, miracles, transcendence

I can do that, I said, I can do that, certain I could

              

_______________________________________                                                                                                                                           

July 8, 2008

                                                                                                                                        for my mom and for, of course, my father 

                                                                                                                                    July 8, 2008:

for reasons salacious perhaps the previous day, or perhaps because all by himself my father could, sui generis, transport himself in a mystical leap of his otherworldly essence quite independently of any other merely material considerations and imbue me readily with his radiant spirit, I awoke the next morning, his birthday, thus imbued, radiant of spirit, in a mood ready to celebrate

I read of course my Proust first, my morning prayer, followed with a few pages of Thoreau’s inspired “Walden” for poise, purpose and poetry

my morning coffee steamed at my side, golden and aromatic, my eiderdown pillow plushly propped up my back, a feather bedspread lightly cushioned my upturned knees where my book lay, a finger slowly savouring each flip of each precious page, while a bird at my window surely sang precise notes to the morning sun

then up from my devotions I called my mother to find out if she’d herself remembered, she hadn’t, the date, she remorsefully said, had entirely slipped her by

no matter, I retorted, allowing for no recriminations, tonight we’ll celebrate, it had been nineteen years at least since the last time

she set about her day, I mine, until we’d meet for dinner

                                                                                                                              meanwhile I called my sister, who’d of course remembered, sang even her song of his that she recalled he would sing apparently always at his birthday, my mom remembered it too when I asked, o it’s the eighth of July and Easter Sunday too, to indicate a day of high celebration

my nephew was not home but I left him, and his, loving words

my aunt then, and then another aunt, his only remaining sisters able to answer the phone, another would not be easily reached at her nursing home, might not have remembered even her brother, I did not try

I drew the line as well at cousins, they are dispersed and abound

but a friend who’d lost herself a father only a year earlier, I made a point of calling, in sympathetic communication, she was not home, I told her machine instead she was an angel, she’d hear when she got home 

but already there was a buzz, and I’d been busy setting it, to my already glowing delight

                                                                                                                                   along the street as I made my way to a dentist’s appointment I thought, my dad will appear today, somehow, he always does when I call, when I listen, and cocked an ear, kept an eye out, sharpened all my even extrasensory senses

but right then and there only the trees, as far as I could tell, were imparting, though mostly only to heaven, the leafy poems that they were writing there, about life, about the seasons, about transformation, about time, while we under their shelter and shade are busy especially running errands, leaving the patterns of their intricate shadows unnoticed mostly on our walk, walks, scrutable of course but for many hieroglyphic, esoteric, arcane, like for many for that matter many of our standard poems

I marveled at their rhythm, rejoiced at their rhyme, stood still to contemplate their wisdom, stood reverent before their poise and grace, at which they sibilantly sighed of course, sending me so inspired along

in all of this however I could only indiscriminately yet detect a father, my father

I pressed stalwartly on

                                                                                                                                 today’s my father’s birthday, I blurted out to my dentist when he asked how I was, before I could even think of what I was saying

forthwith both he and his assistant put a cloud of dark condolence on, a pall was cast over each their ebullience, I felt the sun leave in an instant each their spirit, but I would have none of it, my father brought only joy, had been offering me only that for years now, I thought their response perhaps instinctive, certainly and graciously full of heart, but off the mark, there was no reason whatsoever to court sadness, none at all

I explained my relation to my father

before he died, dad, I said, let me know from the other side, I am your son, I’ll hear you, later of course I heard, often when I would be praying for something

at first I’d bargain, I’ll do this for that, I’d ply, then one day when my mom could not, she said, quite make out that he was there for her, like a revelation I replied, like a very inspiration I stated, ask for something, he’ll have to answer you, you’ll know then, and not only you’ll know but he’ll be overjoyed to be able to help you, to be with you, for you to be with him, for you to recognize he’s there, whereupon of course I was overwhelmed by tears of utter gratitude and wonder, I’d lived long with this truth already, but had never put it into words  

                                                                                                                                        a drill sat poised at my mouth, I suddenly noted, but hushed apparently by the Elysian nature of my account, Elysium, that mythic abode of the honourable dead, I deferred but was encouraged to tell on, therefore, aware that my teeth were presently to be done, briefly as I could, I recounted from my store representative miracles, though I warned, my miracles abound, I see them everywhere, to be at the foot of not one but two rainbows, for instance, with someone at that point who needed one, hadn’t been too sure of any till now, how much of a miracle was that, and that was an essentially easy one, others were intricate, textured and subtle, not as crisp, clear, iridescent as two incontrovertible rainbows

a burning bush, yes, a burning bush, a tree as though on fire, after a walk I had with God, fiery orange and bristling, or the purple aura of buds, their nascent energy, gleaming in the dewdrops along a brittle branch not quite recovered still from hard winter another night as I walked home, when God wasn’t there for me especially, just omnipresent as usual, they were catching the pulse and colour of yet unborn blooms, the glowing advent of their pink and precious incarnation

                                                                                                                                       but these I didn’t even bring up

I told of a dinner in Vienna when my dad showed up in the guise of a melody, a “serenata” my mom would listen to when he passed away, with birds in it, the twitter of birds to decorate with garlands of their own ornithological music a pastoral piece for Classical orchestra, it has remained for nineteen years on her turntable, but nowhere anywhere else had I ever heard it before, she among only a few family and friends, who’d been moved by her being moved mostly

we’d been separately to the same restaurant in Vienna many years earlier, at separate times, a memorable historical place, the oldest in Vienna, the fare hearty and traditional, the service inspired, superb, the atmosphere scintillating, we’d contrived my mother and I to return together when it was happening I would be there, and she would meet me for the occasion

we were chatting over wine when my mother raised a finger to the music that was playing lightly, it was my father, a thousand miles away from home, joining us, we raised our hearts to love and basked as warmly in the golden moment as in its candlelight

the time in Buenos Aires also when a stone angel had become a man, a man become an angel, for where is the divide, I always ask, between the two, a mime so good, so convincing, I’d mistaken him for a sculpture, who’d then incrementally begun to move when a girl dropped a coin in an adjoining coin box for him, which indeed had puzzled me on what I’d thought was public art

a friend had asked if I had a coin, which he gave to a young girl for the coin box, a beautiful, in and of itself, act, I’d thought, of saintly charity, she dropped it in, the figure to my consternation moved, I trembled, beheld amazed the transsubstantiation  

                                                                                                                                         but it was time to return to my teeth

those are just the bare bones, I said, of those miracles, they become resplendent even more in more detail, and I let him enter my mouth, then, gagged and throttled, did not prevent him, couldn’t’ve, wouldn’t’ve, from wondering aloud about some of his own perhaps similar instances, old ladies, he said, mostly, who’d on occasion flit by, in the corner of an eye, that he’d noted and dismissed as too improbable, ask them instead for something next time, I said, you’ve excluded the possibility of their being for too long, time for something different

it was                                                                                                                                    

what’s got a hold of me, I suddenly wondered, there in the dentist’s chair, blathering away despite even the dental paraphernalia hanging or hovering at my mouth, and with such insistence, and all morning

in Homer the Olympian gods speak and act through people, take over their spirit, get them to do their bidding on earth

this was my father, I suddenly saw, with more delight than consternation, laying claim to my filial respect and heart

I’m doing the Lord’s work here, I merrily gurgled, I’m doing the work of the Lord, for it had been a short step only a while back already now from my dad to my Creator, from my dad to my God, who shimmered interchangeably according to the occasion, according to the ground for my call

I was elated, thought this might be even grace, why not, I am as well a child of God, I countered, we all are

later I knew it was

                                                                                                                                     but let me step back

we had a wonderful dinner, my mom and I, beneath an only blue sky on the ivied terrace of an Italian restaurant, drank expensive wine, ate succulent antipasto, pasta, toasted the idyllic night, walked home along inspired streets of summer

I’ve thought, what could he have been trying to say apart from hello, how are you, and maybe, not maybe but surely, o it’s the eighth of July and Easter Sunday too, celestial messages ought to be weightier than that, I reasoned, loftier

I believe that what he was trying to say was, there is a heaven, there’s heaven, purpose and hope, that July the eighth was Easter Sunday too, in fact, a day of also revelation, as all days are if you want them to

                                                                                                                                          so spake, I believe, my father

                     

 

    ___________________________________

                                                                                                                                 

finding miracles

these earlier “back tracks“, of which the following is one example, are pieces I consider still to be worth your while

please enjoy

                        _______________________

                                                                                                                                                                                                                                        November 9, 2006

                                                                                                                                                                                                                                                  this has been a year of only a clutch of miracles

of course they always abound, but some years, beset by crushing ordeals, miracles seem few and far between, and pale and falter beside the anguish and despair you suffer

 yesterday I marvelled at the colours of the leaves, the reds, the golds, the purples, that still and magnificently clung to the branches of much thinner trees now that they had lost the weight and splendour of their foliage

the sun upon the colours made them quiver, gleam, glimmer

look, I told my walking mate, a painting, and spread my arm across the panoply that contained what I saw

Monet, he replied

indeed, I said, but also Klimt, the gold, the glitter

I could barely listen on for the wonder

and Van Gogh for the branches, I continued, caught up in my world of live Impressionism, crotchety, angular, mad, I described

and there are millions of these leaves, I went on, transported beyond Impressionism into verily awe, not two of them alike, an infinity of numbers

that’s a miracle

                                                                                                                                                                                                                                                     a day earlier a friend had come over to lunch, after which we’d amble on over to the art gallery for an exhibit that was on

a gull sat on the ledge of my window, at my aerie on the twelfth floor

maybe it’s your father, she said

maybe, I replied, but couldn’t then and there make the connection

it stayed long enough for her to mention it again after I’d gone on for some time more, she was facing the window, I was not, I’d returned to our conversation

the gull looked in, on, curious, spirited

but I still saw just a gull
                                                                                                                                                                                                                  

last   evening I remembered that it would’ve been my parents anniversary had my father survived, called my mom, asked her out, we had dinner nearby, the date had slipped me by

                                                                                                                                                                                                                                            later still I remembered about the gull, who perhaps had not forgotten

            

                                                                                                              

                              _________________________________________

Robert Frost

intent this week, as always, on filling my world with poetry, indeed on becoming, learning to be, in fact, a poet, a dream I’ve had for a long, immemorial even, time, I registered for, then found myself in, a class on five early twentieth-century American poets – Robert Frost, Ezra Pound, T.S. Eliot, e.e. cummings, Wallace Stevens – given at the university downtown, I hoped for guidance there and some inspiration

the day was promising, the clouds were rolling by that had settled over the town, clung to it for several days now tenaciously, cherry blossoms heavy on every street awaited merely the unfettered sun to become truly and magnificently enchanting, I did a stint at the courtroom in the morning where my client didn’t show, would’ve interpreted back and forth between French and English for him, her, but left after the time it took for the judge to deliver a warrant, and for the day to have become in the interim glorious  

I’d worn a blue and white check shirt, a golden tie with a spray of countless blueberries on it, under, for the sober air of the judiciary, a tweed sportsjacket, round horn-rimmed glasses made me look, I felt, intelligent, academic, professorial

but a wine-red paisley umbrella touched with royal blue and sandy squares prepared me, I was sure, for an afternoon of poetry instead, fantasy, imagination, not to mention rain should it, however improbably, turn wet, and I knew the courtroom would’ve been able to use some of its fanciful serendipity 

I’d ventured forth therefore ready for any- and everything

                                                                                                                                    not for Frost though, who left me cold

how do you make him relevant, I asked, when the professor looked to us for comments, he’d been reading him merely, one dreary poem after another, waiting for us to break in, we’d been, or I’d been, sitting patiently, deferentially silent

is he only of historical interest or is there anything for us here, in the twenty-first century

the professor, a man with impressive credentials, appeared somewhat non-plussed, expecting reverence, I suspect, for what I considered to be twaddle, the stodgy meanderings of an old colonial man scratching out awkward rhymes in the middle of the night, something Walt Whitman had done supremely well already in his inspired poems, and Mark Twain in unforgettable, witty, pithy, pungent prose   

some in the class tried to pick out some perhaps worthy passages but floundered ultimately in a dearth of them, little by little we came to find Frost not especially pertinent or memorable, not to mention mostly curmudgeonly

here’s one however I found not bad you might’ve read, maybe even enjoyed, as I in fact did

                                                                                                                                    The Road Not Taken

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I –
I took the one less traveled by,
And that has made all the difference

Robert Frost

                                                                                                                                    later at home I took on the more promising Pound

                                                                                                                                  yours in art and poetry                                                                                                                                    richibi

                                                                                       ______________________________________

 

yesterday – December 28,2006

           Girl Reading a Letter at an Open Window, 1657

                                Johannes Vermeer

                                    (1632-1675)

             ______________________________________

these earlier “back tracks“, of which the following is one example, are pieces I consider still to be worth your while
please enjoy 
             
                       _______________________
December 28, 2006
                                                                                                                                                                  yesterday for the first time it snowed, as I left the apartment a light but steady moisture began to fall that I suspected might be more than rain, sure enough by the time I´d walked the several minutes to the number 8 which would take me to the Old Masters Picture Gallery, the Gemäldegalerie Alte Meister, in the Zwinger, snowflakes swirled about us like whirling dervishes, light in the flustered air and as merry and playful as the season 
I hopped the Strassenbahn, the tram, which sleekly sailed us along to, then a short length of, the river, which was shrouded there by thickets of trees, but as we turned onto the bridge, the Augustusbrücke, the stately steeples and spires of the Altstadt appeared magically transformed into the enchanted setting of a fairy tale, sprinkled with the dancing fairy dust of the very Brothers Grimm
I got off beside the Catholic Cathedral, St Trinitatis, built in 1738 to 1755, heavy with age, light with spirit, its saints and significant clergy standing watch along the balustrade that lined and determined its roof, surely the bells were ringing but I can´t say for certain, the music was all in my eyes
across the cobblestone square before the Semperoper – the Opera House that Gottfried Semper built between 1838 and 1841, rebuilt from 1871 to 1878 by his son after it burned down in ´69 – people were scurrying about, taking pictures, catching their own trains, while flanking the building´s entrance Goethe and Schiller stood watch, impervious and staunch, beneath the steady and playful flakes, they bore the white frost upon their shoulders and pates with patience and resignation
further along the walls but protected by the shelter of each their private stone niche, Sophocles and Shakespeare to one side, Euripides and Molière on the other, sat soberly watching, unruffled, the snow fall
next door the Zwinger warmly awaited, I checked my coat and scarves with the hat check girl I´ve befriended there, she eagerly announced to the others that I was her friend, I´m sure I smiled and blushed, then made my way to the section I was exploring that day
of the many paintings in a room I always choose the one that I would like to take away more than any of the others, that way I need to examine them all, sometimes even closely
yesterday I quickly passed on a Cornelis Corneliszoon van Haarlem, “Venus, Bacchus and Ceres”, all heavy-haunched and cornucopian, a bird concert complete with sheet music in the trees by a Melchior de Hondecoeter no less, I spent some time with Mathias Stom´s “Old lady with a Candle”, which seemed to owe a lot to Rembrandt or he to him, with Jakob Isaacksz Ruisdael´s “The Hunt”, a dark but stirring landscape with a huge tree dominating the centre and reflected subtly in a river that rippled at its root, a deer was trying to flee across the foreground hunters approaching
a couple of Vermeers were of consequence, one, “The Procuress”, a madam in other words, accepting guilders from a group of men, one of them being so bold as to fondle her breast, left me surprised at so untypical a work of his, but another of a girl reading a letter at a window, replete with his tapestries and textures and a more modest and composed young woman intent on the message that she held, was nearly my first choice, her soft reflection in the open latticed windowpane was genius
 
but a Salomon de Bray, a name unknown to me, had painted in the mid sixteen-hundreds a young man with a crown, but of black roses, the youth could not have been very old, an open mouth spoke of being still eager and curious, age shuts men up and makes them open up only to declare, propound, pontificate
he´d turned to one side so that his neck was lithe and swift, probably alert to a sudden sound, a staff he held in strong but still supple hands suggested he was a wanderer or a shepherd
a white undershirt was mostly buttoned up but a string had not been tied at its neck, its either ends hung loose above another darker red shirt, equally not quite fully buttoned, there was no suggestion of a breast but only the soft spread of the clavicles
I would´ve taken him home
the crown of roses of course sported thorns in fresh, clean, but unguarded hair, the reference was unmistakable
                                                                                                                                                                    from a window I watched the thick snow still fall, the ground was covered, but left were the precise lines of the pristine architecture under the icing that outlined its edges
the sages and the deities at the Zwingers own many parapets looked timelessly, unswervingly, on
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though the Old Masters Picture Gallery, die Gemäldegalerie Alte Meister, will not allow transfer of their artworks to personal blogs, their entire collection is available through their own website, which I’ve linked you to here, click “Online-Gallery” at the home page, there under Gemäldegalerie Alte Meister click “motivliste anzeigen“, “show collection“, make your way through the 64 “Seiten, “pages“, of masterworks
thoroughly enjoy
                                                                                                                                                                  yours in timeless art                                                                                                                                                                   richibi
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C*r*s*mas greetings from Dresden, December 24, 2006

Bellotto Bernardo - Dresden Elbufer

    View of Dresden from the Right Bank of the Elbe with  Augustus Bridge

                                                        (1748)                      

                                                 Bernardo Bellotto

                                                      1720 – 1780

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                                                                                                                                                                                                                                           these earlier “back tracks“, of which the following is one example, are pieces I consider still to be worth your while

please enjoy

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                                                                                                                                                                                                                                       December 24, 2006

through the good graces of a dear friend, a lady I met last year, my teacher in German at the Goethe-Institut, I´ve been afforded the wonderful opportunity of spending the next several weeks, while she is away with her family in their hideaway in rural Belgium, here in shimmering Dresden, the jewel, I´m sure, of central Europe, I´d already rendered her the use of my own apartment in Vancouver when in September she came to visit and I could use my mom´s place while she was away touring for most of the month the Iberian peninsula, Spain, Portugal, as well as, across the strait, Morrocco

Dresden celebrated its eight hundredth anniversary this year and, though its buildings don´t date back that far, much of it has worn its architectural robes several centuries, the Zwinger, Dresden´s answer to Versailles, was built from 1609 to 1611, I was yesterday informed as I marvelled at the Bernardo Bellottos, Canaletto the Younger, the Elder´s nephew, who was court painter there, I believe I understood through a charming attendant´s perhaps too rapid German, and whose views of the city then were as detailed and precise as his uncle’s famous masterpieces of Venice, their styles are indeed so similar that until recently I´d believed, to my great embarrassment when I found out they were not, that they were one and the same, that the uncle had spent time in both Dresden and Warsaw, which he had not, the nephew rather had, I inadvertently discovered in a book I read on Dresden that cleared everything up, the one had superseded the other, channelled him there, more darkly perhaps due to those cities’ darker tones, but not at all less brilliantly 

not only the Canalettos of course but many other masters adorn the Zwinger, the city´s most sumptuous art museum, the Madonna of the Sistine Chapel of Raphael (which you’ll find below) with its couple of attendant cherubs for instance holds a place of the highest honour, and during the past couple of days I took in a wonderful exhibition of Cranachs there, both the Elder and the Younger, was mightily impressed by the latter´s “Adam” and “Eve”, which tall, naked, and still innocent beneath their modest leafy branches, graced either side of a doorway that led onward through a row of precisely positioned doors partitioning a long narrow corridor into a series of smaller rooms that seemed infinite, like a mirror reflecting itself in a mirror, in a rich burgundy throughout

but on the opposite side in the next room behind the “Eve”, a demure and elegant St Catherine stood large as life leaning upon her eponymous wheel while before her she held upright a heraldic sword whose blade rested on the pebbled ground, a work of the Elder Cranach

her medieval robes were golden, as was her headdress and hair, a prim plaited bodice attested to both her youth and modesty, her eyes shy and discreet gazed softly on the beholder and upon, as in all timeless art, I´m sure, infinity

I would´ve taken her with me but am caught up in the fleeting here and now

Dresden itself is of course much reconstructed after the scandal of its destruction, quite equal I would think to the ravages of Hiroshima and Nagasaki, its center lies across the Elbe, the river that runs through the town, from the Neustadt, the New City, so called already several centuries ago

in the Altstadt, the Old City, there along the river´s opposite bank beyond the several bridges, are the exquisite Baroque structures, churches and palaces and stately buildings, that make up her glory

in the evening as the city lights are reflected in the meandering river the shimmering city achieves the quality of high art, a tribute through the ages to the very best in culture and civilization

it hasn´t snowed here yet, already on December the 24th, Christmas won´t, it appears, be white, it´ll nevertheless be for me quite special as is evident I´m sure in my attitude of awestruck reverence

may it be as well for you, may it be happy, healthy and thoroughly blessed

                                                                                                                                                                                                                                                     with all my heart

Richard

            

 

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