Richibi’s Weblog

Just another WordPress.com weblog

Category: paintings to ponder

November / Month of the Sonata – 10

Moonlight, c.1895 - Felix Vallotton

    “Moonlight” or “Clair de lune” (c.1895) 

 

             Félix Vallotton

 

                  _______

 

 

at the end of the Nineteenth Century, a 

a seismic shift occurred in our Western 

culture’s sensitivity to art

 

much as visual representation during

the Renaissance and up until the late

Baroque Period had dominated, to 

be replaced by music during the 

Classical Age as the sensory 

temperature of the times, visual 

representation once again took over 

as arbiter of Western sensibility 

during Impressionism

 

you’ll remember the artists of the 

Renaissance, but not many of the 

composers, you’ll be able to name 

the composers of the Classical Age

and the Romantic, but not many, if

any, of the painters, you’ll then 

immediately toss off a list of artists 

of the Impressionist Era, but not 

many of its composers

 

this lasts till, I’d say, Andy Warhol,

when the visual arts still held sway,

but the present is, it seems, up for 

grabs

 

here’s meanwhile, an Impressionist,

Claude Debussy – his Clair de lune,

an obvious Impressionist statement, 

to be compared, incidentally, with 

its Romantic counterpart, Beethoven’s 

Moonlight Sonata – delivering his 

Sonata for Violin of 1917

 

enjoy

 

 

R ! chard

November / Month of the Sonata – 8

Schubert at the Piano II, 1899 - Gustav Klimt

    Schubert at the Piano II  (1899)

 

           Gustav Klimt

 

                 ______

 

 

before going any further, it’s about time

I brought up Schubert, had he survived, 

he might, I think, however conservatively,

have rivalled Beethoven

 

he died at the age of 31, of a sexually

transmitted disease, I believe the reason

for his relative obscurity

 

but he is titanic

 

listen to one only here of his sublime piano 

sonatas, his Piano Sonata No 21 in B-flat 

major

 

though one mustn’t discount his other 

transcendental masterpieces, his D956

for instance, for string quintet, is, well, 

characteristically, transcendental, 

you’ll leave the planet, I promise 

 

listen 

 

enjoy

 

 

R ! chard

November / Month of the Sonata – 7

The Wanderer Above the Sea of Fog, 1818 - Caspar David Friedrich

     “The Wanderer Above the Sea of Fog(1818)

 

             Caspar David Friedrich

 

                   _____________

 

           

meanwhile, back at sonatas for one 

instrument, it’s about time I brought 

up Chopin, the one composer that 

everyone associates before anyone

else with Romanticism, 1800, say, 

till about 1880, he incorporates it, 

not without reason, Chopin 

personifies the Romantic Era, like 

Mozart represents the Classical

 

others who count would be Elizabeth

Barrett Browning, her “Sonnets from

the Portuguese” – How do I love thee? 

Let me count the ways – Victor Hugo’s

Les Misérables”, and Charles Dickens

preaching, in all his works, humanity

 

Caspar David Friedrich‘s, also, iconic 

Wanderer Above the Sea of Fog“, 

see above

 

Chopin sounds a lot like Beethoven,

indeed, the first notes of his Second

Piano Sonata, in B-flat minor, Op. 35

are a reference to Beethoven’s 

Sonata no 8, his Pathétique“, listen,

you’ll hear the same peremptory,

commanding, chord, demanding 

attention, the rest is consummate,

however, Chopin 

 

in the last movement, you’ll specifically

hear what Chopin brought to the table,

texture, soundscape, rather than a 

narrative line, music as background,

atmosphere, context

 

enjoy

 

 

R ! chard

November / Month of the Sonata – 6

The Cello Player, 1896 - Thomas Eakins

    The Cello Player (1896)  

 

             Thomas Eakins

                   _________

if there could be violin sonatas, there

could be sonatas for, also, other 

instruments

 

here’s one for cello, Beethoven’s utterly 

magical Cello Sonata no 1 in F major, 

Opus 5, no 1, 1796

 

note that the structure of the sonata is

being challenged, two movements only,

though the first has two sections that

are linked without pause, the aim is to 

connect the musical information, the 

work becomes a narrative, not a 

collection of disparate pieces

 

Beethoven is telling a story, speaking

in notes, listen, it’s revelatory

 

I wish you ears

 

 

R ! chard

November / Month of the Sonata – 5

The Spring, 1478 - 1482 - Sandro Botticelli

  Primavera, or Spring (1478 – 1482) 

 

            Sandro Botticelli

 

                _________

                

here’s a violin sonata from Beethoven, 

1801, his No. 5, in F major, Op. 24, 

nicknamed Spring“, it is ebullient

 

Beethoven is more forthright than 

Mozart, he’s passionate, wears his 

heart on his sleeve, is tender, then

rambunctious, you’ll hear it in the 

extremes of volume, loud, soft, 

often with spontaneous outbursts,

it’s like talking to a friend, the 

appeal is emotional, personal, 

where Mozart was earlier decorative, 

it’s the Romantic Era taking over 

from the Classical

 

you’ll notice also that Beethoven is

chipping away at the conventions,

there are four movements here

instead of just three, he’s saying 

that his stuff is not just decorative 

but important, Beethoven has 

something to say, he’s got a story 

to tell, there’s even a narrative feel

to his composition, like there’s a 

conclusion to his story, a point

 

we’ve moved from a variety of 

artefacts, disparate pieces, to a 

cohesive and meaningful entity

 

the sonata is a trinity, three 

essences in one

 

 

R ! chard

November / Month of the Sonata – 4

Violinist - Blek le Rat

   Violinist 

 

            Blek le Rat

 

                   ____

 

 

it must be pointed out that sonatas could be

written for other instruments than keyboard,

but since any other instrument could play 

just one note at a time, it became the custom 

to make a keyboard instrument, which is to 

say, essentially, the piano, its accompaniment

 

therefore, you’ll find that sonatas can be 

comprised of more than just one instrument,

more about which later

 

don’t be confused, the history of music

is one of contradictions, as it is with, for 

that matter, any representation of reality

 

including, incidentally, religion, art’s 

historical ancestor, before the modern 

world took over, before the advent of

democracy, the French and American 

Revolutions, before our secular 

21st Century, when artists took over 

from preachers, where we started 

getting our gospel from literature, 

rather, movies, television, concerts, 

instead of the Bible, for better or 

for worse

 

here’s, meanwhile, Mozart’s Violin Sonata

no. 26, in B-flat Major, K. 378, of 1779, 

telling it like it was, back then, starting 

the process 

 

listen

 

R ! chard

November / Month of the Sonata – 3

Mona Lisa, c.1503 - c.1519 - Leonardo da Vinci

  “Mona Lisa ( c.1503 – c.1519) 

 

      Leonardo da Vinci

 

             __________

 

 

the next sonata, Beethoven’s Piano Sonata 

No 8 in C minor,  Op 13, the ‘Pathétique’“, 

is one that everyone’s heard, if only ever in 

fragments, right up there with “Jingle Bells” 

in our musical repertory, in our cultural DNA,

or, for that matter, Beethoven’s, also, other 

iconic piece, the Moonlight Sonata“, the 

Mona Lisa, nearly, see above, of music 

 

the initial chords are peremptory, have 

resonated, echoed, reverberated, 

throughout the ages

 

this is not, however, the way one should 

be addressing the aristocracy, Beethoven

was speaking for the growing Middle

Classes, who, hungering for the status 

and refinement of the elite, the French

Revolution having just happened, were 

crowding the burgeoning concert and 

recital halls cashing in on that interest

 

the artist was now the main attraction,

where earlier the performer had been

merely decorative, the sponsored

employee of an, however benevolent, 

aristocrat, see Mozart, see Haydn

 

listen to Beethoven strutting, for the 

ages, his revolutionary stuff, thumbing

his nose at convention, demanding

attention

 

enjoy

 

 

R ! chard 

 

 

 

 

 

November / Month of the Sonata – 2

Joseph Haydn, 1791 - Thomas Hardy

     “Joseph Haydn (1791) 

 

           Thomas Hardy

 

               ________

 

 

Haydn, profoundly underrated, was the

other pillar of Classical music during that 

period, Beethoven, with half a foot only 

in that era, uses its elements to yank us, 

yelling and screaming, into the next, the 

Romantic Era, 1800 to 1870 more or less, 

more about which later

 

if Haydn sounds a lot like Mozart, it’s that

this piece was also written in 1789, both 

were catering to the aristocracy, courts, 

salons, music was therefore frivolous, 

meant to be entertaining, not inspirational,

trills, a lot of decoration, technical agility,

prestidigitation over profundity

 

Beethoven will change all that, stay tuned 

 

meanwhile, listen to, enjoy, Haydn’s Piano  

Sonata in A-flat major, no 31, Hob XVI-46,  

today’s prescribed apple

 

R ! chard

November / Month of the Sonata – 1

Still life with seven apples, 1878 - Paul Cezanne

      Still Life with Seven Apples (1878) 

 

               Paul Cézanne

 

                      _____

 

 

a sonata is to the concerto what an apple

is to an apple pie, its essential component, 

after which the rest is decoration, however 

inspired

 

sonatas existed before Mozart, but he’s 

the one, along with Haydn, as well as

early Beethoven, who put them on the 

musical map, 1750 to 1800, more or 

less

 

it seems to me appropriate, therefore, 

to start my Sonata Month then

 

here’s something by Mozart, 1789, his 

last piano sonata, No. 18, in D major,

K. 576

 

three movements, fast, slow, fast – allegro, 

adagio, allegretto – a perfect example of 

the sonata as it was establishing itself

then, a piece of music consisting of 

several distinct sections, movements, 

meant to highlight contrasts, musical 

agility in the artist, compositional 

imagination

 

listen, enjoy

 

R ! chard

November / Month of the Sonata

The Sonata - Childe Hassam   

    “The Sonata  

           Childe Hassam

                    ____

                    

                    

having recently determined that a sonata

a day keeps the doctor away, and inspired

to work upon that cure, I thought I’d initiate 

a Sonata Month starting in November

 

there are thirty days in November, so no 

more than thirty sonatas, each of which

will, I promise, be a revelation

 

a sonata is a piece of music consisting

of more than just one part, traditionally 

three or four, called movements

 

within those parameters, anything was,

is, possible, any kind of music, times 

three or four, traditionally, Classically

 

but traditions indeed applied, the tried 

and true, fast, slow, fast, became the 

standard, a cheery introduction, 

followed by a contrasting, which is to 

say slower, middle section, then a 

restorative, final, energetic, act, meant 

to send you, reinvigorated, on your way, 

maybe even an equally vivacious fourth

 

there’ll be sonatas with one movement, 

some seven, some with even maybe 

more

 

here’s one, for instance, listen, enjoy 

 

and stay tuned   

 

and thanks for joining in

 

 

R ! chard