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Category: paintings to ponder

in the key of B major – 60 Jubilee East, the kitchen‏

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                                           Grandma’s Kitchen
 
                                                   Jacek Yerka
 
                                                    ________
 
 
coming down the staircase to the main 
living areas, a wall on the left, a railing 
on the right, after the ladders we’d 
scramble up to our beds on while my 
father was still building had been 
removed, led to the kitchen
 
had the staircase wall continued, it 
would’ve divided that larger, brighter 
space from the smaller living room, 
where we’d curl up in our pyjamas, 
listen to music, watch television, in 
grainy black and white then, until
the scheduling day had ended with
test pattern, then just snow
 
but at the kitchen table, and from 
very early on, discussions took 
place about everything, my dad at 
the head of the table, with his back 
to the kitchen cupboards, my mom 
at the opposite end surveying the 
counter, my sister up against 
the window, while I looked on
 
my grandmother would often 
stand by the cupboards chewing 
on a piece of something or other 
she’d just served as she made 
sure our places were all, and ever, 
in order, with more sauce, more 
potatoes, more lemon pie or 
chocolate cake, if we desired, 
before she left to go the bingo 
 
 
what time is it, my father’d ask my 
sister, the clock was above the sink, 
whereupon she would become rattled, 
disoriented, unable to even see the 
clock, never mind the numbers there
swimming, would never get it, 
therefore, right, to my dismay, to her
greater distress
 
just like my mom, I found later,  
whenever I ask too pressing a question, 
whereupon I presume I must have, 
must have inherited, the temperament 
of my dad, in my, not necessarily 
disapprovingconsideration
 
there are advantages to being held 
to account, for both the held and 
the holder, though the quality of
mercy must always, and invariably, 
be served
 
my dad had been in the war, believed
in discipline, as it was the ethos of
the time, father knew best, father
ran a tight ship, an unflagging one,
my father applied himself to being
a valiant example of such, and was 
 
my mom, as was her duty then
followed in my dad’s determined 
footsteps, while my grandmother 
looked on, wise with her years
 
I want to be as wise as my 
grandmother, I remember telling 
myself when I was young, that 
was my greatest wish
 
 
on the back wall of the kitchen, the
stove from mid wall looked onto 
the fridge, while the fridge looked 
back on everything, I remember 
when we first got the refrigerator 
my mother cried, one would buy 
things on instalment then, only get 
it once it was paid, long before credit
 
I remember her burning the popcorn
at the stove, flying out the back door
with the popcorn grid all in flames,
long before microwaves
 
 
Richard

“The Condolence Call” – Marsha Barber‏

the-princess-in-the-tower.jpg!Large

                The Princes in the Tower
 
                       John Everett Millais
 

                          _______________

when you’ve known this, or know 
someone who’s known this, this
poem will be profoundly affecting
 
 
Richard
 
             ______________
 
 
The Condolence Call
 
       I cradle the phone gently.
       You are so far away.
 
       Your grief surrounds you now
       like a moat full of dark water.
 
       I cannot reach
       far enough to comfort you.
 
       My words flit around useless
                                          as flies.
       What, after all, can be said?
 
       It’s a parent’s worst nightmare, you say.
 
       I imagine I would have howled.
       I imagine I would have rolled on the floor.
       But in the end, I cannot begin to imagine.
 
       I’ll be okay, you say,
 
       but your voice is so remote,
       as if you’ve left us all
       behind,
       for a bleaker planet
 
       where the air is charred,
       and you cannot find the path
       that leads
       back home.*
 
                                   Marsha Barber
 
 
* once there was a way to get back 
   homewards …
   
   and in the end, the love you take 
   is equal to the love you make

dinner out – Francesco’s Ristorante

self-portrait-with-wine-glass-gluttony-2000

 
                              Kent Bellows
 
                                  _______
 
 
my mom and I discovered a new 
restaurant, an old institution, in fact,
Francesco’s, opened in 1975
 
it was superb 
 
after our having been seated 
perfectly in an airy room, with 
windows all around looking onto 
an adjacent courtyard and the 
street, Grant introduced himself 
as our waiter, we tendered our 
names back, he was about 50, 
just my type
 
he was jaunty, full of good cheer, 
and was, despite a rapid fire 
delivery, utterly helpful
 
the bread came, hot, with a saucer
of butter in oil
 
I’d come back here just for the bread,
my mom said, I never have bread, but 
the prognostications were good 
 
my beef carpaccio, clung to my fork
like love, the thinnest slices dipped
in a caper and truffle oil vinaigrette,
with shaved Parmesan and an 
asparagus spear proud as a ***mas
nutcracker, and a mustard coulis
like hieroglyphs illuminating the 
artful concoction, went down like 
honey
 
I’m going to have dessert, I said, on 
the strength of just that appetizer,
she would too, she countered
 
my mom had the lobster bisque,
which despite her enjoying it she 
put aside to make room for her 
pesto pasta, she said, and which I 
refrained from finishing for her to 
leave room for my own main plate
 
rather than my usual pasta, I went 
for the veal piccata, this time, meat 
that brings back Vienna and Austrian 
fine dining, that’s what I’m having next 
time, my mom said, maybe I will again 
too, I thought, though her pasta looked 
delicious, the rest of which she took 
home in a designer doggie bag they 
send you home with, another touch 
of class, so she could enjoy it later 
 
for dessert I had crème brûlée, she 
had cheesecake, I also had three
limoncellos
 
by that time I can’t remember if she 
had coffee or not, I paid, I however
remember, it was Mother’s Day, and
every penny was entirely worth it
 
to excess, I toasted, and mothers
 
 
Richard
 
 
 
 

 

“Casta diva” – Vincenzo Bellini‏

fire-full-moon-1933(1).jpg!Large

         “Fire, Full Moon (1933)
 
          Paul Klee
 
          ______
 
 

a few nights ago the moon was full,
I’d gone up to the roof, one floor up
from my apartment, to the deck there,
complete with pool, barbecue area,
lounge chairs, there was no one, just
me, it was one o’clock in the morning,
my witching hour

I’ve been going there, lately, the air 
is fresh, crisp, it’s quiet, I can relax
there after a day of whatever
 
a perfect chair looks out onto the 
entire city, the bay in the distance, 
the harboured ships, Vancouver 
Island even further during the day
 
I looked at the moon, it stared 
nakedly back at me like a spotlight, 
but clouds got in the way, bubbling,
boiling peremptorily westwards 
before her, clouds on a mission
 
she monitored their march 
imperviously, imperially, implacably,
like a goddess
 
I slunk beneath her gaze, stretched, 
surrendered, slipped into lunar 
things, love, loves, truth, beauty,
purpose, meaning, memories
 
through much of it, I closed my eyes,
aware always she was watching me,
but wrapped in my own transcendental 
reveries
 
when I returned, I stretched again, 
listened for the words, the notes, 
of “Casta diva”, Bellini‘s anthem 
to the moon
 
Norma is a Druid princess, she is
the priestess of the moon, near the
beginning of the opera she makes 
her pitch, it’s her introduction, her 
first aria, a cavatina, well done it is 
unforgettable
 
chaste goddess, she sings, casta 
diva, who casts silver light upon 
these sacred trees, turn thy lovely 
face upon us, unclouded and 
unveiled
 
restrain, o goddess, these zealous 
spirits, I prayed, shed upon earth 
that peace that reigns in heaven 
 
but I couldn’t get the notes right, 
kept slipping into other arias,
though I brought to it my entire
attention, I was, only modestly, 
therefore, there, Norma, also only
softly
 
later I found signature 
performances on the Internet,
Joan Sutherland, a classic, 
Renée Fleming in a superb 
concert performance
 
shed upon earth that peace that 
reigns in heaven, they also cry
pray
 
 
Richard
 
psst: a cavatina is a short aria
 
 
 

Beethoven – piano sonata no.31, op.110 (3rd movement)‏

woman-reading-in-a-garden-1903.jpg!Large

Woman Reading in a Garden (1902-03)
 
 

         _______


perhaps my best teacher ever was
my father, others never questioned
the orthodoxy, spewing out the
curriculum like it was sacred, dead,
untouchable, depriving it of its very
worth

my father was a philosopher, God 
was a question, not an answer, I,
at the time, needed an answer
 
we were sent to a Catholic school,
my sister and I, where God was in 
everything, everywhere, omnipotent,
omniscient, and, like a father then, 
autocratic, industrious, demanding,
not unopposed to punishment
 
sins against the Father could be 
summarized, at that age, briefly,
do not kill, do not lie, do not 
disobey your parents, do not 
cheat on your husband, wife, 
and follow all the rituals of the 
Church, the Ten Christian 
Commandments, brought to 
you universally then by Charlton 
“Moses” Heston, under the aegis 
 
none of these graded offences  
applied to me, really, then, but 
lying, and disobeying one’s 
parents, the others were all so 
remote as to be inconsequential, 
though the Church kept up on 
our family’s abrogations of 
religious rites – non-attendance 
at Sunday mass, eating meat 
on Fridays, worse – while 
nevertheless tending dutifully
to our wayward souls, they told 
us, holding out for a final repentant 
confession
 
we never lied at home, I’d lied about 
something once, and was so daunted
when my father probed, I sweated,
must’ve turned purple, not just red,
of embarrassment, I knew I couldn’t 
use that tactic again, I’d inexorably 
blush, flush
 
who put the Brylcreem on the dog,
he’d queried
 
not me, I trembled
 
my sister stood beside me, might 
not have even known anything 
about it, I can’t remember, though 
I recall her dismay, I think, at having 
been so blithely thrown under the 
bus, or maybe that’s just me 
extrapolating 
 
my dad turned back to what he’d 
been doing, having, I’d understood, 
got his answer, proving himself to 
be to me thereby omniscient, I’d 
have no chance, I gathered, against 
something like that, this turned me 
into a good, an at least conscientious, 
person
 
my teachers, paradoxically, only 
ever took marks off for technical 
stuff, Math, History, French, they 
never taught me lessons   
 
a teacher, once, had asked me to
stand at the head of the class and 
read a passage from Shakespeare,
be Romeo, Mark Antony, Lear, I
can’t remember which
 
“O, pardon me, thou bleeding 
piece of earth, / That I am meek 
and gentle with these butchers!”,
I uttered, fraught with emotion,
“Thou art the ruins of the noblest 
man / That ever lived in the tide 
of times”
 
in my mind and in my body I was 
Mark Antony there, shot through 
with the weight of his friend’s 
brutal death, his own irretrievable 
loss 
 
my teacher laughed
 
what, I asked
 
you’re right into it, aren’t you, he 
replied, and shut me up right there 
to any public display of expression 
 
 
I didn’t stop reading Shakespeare 
though, but by myself
 
later I read Homer, Ovid, Proust,
others, did the same with music 
and art, made countless lifelong 
friends thereby, people I’ve always 
been able to turn to, even just in 
ruminative thought as their stories 
still pervaded me, diligently leading   
still the way, like guardian angels,  
maybe
 
 
 
Richard

“No man is an island” – John Donne

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                              John Donne Arriving in Heaven (1911)
 
                                                   Stanley Spencer
 
                                                        _________
 
 
the Munk Debates have been going  
on for some time now, a community 
service program of the very highest 
order, personalities of considerable 
note come together to champion their
positions on questions of supreme
importance in our global environment
 
Hitchens, the notorious, and highly 
influential, atheist contrarian, on 
religion, and suffered to him an 
ignominious defeat   
 
the crude but highly influential military 
advocate and, for a time, Canada’s Chief 
of Defence Staff, as well as the irascible 
Robert BoltonAmerican Ambassador to 
the U.N during the George W. Bush 
administration, and mightily held her 
own
 
Glenn Greenwald, the man who
published Edward Snowden’s trove
of leaked documents, discusses state
surveillance, others, all, have 
contributed to eloquent, and often 
riveting, exchanges 
 
last week the Canadian program went
continent-wide, including, this time, 
in other words, the United States, 
Louise Arbour, the highly respected 
Canadian jurist, and other mostly 
 
Simon Schama, a political pundit, 
offered little to that arenacounting on 
polished credentials, it appeared to me, 
instead of solid information, but stopped 
the show nevertheless with a recitation 
a literary document of the highest 
consequence we’ve all heard but never 
quite properly placed, during otherwise
more conventional closing arguments
 
despite strong opposition to my 
perspective from the site’s comment 
section, I thought No man is an island 
is on this issue not a bad at all place to 
start
 
 
Richard 
 
 
              ________________
 
 
 
 

No man is an island, entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend’s or of thine own were; any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.

              
                                                                                       John Donne

“Diet Mountain Dew” – Timothy Donnelly

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                  Dew Drenched Furze (1890)
 
                            John Everett Millais
 
                                 _____________
 
 
I have been, perhaps still am, 
grasshopper, which is why I 
react so strongly to this poem
 
at twelve already, after having
read Somerset Maugham’s 
Of Human Bondage“, I knew 
such would be my own fate, 
love wouldn’t be kind to me 
 
it hasn’t, it ain’t easy being 
green
 
 
Richard
 
                  ____________
 
 
 
I have built my ship of death
and when a wind kicks up
I’ll cut it loose to do its thing
across an unnamed lake of you,
a firefly sent pulsing through
the non-stop estivation of
the verses of our South, who in
its larval phase would feast
on bitter worms and snails, who
emerges from its mud chamber
our planet’s most efficient
luminescence, who turns
chemical energy into radiant
energy shedding very little heat,
so will I sail the compass of
you pleased with my cold light.
 
I have built my ship of death
aglow in sturdy chemicals
and powered up at night like
American Express, I’m all
customer service only minus
the customer, no service to speak
of other than death, you will
know my logo by its absence
and slogan from the past
ad for the sugared style of you
on TV in my youth, it goes
like this: “When my thirst
is at its worst . . .” and then I
let it trail off into the unsayable
or is it just unsaid because
my mouth is full of you again.
 
A green like no other green
in the dale, indelicate green or
green indecent, surpassing
the fern and sprout and April’s
optimistic leaflet some stop
to admire in nature, they take
photographs noncognizant
of other vehicles, you are too
green for pasture, you are
my green oncoming vehicle,
usurper of green, assassin
to the grasshopper and its plan,
I put me in your path which is
the path a planet takes when it
means to destroy another I think
you know I’m O.K. with that.
 
A green like no other green
resplending in production since
1940 when brothers Barney
and Ally Hartman cooked it up
in Tennessee qua private
mixer named after moonshine,
its formula then revised by
Bill Bridgforth of the Tri-City
Beverage Corp. in 1958, year
Linwood Burton, chemically
inclined entrepreneur and ship
cleaning service owner, sold
his formula for a relatively safe
maritime solvent to Procter
& Gamble of Ohio, who went on
to market it under the name
 
of Mr. Clean, whose green
approaches yours then at the
last second swerves into
a joke yellow plays on green
to make blue jealous till it
blows up in its face but I can’t
not love the smell of it, citrus
reimagined by an extra-
terrestrial lizard which is to say
inhuman in the way you say
inhuman to me, a compliment
unravelled in the drawl: “Hey
you, over there, you look
so unaccustomed to temporality
I would’ve sworn you were
inhuman,” and time for it after
 
time I fall, further evidence
of my humanity: I am at heart
no less susceptible to rot
than the felt hat on the head
of the rifle-toting barefoot
hillbilly, your mascot until he
disappeared in 1969. Instinct
says he must have shot his
self in the woods in the mouth
one sunrise when a frost
was at hand and the apples
fell thick and he was way
too awake when he did so not to
think there would be another
waiting like a can of you in
the 12-pack in my refrigerator.
 
I have built my ship of death
and enough already, every
toxic sip of you preparing for
the journey to bloviation:
I leave to return and return
to depart again the stronger
for a satisfaction being bound
to no port has afforded me:
I have built my ship of death
so that even when I crawl
back down into the hold of it
alive as what unnaturalness
in you can keep me, it’s only
to emerge from the other
end of it intact, and perfectly
prepared to be your grasshopper.
 
                       Timothy Donnelly
  
        
  
 

carpe diem

still-life-food-glasses-and-a-jug-on-a-table-1640.jpg!Blog

 
                                              Pieter Claesz
 
                                                   _______
 
 

we were having dinner at an upscale
downtown restaurant, I was having
as appetizer wild prawns grilled 
on 
branch of rosemary with chickpeas,
all illuminated with a filigree of 
tahini,
as a main 
course a surf and turf of
crisp pork 
belly and wild Pacific
octopus with a square of 
grilled
polenta 
with again rosemary, Vickie,
a green salad 
with burrata, a cheese
she touted enthusiastically, 
to start,
then the same semolina 
gnocchi
with 
wild mushrooms and pecorino
my 
mother was having, as an entree,
though Mom’
d had a duck and chicken
liver pâté with rhubarb and orange
mâche salad as an opener  

after which we all enjoyed a blackcurrant 
curd for dessert, with burnt meringue 
over a lemon and orange glaze  
 
 
Vickie had had a difficult morning,
you need a foam roller, I repeated, 
a cylinder I use to relax, and which 
I’ve been recommending to all and 
sundry for some weeks
 
how do you feel now, I asked, as I
sipped a fine Platinum Chardonnay 
from the Okanagan Valley, she was 
having nothing other than water for 
a tetchy stomach, she complained, 
despite my several oenophilic, which 
is to say, wine-loving, exhortations, 
even having her smell the clean, 
crystalline aromas of my wine
 
sitting here, on this outdoor veranda,
in this company, among these glittering
wares, I elaborated
 
she toyed distractedly with her pasta
 
out of ten, I said, where ten is fabulous,
a word I usually avoid, but which often 
seems especially appropriate, what 
would you score
 
seven, she retorted, which I thought
acceptable
 
you, Mom, I asked, to which without 
batting an eyelash she replied, ten, 
teaching us both, Vickie and I, 
thereby, inadvertently, a lesson
 
I should’ve expected that, I said back,
you’re always a ten, I would’ve said 
seven, I declared, when not five
 
though sometimes I’ll admit to 
transcendental eleven, I had to 
add, when all of my stars fall right
 
 
later we each walked homewards
to our separate domiciles, stars 
were speckling, not, maybe, 
fortuitously, I noted, an unfettered 
night sky
 
 
Richard

2016, a rumination‏

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                                         Warning Sign (2006)
 
                                                      Banksy
 
                                                        ____
 
 
in an introspective moment, I mused
 
    the days move on, the years, it’s 
    2016, beyond what I could ever 
    have imagined, born as I was 
    before even television nearly, 
    1949, Israel was being invented, 
    the Geneva Conventions were
    being devised 
 
    the future had been predicted with 
    “2001” in 1968, Kubrick’s visionary
    masterpiece, if not quite with “1984“, 
    Orwell’s 1949 attack on imminent, 
    impending, totalitarianism 
 
    though that work was too close to  
    have significant impact, we still, by 
    that eponymous date, weren’t at all 
    aware of possible pervasive 
    personal monitoring, of even 
    entirely innocent transactions, 
    we were busy deregulating, 
    privatizing, ceding our patrimony
    to unscrupulous speculators, that
    which our forebears had even died 
    for, who once had been serfs and 
    as indentured
 
    Big Brother since has been 
    identified, verified, and you, we, 
    are the perpetually espied
 
    we are seduced by the idea that 
    our innocence will be our salvation, 
    though innocence, like beauty, 
    truth, is in the eye of the, not 
    necessarily impartial, beholder 
 
    and the beholder, the monitoring 
    eye, cannot be impartial
 
    see God
 
 
    we have ever been at the mercy 
    of not necessarily Reason, but
    inexorable Fate, though prayer, 
    I’ve found, has worked miracles
 
    it is the only hope we have
 
    I wish you miracles
 
 
    Richard
 
 
Richard

“Easter Oratorio”, BWV 249 – Johann Sebastian Bach‏

ascension-of-jesus.jpg!Blog

 
                                    El Greco
 
                                      ______
 
 
                        for Martha and Chris, who still go to Easter 
                        Mass, and whom Martha calls therefore  
                        relics 
 
                        and for Staf and Annemie, who live in 
                        presently beleaguered Belgium, and 
                        who must, at this time of distress, 
                        need our prayers
 
 
having long ago lost track of the Christian
calendar, I only this week found out 
Sunday ‘d be Easter, therefore Friday
Good Friday, not that this would much 
change my daily routine, but it set me 
perusing pertinent art, I knew I could 
count on Bach for an oratorio, and sure 
enough I found it
 
an oratorio, as I earlier explained, is an
opera without sets or costumes, usually
associated with religious services, but 
Bach had one for every Sunday and 
every Christian feast day
 
after an instrumental introduction, 
reminiscent of Handel, I thought, 
Bach’s “Easter Oratorio” slips into a
lovely adagio, notable for its exquisite
oboe obligato, where the innocence 
and purity of that wind defines the 
movement
 
the ceremonial pomp of the earlier 
section then returns to include 
chorus expressing triumph, the 
realization that the Lamb of God 
has returned
 
but soon enough, Mary, the soprano 
of a quartet of singers, each of the 
four singing according to their own – 
alto, Mary Magdalene, tenor, Simon 
Peter, bass, John the Evangelist  
voices, and accompanied by an 
utterly transcendental transverse 
flute, sings 
 
      “My soul, the spice that embalms 
       you shall no longer be myrrh. Only
       a crown of laurels can soothe your 
       anxious longing.”  
 
and knocks your socks off 
 
 
this week at market, stuffing my 
organic red pepper and a bag of 
handcrafted chips, barbecued,
designer, into my bagat their 
express counter, collecting my 
coins, my receipt, my change 
purse, my wallet, and last but not 
least, of course, my self, I sensed 
something of mine drop, looked 
dutifully aroundcould find 
nothing, wondered, and made to 
go
 
excuse me, sir, I heard behind me, 
you dropped something
 
a little boy, an urchin, blond hair, 
blue eyes, right out of Charles 
Dickens, I thought, eight maybe,
nine, held out a quarter, apparently 
mine
 
why thank you, I replied, enchanted
 
and you know what, I asked, I’m 
going to give this back to you, and 
put the quarter back into his hand
 
the last time I did something like 
that, I saw an angel, I remembered
but that’s another story
 
thank you, he said back, gleaming
with the maturity of his interaction, 
though I’m not sure he wasn’t 
himself in fact also a very angel
 
 
later I thought I should’ve sent him 
for a crème brûlée, a piece of carrot 
cake, a pastry, or something, and 
berated myself for the paucity of 
my recompense
 
 
but there is a link to Easter in my 
tale, the idea of hope, revival, 
regeneration, in the possibility of
goodness reentering the world, a
task inherited by the children, and 
whom we must not lead astray
 
apart from its more traditional 
associations, for perhaps the less 
observant, people of other creeds 
and faiths, if Easter means anything 
still, or has ever, it is about just that, 
hope, revival, regeneration, nor must 
we ourselves betray those ideals   
 
happy Easter 
 
 
Richard