
“Identical Twins, Roselle, N.J.“, 1967
Diane Arbus
1923 -1971
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with the camera the shutter becomes the brush, the art only a click away, the artistry, the creativity, debatable
where is the skill, the ingenuity, indeed the art
the snapshot is a picture of an imagination taken on the spot, the art must be in the very brain, not in, as one would expect, the dextrous fingers, the articulation, the prestidigitation, must be already sorted out, already calibrated, technical prowess not required, just able, artful observation
the shutter will do the rest
can a point of view then, a take, one will reasonably inquire, be art
Diane Arbus had been a fashion photographer, gave it up for something, it would appear, more meaningful, became thereby, in my estimation, unforgettable, broke down for me reservations about photography as art
witness
“Identical Twins, Roselle, N.J.“, 1967, is not about these twins, these unexceptional twins – otherwise merely a portrait, an indifferent even portrait – but about something much more relevant
two little girls in black and white – though this may be itself the kind of photography – look straight into the camera, you look to tell them apart
their little dress adorned by each the same white ruffle at the collar, recalling incidentally the Reformation Dutch, a witty touch, give no clue, they could be matching dolls, flat cut-outs, for that matter, given the minimal use of perspective
a matching hair band, the same hair, the same nose, the same mouth, don’t either, the eyes do but only just
they tell though the entire story, their different light, their different incandescence, though even ever so slight, though ever even so elusive, is what finally tells them apart
but the focus has switched, you’re observing something now immaterial, incorporeal, insubstantial, become simultaneously something mystical, metaphysical, transcendental, some might call God
Michelangelo’s did the same thing for Adam, another much wittier art history touch
two other girls, “Untitled“, 1970-71, speak even more clearly perhaps about this
note the angel come through in the girl on the left, in all its magnificent splendour

“Untitled“, 1970-71
Diane Arbus
1923 -1971
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Diane Arbus committed suicide on July 26, 1971, undoubtedly undone by what she’d sought to witness, perhaps the too bright light
psst: why is it that those who are “Untitled” would never think of taking their own life, perhaps they’ve been blessed with an extra measure of courage
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in defence of my penchant towards prose
the problem with poetry ‘s the rhyme,
it takes the seriousness out of the line,
it distracts from its meaning
giving bounce to the reading
forfeiting too much, I think, of the mind
not that I don’t like rhythm
but it shouldn’t supplant my mission
of putting the point, the more pertinent point,
I believe, ahead of often more frivolous composition
forgive then my impertinent prose,
I really don’t mean to oppose,
but I think it’s my lot,
to declare my thought
with less verse
than straightforward opinion
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for my mom and for, of course, my father
July 8, 2008:
for reasons salacious perhaps the previous day, or perhaps because all by himself my father could, sui generis, transport himself in a mystical leap of his otherworldly essence quite independently of any other merely material considerations and imbue me readily with his radiant spirit, I awoke the next morning, his birthday, thus imbued, radiant of spirit, in a mood ready to celebrate
I read of course my Proust first, my morning prayer, followed with a few pages of Thoreau’s inspired “Walden” for poise, purpose and poetry
my morning coffee steamed at my side, golden and aromatic, my eiderdown pillow plushly propped up my back, a feather bedspread lightly cushioned my upturned knees where my book lay, a finger slowly savouring each flip of each precious page, while a bird at my window surely sang precise notes to the morning sun
then up from my devotions I called my mother to find out if she’d herself remembered, she hadn’t, the date, she remorsefully said, had entirely slipped her by
no matter, I retorted, allowing for no recriminations, tonight we’ll celebrate, it had been nineteen years at least since the last time
she set about her day, I mine, until we’d meet for dinner
meanwhile I called my sister, who’d of course remembered, sang even her song of his that she recalled he would sing apparently always at his birthday, my mom remembered it too when I asked, o it’s the eighth of July and Easter Sunday too, to indicate a day of high celebration
my nephew was not home but I left him, and his, loving words
my aunt then, and then another aunt, his only remaining sisters able to answer the phone, another would not be easily reached at her nursing home, might not have remembered even her brother, I did not try
I drew the line as well at cousins, they are dispersed and abound
but a friend who’d lost herself a father only a year earlier, I made a point of calling, in sympathetic communication, she was not home, I told her machine instead she was an angel, she’d hear when she got home
but already there was a buzz, and I’d been busy setting it, to my already glowing delight
along the street as I made my way to a dentist’s appointment I thought, my dad will appear today, somehow, he always does when I call, when I listen, and cocked an ear, kept an eye out, sharpened all my even extrasensory senses
but right then and there only the trees, as far as I could tell, were imparting, though mostly only to heaven, the leafy poems that they were writing there, about life, about the seasons, about transformation, about time, while we under their shelter and shade are busy especially running errands, leaving the patterns of their intricate shadows unnoticed mostly on our walk, walks, scrutable of course but for many hieroglyphic, esoteric, arcane, like for many for that matter many of our standard poems
I marveled at their rhythm, rejoiced at their rhyme, stood still to contemplate their wisdom, stood reverent before their poise and grace, at which they sibilantly sighed of course, sending me so inspired along
in all of this however I could only indiscriminately yet detect a father, my father
I pressed stalwartly on
today’s my father’s birthday, I blurted out to my dentist when he asked how I was, before I could even think of what I was saying
forthwith both he and his assistant put a cloud of dark condolence on, a pall was cast over each their ebullience, I felt the sun leave in an instant each their spirit, but I would have none of it, my father brought only joy, had been offering me only that for years now, I thought their response perhaps instinctive, certainly and graciously full of heart, but off the mark, there was no reason whatsoever to court sadness, none at all
I explained my relation to my father
before he died, dad, I said, let me know from the other side, I am your son, I’ll hear you, later of course I heard, often when I would be praying for something
at first I’d bargain, I’ll do this for that, I’d ply, then one day when my mom could not, she said, quite make out that he was there for her, like a revelation I replied, like a very inspiration I stated, ask for something, he’ll have to answer you, you’ll know then, and not only you’ll know but he’ll be overjoyed to be able to help you, to be with you, for you to be with him, for you to recognize he’s there, whereupon of course I was overwhelmed by tears of utter gratitude and wonder, I’d lived long with this truth already, but had never put it into words
a drill sat poised at my mouth, I suddenly noted, but hushed apparently by the Elysian nature of my account, Elysium, that mythic abode of the honourable dead, I deferred but was encouraged to tell on, therefore, aware that my teeth were presently to be done, briefly as I could, I recounted from my store representative miracles, though I warned, my miracles abound, I see them everywhere, to be at the foot of not one but two rainbows, for instance, with someone at that point who needed one, hadn’t been too sure of any till now, how much of a miracle was that, and that was an essentially easy one, others were intricate, textured and subtle, not as crisp, clear, iridescent as two incontrovertible rainbows
a burning bush, yes, a burning bush, a tree as though on fire, after a walk I had with God, fiery orange and bristling, or the purple aura of buds, their nascent energy, gleaming in the dewdrops along a brittle branch not quite recovered still from hard winter another night as I walked home, when God wasn’t there for me especially, just omnipresent as usual, they were catching the pulse and colour of yet unborn blooms, the glowing advent of their pink and precious incarnation
but these I didn’t even bring up
I told of a dinner in Vienna when my dad showed up in the guise of a melody, a “serenata” my mom would listen to when he passed away, with birds in it, the twitter of birds to decorate with garlands of their own ornithological music a pastoral piece for Classical orchestra, it has remained for nineteen years on her turntable, but nowhere anywhere else had I ever heard it before, she among only a few family and friends, who’d been moved by her being moved mostly
we’d been separately to the same restaurant in Vienna many years earlier, at separate times, a memorable historical place, the oldest in Vienna, the fare hearty and traditional, the service inspired, superb, the atmosphere scintillating, we’d contrived my mother and I to return together when it was happening I would be there, and she would meet me for the occasion
we were chatting over wine when my mother raised a finger to the music that was playing lightly, it was my father, a thousand miles away from home, joining us, we raised our hearts to love and basked as warmly in the golden moment as in its candlelight
the time in Buenos Aires also when a stone angel had become a man, a man become an angel, for where is the divide, I always ask, between the two, a mime so good, so convincing, I’d mistaken him for a sculpture, who’d then incrementally begun to move when a girl dropped a coin in an adjoining coin box for him, which indeed had puzzled me on what I’d thought was public art
a friend had asked if I had a coin, which he gave to a young girl for the coin box, a beautiful, in and of itself, act, I’d thought, of saintly charity, she dropped it in, the figure to my consternation moved, I trembled, beheld amazed the transsubstantiation
but it was time to return to my teeth
those are just the bare bones, I said, of those miracles, they become resplendent even more in more detail, and I let him enter my mouth, then, gagged and throttled, did not prevent him, couldn’t’ve, wouldn’t’ve, from wondering aloud about some of his own perhaps similar instances, old ladies, he said, mostly, who’d on occasion flit by, in the corner of an eye, that he’d noted and dismissed as too improbable, ask them instead for something next time, I said, you’ve excluded the possibility of their being for too long, time for something different
it was
what’s got a hold of me, I suddenly wondered, there in the dentist’s chair, blathering away despite even the dental paraphernalia hanging or hovering at my mouth, and with such insistence, and all morning
in Homer the Olympian gods speak and act through people, take over their spirit, get them to do their bidding on earth
this was my father, I suddenly saw, with more delight than consternation, laying claim to my filial respect and heart
I’m doing the Lord’s work here, I merrily gurgled, I’m doing the work of the Lord, for it had been a short step only a while back already now from my dad to my Creator, from my dad to my God, who shimmered interchangeably according to the occasion, according to the ground for my call
I was elated, thought this might be even grace, why not, I am as well a child of God, I countered, we all are
later I knew it was
but let me step back
we had a wonderful dinner, my mom and I, beneath an only blue sky on the ivied terrace of an Italian restaurant, drank expensive wine, ate succulent antipasto, pasta, toasted the idyllic night, walked home along inspired streets of summer
I’ve thought, what could he have been trying to say apart from hello, how are you, and maybe, not maybe but surely, o it’s the eighth of July and Easter Sunday too, celestial messages ought to be weightier than that, I reasoned, loftier
I believe that what he was trying to say was, there is a heaven, there’s heaven, purpose and hope, that July the eighth was Easter Sunday too, in fact, a day of also revelation, as all days are if you want them to
so spake, I believe, my father
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Sistine Madonna, c.1512-1514
Raphael
(1483-1520)
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in my search for what is beautiful, in my unending, my unyielding quest for the sublime, I’ve come upon many things that ‘ve been awesome, before the Venus de Milo I trembled, stood silent, reverent before her incandescent aura, in consternation before her shimmering grace, marvelled that time alone, I supposed, and magnificence could so irradiate, create actual energy
in Dresden the Sistine Madonna did the same, the only other work ever to so palpably illuminate
during the late Beethoven string quartets I cried, especially the fourteenth, but who wouldn’t, they are masterpieces
on first looking into Homer I confirmed indeed the promise of Keats, nearly subscribed to the gods of Olympus, would’ve converted to their convincing myths, but Proust finally remains my true religion, the reflection of all I believe, the poet aspiring to be a philosopher, the philosopher aspiring to be a poet, where Truth and Beauty inextricably intermix, interweave and inspire
for a while I had my doubts, art, music, literature seemed seductive enough, even important, but not urgent, not necessary, there would be life without art, I rued, but hadn’t been able to pursue it further
then in a revelation someone somewhere said, without art there would be no civilization, and I regained forthwith my faith
earnestly I’ve returned to its service
yours in art richibi
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