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Category: in search of truth

Stefan Lochner

    Stefan Lochner 007.jpg

                                   Stefan Lochner

 

                                      (1400-1452)

 

                       “Madonna in the Rose Bower”                            

                                                                     

                                                                    __________

 

                                    for Christmas

 

                           I wish you faith in angels    

 

                                                    

                                          Richard    

                                                                                                                                           

 

                                     ________________________ 

 

falling for Abstraction

  
            Morning star  

                                                         

                                “Morning star”, 1940                   

                                         Joan Miró

                                      _____________

                                                                                                                                      to prize Abstraction you need to feel its value, somehow make it relevant to your well-being, your soul, not an easy task for someone who hasn’t grown up with it, I see the same thing ‘s happened for instance for many with computers, the language is entirely foreign

I remember a sigh of relief, and unexpectedly delight, at the Queen Sofia after slogging through the history of art for a couple of weeks across the street at the Prado, before a roomful of Mirós

the Prado had been dripping in art

the Spaniards of course, Murillo, Goya, Zurbaran, were there, El Greco, the transplanted Doménicos Theotokópoulos, his great elongated figures depicting anguish, torment, ecstasies, edged unforgettably in charcoal black

the cheeky Velazquez – looking you straight in the face, where his subjects, the king and queen, also stand, reflected craftily albeit in a mirror at the back where you’d be too were this a real mirror – is a celebrated self-portrait, majesties no less have acquiesced to be merely backdrop here for the artist’s rendering of himself 

and indeed who remembers these once almighty monarchs beside their now immortal subject, their lasting fame assured ironically by virtue mostly of his grace

royal children meanwhile cavort up front, while on the far left taking up most of that side there’s the canvas he’s working on, a brush in one hand, in the other a palette of assorted colours, considering their applicability

a triumph

                                                                                                                                         the Dutch were there, the ubiquitous Rubens of course, the Rembrandts, the van Dycks, the Bruegels, but supreme for me among them was the unearthly rather “Garden of Earthly Delights“, I didn’t expect it there, it was awesome, Bosch representing pictorially the panoply of Christian mythological thought, from Eden to black and ignominious hell through, in the middle triptych, our earth, controversially carnal and cavorting, in pink and azure blue, for our sober edification and delight

and still there were the innumerable, the masterful, Italians

                                                                                                                                       we left the Prado saturated, my mom and I, the Queen Sofia was an afterthought with time left on our hands, we expected nothing other there than baubles, trinkets

but Miró greeted us at the door with a roomful of light, air, fantasy, planets, comets, asterisks swirled in orbits of infinite phantasmagorical invention, fish flew where stars fell, and eyes looked out of spiderwebs, perspective gave way to dimensions

my mom breathed a sigh of relief, simultaneously enchantment, we’d entered another world

just as had in its own time, for that matter, the history itself of art

from there it was just a hop, skip and jump of course to the more abstruse maybe even abstractions of for instance even a Jackson Pollock

imagine

                                                                                                                                      yours in the discovery of art                                                                                                                                         richibi

psst: in thinking of Miró I was reminded of Chagall, he could be he for whimsy, I recalled an ekphrastic poem about a painting of his I thought I might’ve lost, all I could remember was the poem’s own mimetic whimsy, and a blue, I’d thought, violin

here it is

by Lawrence Ferlinghetti

Don’t let that horse

Don’t let that horse
eat that violin
cried Chagall’s mother

But he kept right on painting

And became famous

And kept on painting
The Horse with Vilolin in Mouth
And when he finally finished it
he jumped up upon the horse
and rode away
waving the violin

And then with a low bow gave it
to the first naked nude he ran across

And there were no strings attached

 

 

____________________________________

 

Diane Arbus – 1923-1971

     Diane Arbus, Identical Twins, Roselle, N.J.

                                    “Identical Twins, Roselle, N.J.“, 1967
 
                                                        Diane Arbus  
                                                                                                                                                                                                                                                                                                                   1923 -1971
                               
                                                          _______
 
                                                                                                                                                                                                                                                      with the camera the shutter becomes the brush, the art only a click away, the artistry, the creativity, debatable
 
where is the skill, the ingenuity, indeed the art
 
the snapshot is a picture of an imagination taken on the spot, the art must be in the very brain, not in, as one would expect, the dextrous fingers, the articulation, the prestidigitation, must be already sorted out, already calibrated, technical prowess not required, just able, artful observation
 
the shutter will do the rest
 
can a point of view then, a take, one will reasonably inquire, be art

 
Diane Arbus had been a fashion photographer, gave it up for something, it would appear, more meaningful, became thereby, in my estimation, unforgettable, broke down for me reservations about photography as art 
 
witness
 
Identical Twins, Roselle, N.J., 1967, is not about these twins, these unexceptional twins – otherwise merely a portrait, an indifferent even portrait – but about something much more relevant
 
two little girls in black and white – though this may be itself the kind of photography – look straight into the camera, you look to tell them apart
 
their little dress adorned by each the same white ruffle at the collar, recalling incidentally the Reformation Dutch, a witty touch, give no clue, they could be matching dolls, flat cut-outs, for that matter, given the minimal use of perspective
 
a matching hair band, the same hair, the same nose, the same mouth, don’t either, the eyes do but only just 

they tell though the entire story, their different light, their different incandescence, though even ever so slight, though ever even so elusive, is what finally tells them apart 

but the focus has switched, you’re observing something now immaterial, incorporeal, insubstantial, become simultaneously something mystical, metaphysical, transcendental, some might call God  
 
Michelangelo’s did the same thing for Adam, another much wittier art history touch

 
two other girls, “Untitled“, 1970-71, speak even more clearly perhaps about this 
 
note the angel come through in the girl on the left, in all its magnificent splendour

   

                                           Untitled“, 1970-71
 
                                                   Diane Arbus 

                                                   1923 -1971
                                                 
                                                      _______

                                                                                                                                                                                                                                                  Diane Arbus committed suicide on July 26, 1971, undoubtedly
undone by what she’d sought to witness, perhaps the too bright light
                                                                                                                                                                                                                                                     psst: why is it that those who are “Untitled” would never think of taking their own life, perhaps they’ve been blessed with an extra measure of courage

                                                                           

                                                                  

_________________________________________________

in defence of my penchant towards prose

                                                                                                                                          in defence of my penchant towards prose


the problem with poetry ‘s the rhyme,
it takes the seriousness out of the line,
it distracts from its meaning
giving bounce to the reading
forfeiting too much, I think, of the mind
 
not that I don’t like rhythm
but it shouldn’t supplant my mission
of putting the point, the more pertinent point,  
I believe, ahead of often more frivolous composition
                                                                                                                                        forgive then my impertinent prose,
I really don’t mean to oppose,
but I think it’s my lot,
to declare my thought
with less verse
than straightforward opinion

     

     _______________________

upon being asked to make a poem out of Pieter Bruegel the Elder’s “Landscape with the Fall of Icarus”

                  “Landscape with the Fall of Icarus”, c.1558

                            Pieter Bruegel, the Elder

                                    (1525-1569)

                                     __________

                                                                                                                                                                      upon being asked to make a poem out of Pieter Bruegel the Elder’s “Landscape with the Fall of Icarus”                                             

                                                                                                                                      what is a poem, the question came up around my earlier errant composition, was what I’d written a poem, though one could be made out between the, dare I say, ivied even cracks
 
something that rhymes, my mom answered when I asked, which mine of course didn’t
 
though mellifluous and rhythmic maybe, and peppered here and there with inventive and artful devices – metaphors, alliteration, onomatopeia, the like, the meat and potatoes, the very stuff, I think, of poems – I still didn’t rhyme, don’t rhyme, and run a sentence on mostly much too long for a proper pentameter
 
like, I guess, a prose poem 
 
or maybe even just prose
 

but about the Bruegel

 

at the back a radiant sun dominates the picture, sheds not only light but life on everything, the sky is thick with grays and blue and takes on actual dimension, whereas a more silken application of paint to the sun makes that orb evanescent, a portal into heaven, a source instead of a force, an opening instead of an engine
 
in the foreground a farmer ploughs his field, another tends his sheep, life is going on despite the splendour 
 
no one notices Icarus either, the flailing figure in the waves, bottom right, drowning, despite the might of the myth, the potency, the poignancy, of the poetry
 
but who notices even poetry 
 
 
across a stretch of water to the horizon and to at its edge the resplendent sun, ships with sails, indeed medieval galleons, sit in the placid harbour of a city in the blue crook of, upper left, a range of mountains, the City of God of Augustine maybe for its iridescent pastels, for its sunlit gold maybe the gilded Greek Atlantis  
                                                                                                                                                                       above the flailing Icarus a ship is setting joyful sail out towards the promise of the blazing sun, the way seems clear

there will be other, it appears, Icaruses

                                                                                                                                                               medieval caricaturization and perspective inextricably of course obtain throughout

 

 

           

 

   

    __________________________________________

over a late lunch

for Wendy, who’s eyes glowed golden when she listened

                                                                                                                                                                                                                                                    over a late lunch:

after twenty-eight years, Proust, I said, has given me the answer to essentially everything

we’d met, a friend and I, over a late lunch, and I was keeping her abreast

he says your impressions are your only Truth, I said, what wells from the core of you, instinct, is your only sure reality, your fount of Truth, your work of art, its representation, is your duty to the world, to partake in the community that has found the way to do it is your mission, he says it is a most difficult path to follow, and most eschew it, gesundheit

but, he says, without it your unique contribution to what we can ever know as Truth will be lost, a resplendent soul, all souls of course are resplendent, returned to merely and tragically dust

I’m inspired to write, I said, more than ever, I think like a divine purpose

twenty-eight years, I pointed out, I thought maybe never, though I suspected Proust if anyone might come pretty close, closer than anyone, if anyone could indeed supply such an answer

Proust talks about memory though, it is the issue that transports him, it is the nebulous area that, in a moment of suspension of time when a device, a detail, will provoke an evocation of another time, another place – a perfume, a sound, a taste, might do it, any sensuous reality – another dimension is exposed, where time and space have been effectively bypassed, again eschewed, again gesundheit, sidetracked, and you are transported 

but what I want to talk about is miracles, what do you think of that, I asked, aware by now I might be being way too out there

that’s wonderful, she replied, her eyes were warm and to me glowed golden

that’s where I’m most comfortable, I continued, I want to describe that place where two realities coincide, this one and another, where everything is the same but different, where everything shimmers with a kind of heightened and iridescent energy, where usually there’s only real life

I want to show that these aren’t simply coincidences, unusual but isolated events, but rather revelations, answers to our most profound questions if we only allow, moments of patent lucidity and grace

how am I doing, I again cautiously asked, aware I might be flying off the handle, again be going too far

but there was no hint of any impatience, distress, incredulity, just warmth and thoughtful interest

I don’t think anyone else has ever written about that, I said, yes, the miraculous is inherent in any work of art but not as its prime subject, usually it is felt as its consequence, the source of the art itself, not its story

I felt on firmer ground now, back at the topic of writing, not the meaning of life, miracles, transcendence

I can do that, I said, I can do that, certain I could

              

_______________________________________                                                                                                                                           

July 8, 2008

                                                                                                                                        for my mom and for, of course, my father 

                                                                                                                                    July 8, 2008:

for reasons salacious perhaps the previous day, or perhaps because all by himself my father could, sui generis, transport himself in a mystical leap of his otherworldly essence quite independently of any other merely material considerations and imbue me readily with his radiant spirit, I awoke the next morning, his birthday, thus imbued, radiant of spirit, in a mood ready to celebrate

I read of course my Proust first, my morning prayer, followed with a few pages of Thoreau’s inspired “Walden” for poise, purpose and poetry

my morning coffee steamed at my side, golden and aromatic, my eiderdown pillow plushly propped up my back, a feather bedspread lightly cushioned my upturned knees where my book lay, a finger slowly savouring each flip of each precious page, while a bird at my window surely sang precise notes to the morning sun

then up from my devotions I called my mother to find out if she’d herself remembered, she hadn’t, the date, she remorsefully said, had entirely slipped her by

no matter, I retorted, allowing for no recriminations, tonight we’ll celebrate, it had been nineteen years at least since the last time

she set about her day, I mine, until we’d meet for dinner

                                                                                                                              meanwhile I called my sister, who’d of course remembered, sang even her song of his that she recalled he would sing apparently always at his birthday, my mom remembered it too when I asked, o it’s the eighth of July and Easter Sunday too, to indicate a day of high celebration

my nephew was not home but I left him, and his, loving words

my aunt then, and then another aunt, his only remaining sisters able to answer the phone, another would not be easily reached at her nursing home, might not have remembered even her brother, I did not try

I drew the line as well at cousins, they are dispersed and abound

but a friend who’d lost herself a father only a year earlier, I made a point of calling, in sympathetic communication, she was not home, I told her machine instead she was an angel, she’d hear when she got home 

but already there was a buzz, and I’d been busy setting it, to my already glowing delight

                                                                                                                                   along the street as I made my way to a dentist’s appointment I thought, my dad will appear today, somehow, he always does when I call, when I listen, and cocked an ear, kept an eye out, sharpened all my even extrasensory senses

but right then and there only the trees, as far as I could tell, were imparting, though mostly only to heaven, the leafy poems that they were writing there, about life, about the seasons, about transformation, about time, while we under their shelter and shade are busy especially running errands, leaving the patterns of their intricate shadows unnoticed mostly on our walk, walks, scrutable of course but for many hieroglyphic, esoteric, arcane, like for many for that matter many of our standard poems

I marveled at their rhythm, rejoiced at their rhyme, stood still to contemplate their wisdom, stood reverent before their poise and grace, at which they sibilantly sighed of course, sending me so inspired along

in all of this however I could only indiscriminately yet detect a father, my father

I pressed stalwartly on

                                                                                                                                 today’s my father’s birthday, I blurted out to my dentist when he asked how I was, before I could even think of what I was saying

forthwith both he and his assistant put a cloud of dark condolence on, a pall was cast over each their ebullience, I felt the sun leave in an instant each their spirit, but I would have none of it, my father brought only joy, had been offering me only that for years now, I thought their response perhaps instinctive, certainly and graciously full of heart, but off the mark, there was no reason whatsoever to court sadness, none at all

I explained my relation to my father

before he died, dad, I said, let me know from the other side, I am your son, I’ll hear you, later of course I heard, often when I would be praying for something

at first I’d bargain, I’ll do this for that, I’d ply, then one day when my mom could not, she said, quite make out that he was there for her, like a revelation I replied, like a very inspiration I stated, ask for something, he’ll have to answer you, you’ll know then, and not only you’ll know but he’ll be overjoyed to be able to help you, to be with you, for you to be with him, for you to recognize he’s there, whereupon of course I was overwhelmed by tears of utter gratitude and wonder, I’d lived long with this truth already, but had never put it into words  

                                                                                                                                        a drill sat poised at my mouth, I suddenly noted, but hushed apparently by the Elysian nature of my account, Elysium, that mythic abode of the honourable dead, I deferred but was encouraged to tell on, therefore, aware that my teeth were presently to be done, briefly as I could, I recounted from my store representative miracles, though I warned, my miracles abound, I see them everywhere, to be at the foot of not one but two rainbows, for instance, with someone at that point who needed one, hadn’t been too sure of any till now, how much of a miracle was that, and that was an essentially easy one, others were intricate, textured and subtle, not as crisp, clear, iridescent as two incontrovertible rainbows

a burning bush, yes, a burning bush, a tree as though on fire, after a walk I had with God, fiery orange and bristling, or the purple aura of buds, their nascent energy, gleaming in the dewdrops along a brittle branch not quite recovered still from hard winter another night as I walked home, when God wasn’t there for me especially, just omnipresent as usual, they were catching the pulse and colour of yet unborn blooms, the glowing advent of their pink and precious incarnation

                                                                                                                                       but these I didn’t even bring up

I told of a dinner in Vienna when my dad showed up in the guise of a melody, a “serenata” my mom would listen to when he passed away, with birds in it, the twitter of birds to decorate with garlands of their own ornithological music a pastoral piece for Classical orchestra, it has remained for nineteen years on her turntable, but nowhere anywhere else had I ever heard it before, she among only a few family and friends, who’d been moved by her being moved mostly

we’d been separately to the same restaurant in Vienna many years earlier, at separate times, a memorable historical place, the oldest in Vienna, the fare hearty and traditional, the service inspired, superb, the atmosphere scintillating, we’d contrived my mother and I to return together when it was happening I would be there, and she would meet me for the occasion

we were chatting over wine when my mother raised a finger to the music that was playing lightly, it was my father, a thousand miles away from home, joining us, we raised our hearts to love and basked as warmly in the golden moment as in its candlelight

the time in Buenos Aires also when a stone angel had become a man, a man become an angel, for where is the divide, I always ask, between the two, a mime so good, so convincing, I’d mistaken him for a sculpture, who’d then incrementally begun to move when a girl dropped a coin in an adjoining coin box for him, which indeed had puzzled me on what I’d thought was public art

a friend had asked if I had a coin, which he gave to a young girl for the coin box, a beautiful, in and of itself, act, I’d thought, of saintly charity, she dropped it in, the figure to my consternation moved, I trembled, beheld amazed the transsubstantiation  

                                                                                                                                         but it was time to return to my teeth

those are just the bare bones, I said, of those miracles, they become resplendent even more in more detail, and I let him enter my mouth, then, gagged and throttled, did not prevent him, couldn’t’ve, wouldn’t’ve, from wondering aloud about some of his own perhaps similar instances, old ladies, he said, mostly, who’d on occasion flit by, in the corner of an eye, that he’d noted and dismissed as too improbable, ask them instead for something next time, I said, you’ve excluded the possibility of their being for too long, time for something different

it was                                                                                                                                    

what’s got a hold of me, I suddenly wondered, there in the dentist’s chair, blathering away despite even the dental paraphernalia hanging or hovering at my mouth, and with such insistence, and all morning

in Homer the Olympian gods speak and act through people, take over their spirit, get them to do their bidding on earth

this was my father, I suddenly saw, with more delight than consternation, laying claim to my filial respect and heart

I’m doing the Lord’s work here, I merrily gurgled, I’m doing the work of the Lord, for it had been a short step only a while back already now from my dad to my Creator, from my dad to my God, who shimmered interchangeably according to the occasion, according to the ground for my call

I was elated, thought this might be even grace, why not, I am as well a child of God, I countered, we all are

later I knew it was

                                                                                                                                     but let me step back

we had a wonderful dinner, my mom and I, beneath an only blue sky on the ivied terrace of an Italian restaurant, drank expensive wine, ate succulent antipasto, pasta, toasted the idyllic night, walked home along inspired streets of summer

I’ve thought, what could he have been trying to say apart from hello, how are you, and maybe, not maybe but surely, o it’s the eighth of July and Easter Sunday too, celestial messages ought to be weightier than that, I reasoned, loftier

I believe that what he was trying to say was, there is a heaven, there’s heaven, purpose and hope, that July the eighth was Easter Sunday too, in fact, a day of also revelation, as all days are if you want them to

                                                                                                                                          so spake, I believe, my father

                     

 

    ___________________________________

                                                                                                                                 

finding miracles

these earlier “back tracks“, of which the following is one example, are pieces I consider still to be worth your while

please enjoy

                        _______________________

                                                                                                                                                                                                                                        November 9, 2006

                                                                                                                                                                                                                                                  this has been a year of only a clutch of miracles

of course they always abound, but some years, beset by crushing ordeals, miracles seem few and far between, and pale and falter beside the anguish and despair you suffer

 yesterday I marvelled at the colours of the leaves, the reds, the golds, the purples, that still and magnificently clung to the branches of much thinner trees now that they had lost the weight and splendour of their foliage

the sun upon the colours made them quiver, gleam, glimmer

look, I told my walking mate, a painting, and spread my arm across the panoply that contained what I saw

Monet, he replied

indeed, I said, but also Klimt, the gold, the glitter

I could barely listen on for the wonder

and Van Gogh for the branches, I continued, caught up in my world of live Impressionism, crotchety, angular, mad, I described

and there are millions of these leaves, I went on, transported beyond Impressionism into verily awe, not two of them alike, an infinity of numbers

that’s a miracle

                                                                                                                                                                                                                                                     a day earlier a friend had come over to lunch, after which we’d amble on over to the art gallery for an exhibit that was on

a gull sat on the ledge of my window, at my aerie on the twelfth floor

maybe it’s your father, she said

maybe, I replied, but couldn’t then and there make the connection

it stayed long enough for her to mention it again after I’d gone on for some time more, she was facing the window, I was not, I’d returned to our conversation

the gull looked in, on, curious, spirited

but I still saw just a gull
                                                                                                                                                                                                                  

last   evening I remembered that it would’ve been my parents anniversary had my father survived, called my mom, asked her out, we had dinner nearby, the date had slipped me by

                                                                                                                                                                                                                                            later still I remembered about the gull, who perhaps had not forgotten

            

                                                                                                              

                              _________________________________________

dinner out

                       
                                 The Birth of Venus, c.1482-1486
                                                                                                                                        
                                              Sandro Botticelli
                                                                                                                                     
                                                (c.1445-1510)
                                 ___________________________
                                                                                                                                                   
                                                                                                                                       these earlier “back tracks”, of which the following is one example, are pieces I consider still to be worth your while
                                                                                                                                      please enjoy                                                                                  
                                     
                                    ____________________ 
                                                                                                                                dinner out:
                                                                                                                                     the night was clear, a slender moon shone in an indigo sky, I thought instead of staying in and watching Rock Hudson, Doris Day, Tony Randall, and a gay-as-a-goose Paul Lynde in “Pillow Talk” in German I´d venture out instead the day after all after Christmas to find a place to eat, preferably something Italian, I had in mind a restaurant I´d visited when I’d been in Dresden last that might be open, it was
                                                                                                                                        a place for one, I asked somewhat meekly, if you have one, and pointed to a table in a corner that seemed unoccupied, I´d worried about reservations on the special occasion that was that night, but the table was free, and rendered somewhat grudgingly, I suspected, where a couple at least would´ve been more, to their mind, worthy
                                                                                                                                        I sat at a table that could’ve been cleaner, whisked it off with a brush of my hand, a candle on the checked red and white tablecloth in the very colours of Christmas in the otherwise dim light made me overlook the slight if unconscionable inconvenience
                                                                                                                                     cutlery arrived and a soft but sturdy napkin, on a silver platter no less, that I felt would duly resolve the remiss, I spread the serviette, folded primly under, on my lap, sipped an excellent Valpolicella while I waited for the main service, a green salad that I would have, I asked, in concert with the fettucine, not on the same plate of course, I had to explain, but that I would enjoy at its side, a delicious pasta with salmon and yellow asparagus in a light cream sauce
                                                                                                                                        I was left to my own private devices, the restaurant was full, the staff busy, I savoured the endives, the steaming and succulent main course, indifferent to the indifferent service, but precise nevertheless about a second glass of wine
                                                                                                                                      out of nowhere, or out of a fantasy perhaps, once many of the early diners had departed and many of the tables had been cleared, a woman, or rather a vision, had arrived, was seated across from me alone at her own private table, I was entranced, I rarely see women eat alone in any even moderately elegant restaurants, they´ve always expressed fear and modesty, I´ve always thought that so impractical
                                                                                                                                      she seemed alone, so conscientious, so present yet so dependent upon the courtesy and good will of her suitors, whoever they might turn out to be, I saw Botticelli´s Venus being born from the waters, aquiver but unaware yet of any possible adversity
                                                                                                                                      the waiter, an older gentleman, who´d been merely polite to me, tended attentively to her graces, she opened to him a defenseless smile trusting his recommendations, she turned her neck, nubile as a swan´s, back to the menu´s pages pondering them closely as though they were priceless art, pointing out with a querying finger an item, hoping tentatively for clarification
                                                                                                                                      he was of course obsequious
                                                                                                                                  
                                                                                                                                    later she sipped her wine, tasted her food with elegance, poise, poetry
                                                                                                                                        I watched mesmerized
                                                                                                                                        
what should I do, what should I say, I wondered, should I let the moment pass, knowing full well that I could never tell this story if I were simply to walk away
                                                                                                                                        I practiced my German rendition as I savoured my second glass of red wine, the waiter had taken my fee, been politely inquisitive about my whereabouts, Vancouver, I of course replied, on the Canadian Pacific, where they´ll soon hold the Winter Olympics, so far from home it´s a surprise to find that some have no idea
                                                                                                                                        I sipped my last drop, stood up, but the server had returned to her table, I sat back, waited for him to move away
                                                                                                                                          I left my coat at my table, boldly crossed over to her side, excuse me, I started in German, entschuldigen Sie mich bitte, if I could have a moment of your time, German, French, English, I will speak what I must, but I suspected that so bold an apparition would speak English, my muses would have created that, or maybe some arcane but serendipitous nevertheless cultural affinity
                                                                                                                                        I don´t wish to offend you, I said, and I´ll be gone in just a moment, but I´ve seen you, watched you from my distance eating all alone the day after Christmas, I think I´m something of a poet, I´ve seen your grace, your poise, your poetry, you are a poem to me, I needed to tell you that, I thought this would bring you some enjoyment, I hope you will forgive me if I´ve been too brash
                                                                                                                                    thank you, she said, thank you, her eyes gleamed, shimmered, her hair soft, I´m sure, as sunlight, glowed in the golden candlelight, I noticed her russet freckles
                                                                                                                                        I took my leave, turned my back to her as I donned my scarves and winter coat against the winter cold, moved towards the door
                                                                                                                                          I waved a last goodbye, she waved back
    
  
      
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Raphael – The Sistine Madonna

  Raffael 051.jpg                 

                          Sistine Madonna, c.1512-1514

                                         Raphael

                                      (1483-1520)

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                                                                                                                                      in my search for what is beautiful, in my unending, my unyielding quest for the sublime, I’ve come upon many things that ‘ve been awesome, before the Venus de Milo I trembled, stood silent, reverent before her incandescent aura, in consternation before her shimmering grace, marvelled that time alone, I supposed, and magnificence could so irradiate, create actual energy
 
in Dresden the Sistine Madonna did the same, the only other work ever to so palpably illuminate

during the late Beethoven string quartets I cried, especially the fourteenth, but who wouldn’t, they are masterpieces
 
on first looking into Homer I confirmed indeed the promise of Keatsnearly subscribed to the gods of Olympus, would’ve converted to their convincing myths, but Proust finally remains my true religion, the reflection of all I believe, the poet aspiring to be a philosopher, the philosopher aspiring to be a poet, where Truth and Beauty inextricably intermix, interweave and inspire  

for a while I had my doubts, art, music, literature seemed seductive enough, even important, but not urgent, not necessary, there would be life without art, I rued, but hadn’t been able to pursue it further

then in a revelation someone somewhere said, without art there would be no civilization, and I regained forthwith my faith

earnestly I’ve returned to its service

                                                                                                                                     yours in art                                                                                                                                                                    richibi

 

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