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Category: in search of beauty

“April Showers”

    “Let me sing a funny song with crazy words that roll along
     And if my song can start you laughing I’m happy, so happy”
 
I hadn’t seen this show in over forty years, I’d loved it then but who knew what I’d think of it now, I’d found it and its sequel for $2.99 apiece in a secondhand music store on videocassette no less, my only option now even at that low price since I’ve despaired of all DVD’s for being ornery, intractable too often, despite their vaunted versatility, all I ever wanted anyway was the movie, you can keep the superfluous dross
 
I thought I’d see it with my mom, who’d love, I was sure, the nostalgia, we watched it together last night
 
Asa Yoelson is picked up in a vaudeville act by an impresario who recognizes his unmistakable talent, turns him into the great Al Jolson, Larry Parks delivers the part in unforgettable spades, neither had they been forgotten
 
the biography is of course adulterated, each step towards success turned into instead a song, but what songs, each a masterpiece, each a part of our musical heritage, I walked home under a big round moon singing “April Showers”
 
    “Though April showers may come your way
      They bring the flowers that bloom in May
      So if it’s raining, have no regrets
      Because it isn’t raining rain, you know
      It’s raining violets”
 
    “And where you see clouds upon the hills
      You soon will see crowds of daffodils
      So keep on looking for a blue bird
      And list’ning for its song”
      Whenever April showers come along”
 
 
this evening as I walked the few blocks over to my mom’s under the blossoming cherry trees there was not a hint of rain, a breeze barely ruffled the russet and lime leaves that have been sprouting and burgeoning irrepressibly on the trees, where just recently there ‘d been only stark, brittle branches
 
birds sang as I indulged my own warble
 
     “So keep on looking for a blue bird”, I intoned,
     “And list’ning for its song
      Whenever April showers come along”
 
 
 
 
Richard 
 
psst: “The Jolson Story“, “Jolson Sings Again” 

   

      _____________________________________ 

 

dinner out

                       
                                 The Birth of Venus, c.1482-1486
                                                                                                                                        
                                              Sandro Botticelli
                                                                                                                                     
                                                (c.1445-1510)
                                 ___________________________
                                                                                                                                                   
                                                                                                                                       these earlier “back tracks”, of which the following is one example, are pieces I consider still to be worth your while
                                                                                                                                      please enjoy                                                                                  
                                     
                                    ____________________ 
                                                                                                                                dinner out:
                                                                                                                                     the night was clear, a slender moon shone in an indigo sky, I thought instead of staying in and watching Rock Hudson, Doris Day, Tony Randall, and a gay-as-a-goose Paul Lynde in “Pillow Talk” in German I´d venture out instead the day after all after Christmas to find a place to eat, preferably something Italian, I had in mind a restaurant I´d visited when I’d been in Dresden last that might be open, it was
                                                                                                                                        a place for one, I asked somewhat meekly, if you have one, and pointed to a table in a corner that seemed unoccupied, I´d worried about reservations on the special occasion that was that night, but the table was free, and rendered somewhat grudgingly, I suspected, where a couple at least would´ve been more, to their mind, worthy
                                                                                                                                        I sat at a table that could’ve been cleaner, whisked it off with a brush of my hand, a candle on the checked red and white tablecloth in the very colours of Christmas in the otherwise dim light made me overlook the slight if unconscionable inconvenience
                                                                                                                                     cutlery arrived and a soft but sturdy napkin, on a silver platter no less, that I felt would duly resolve the remiss, I spread the serviette, folded primly under, on my lap, sipped an excellent Valpolicella while I waited for the main service, a green salad that I would have, I asked, in concert with the fettucine, not on the same plate of course, I had to explain, but that I would enjoy at its side, a delicious pasta with salmon and yellow asparagus in a light cream sauce
                                                                                                                                        I was left to my own private devices, the restaurant was full, the staff busy, I savoured the endives, the steaming and succulent main course, indifferent to the indifferent service, but precise nevertheless about a second glass of wine
                                                                                                                                      out of nowhere, or out of a fantasy perhaps, once many of the early diners had departed and many of the tables had been cleared, a woman, or rather a vision, had arrived, was seated across from me alone at her own private table, I was entranced, I rarely see women eat alone in any even moderately elegant restaurants, they´ve always expressed fear and modesty, I´ve always thought that so impractical
                                                                                                                                      she seemed alone, so conscientious, so present yet so dependent upon the courtesy and good will of her suitors, whoever they might turn out to be, I saw Botticelli´s Venus being born from the waters, aquiver but unaware yet of any possible adversity
                                                                                                                                      the waiter, an older gentleman, who´d been merely polite to me, tended attentively to her graces, she opened to him a defenseless smile trusting his recommendations, she turned her neck, nubile as a swan´s, back to the menu´s pages pondering them closely as though they were priceless art, pointing out with a querying finger an item, hoping tentatively for clarification
                                                                                                                                      he was of course obsequious
                                                                                                                                  
                                                                                                                                    later she sipped her wine, tasted her food with elegance, poise, poetry
                                                                                                                                        I watched mesmerized
                                                                                                                                        
what should I do, what should I say, I wondered, should I let the moment pass, knowing full well that I could never tell this story if I were simply to walk away
                                                                                                                                        I practiced my German rendition as I savoured my second glass of red wine, the waiter had taken my fee, been politely inquisitive about my whereabouts, Vancouver, I of course replied, on the Canadian Pacific, where they´ll soon hold the Winter Olympics, so far from home it´s a surprise to find that some have no idea
                                                                                                                                        I sipped my last drop, stood up, but the server had returned to her table, I sat back, waited for him to move away
                                                                                                                                          I left my coat at my table, boldly crossed over to her side, excuse me, I started in German, entschuldigen Sie mich bitte, if I could have a moment of your time, German, French, English, I will speak what I must, but I suspected that so bold an apparition would speak English, my muses would have created that, or maybe some arcane but serendipitous nevertheless cultural affinity
                                                                                                                                        I don´t wish to offend you, I said, and I´ll be gone in just a moment, but I´ve seen you, watched you from my distance eating all alone the day after Christmas, I think I´m something of a poet, I´ve seen your grace, your poise, your poetry, you are a poem to me, I needed to tell you that, I thought this would bring you some enjoyment, I hope you will forgive me if I´ve been too brash
                                                                                                                                    thank you, she said, thank you, her eyes gleamed, shimmered, her hair soft, I´m sure, as sunlight, glowed in the golden candlelight, I noticed her russet freckles
                                                                                                                                        I took my leave, turned my back to her as I donned my scarves and winter coat against the winter cold, moved towards the door
                                                                                                                                          I waved a last goodbye, she waved back
    
  
      
       __________________________________

Raphael – The Sistine Madonna

  Raffael 051.jpg                 

                          Sistine Madonna, c.1512-1514

                                         Raphael

                                      (1483-1520)

                             _______________________

                                                                                                                                      in my search for what is beautiful, in my unending, my unyielding quest for the sublime, I’ve come upon many things that ‘ve been awesome, before the Venus de Milo I trembled, stood silent, reverent before her incandescent aura, in consternation before her shimmering grace, marvelled that time alone, I supposed, and magnificence could so irradiate, create actual energy
 
in Dresden the Sistine Madonna did the same, the only other work ever to so palpably illuminate

during the late Beethoven string quartets I cried, especially the fourteenth, but who wouldn’t, they are masterpieces
 
on first looking into Homer I confirmed indeed the promise of Keatsnearly subscribed to the gods of Olympus, would’ve converted to their convincing myths, but Proust finally remains my true religion, the reflection of all I believe, the poet aspiring to be a philosopher, the philosopher aspiring to be a poet, where Truth and Beauty inextricably intermix, interweave and inspire  

for a while I had my doubts, art, music, literature seemed seductive enough, even important, but not urgent, not necessary, there would be life without art, I rued, but hadn’t been able to pursue it further

then in a revelation someone somewhere said, without art there would be no civilization, and I regained forthwith my faith

earnestly I’ve returned to its service

                                                                                                                                     yours in art                                                                                                                                                                    richibi

 

      _______________________________

1, e. e. cummings

among poets one of my favourites is e. e. cummings, who famously eschewed – gesundheit – capitals, even in the spelling of his own name

for years for my own reasons I did the same, I felt that capitals usurped a power, an authority, they too often could not justify, I was left with “God” and “I” as worthy and warranted entities, often even “God” wouldn’t cut it, and was relegated to the more pedestrian lower case “god”, which led of course to “gods”, and incidentally to a more luxuriant and panoplied pantheon, a heaven richer in colour and idiosyncracies than our own culture’s usual abnegations

this process had me probing each item’s validity in order to make some sense of my too fleeting world

there are still not many capitals in my compositions
 

e. e. cummings does many more things with language than I do, but I cannot tell you where any of his impulses come from, I am left with only his poems

but a poem should need nothing else

most of his poems for me don’t, in order to enchant
                                                                                                                                                                      here’s something I came upon serendipitously as I waited on a friend in a bookstore, I thought I’d pass the few minutes I had to wait browsing through books of poems, one takes just that much time to savour a poem, not much more usually than a glass of wine, sometimes they’re even memorable

this poem is taken from a chapter entitled “Erotic Poetry” in a collection edited by Richard Kostelanetz called “AnOther”

which I  bought

it is the first poem in that section, and titled merely “1”

                                                                                                                                                                         1
                                                                                                                                                                        out of bigg

est the knownun
barn
‘s
on tiptoe darkne

ss

boyandgirl
come
into a s
unwor

ld 2 to

be blessed by
floating
are
shadows of ove

r us-you-me a

n
g
el
l

s
 

e. e. cummings  (1894-1962)

                                                                                                                                                                     

this kind of thing has a precedent of course in the work of James Joyce (1882-1941), his “Finnegan’s Wake” goes on for several hundred pages in this manner, and left me for one in the dust

in music Arnold Schönberg (1874-1951) was also deconstructing his medium, breaking down musical notation into seemingly random organizations of sound, atonality eschewed – gesundheit – most all of the rules of earlier composition, presciently making way however for everything from the shrieking guitar
meanderings of Jimi Hendrix to the vocal pyrotechnics and eccentricities of Prince through the clanging and oracular pronouncements of Pink Floyd

neither Joyce nor Schönberg can be easily dismissed

nor e. e. cummings
 

all the very best

richibi

  

   __________________________________

Peter Doig

  Peter Doig, Friday 13th 1999    Peter Doig
 
         Friday 13th, 1999            Reflection (What Does Your Soul 
                                                          Look Like?), 1996
                                                                                                                                                                           

                                Peter Doig

                     ______________________

                                                                                                                                         at the Tate Britain – find it at “tate.org.uk” – this painter is creating a sensation

a one-time Canadian he has become “the most expensive living artist in Europe when one of his paintings, “White Canoe”, changed hands for almost $12-million at Sotheby’s”, according to the “Globe and Mail

abstract art, I thought, is finding its way back to realism

bravo

                                                                                                                                                                Richard
 
 

  _________________________________

Still Life with Two Lemons, Pieter Claesz

 The Cleveland Museum of Art

                           Still Life with Two Lemons

                                            1629

                           Pieter Claesz, c. 1597-1661

                        __________________________

                                                                                                                                                          especially crystal clear is the fallen goblet

otherwise the lemons glow in a warm golden light enfolding everything

                                                                                                                                                                    like maybe grace

                                                                                                                                                                   Richard

                                                                                                                                                                           

                                                                                                                                                   

  _________________________________                                   

the stone angel

these earlier “back tracks”, of which the following is one example, are pieces I consider still to be worth your while

please enjoy

__________________

for Greg, its champion

the stone angel:

miracles are of course in the eye of the beholder, like beauty, truth, and love

I remember being told by my mother about the wife of a cousin of my father, she was notoriously unattractive, indeed downright ugly, everyone said, her daughter later worked for my father in our family’s store, she was cheerful, industrious, and eager to be working there, one day when her mom came in her daughter called out to her mom as she entered, hi beautiful and altered forever my conception of beauty

miracles are also such entities, they happen in the heart and in the soul, without these there are merely serendipitous circumstances bereft of either reason or wile

but to the wide-eyed innocent still dazzled by the glory of a sunrise, the splendour of a sunset, the iridescent grace and beauty of a shimmering rainbow stretching its improbable arc across a sun-strewn sky, hot on the heels of routed clouds and blustering but receding thunder, miracles are a sign of heaven, the consequence, the stardust, of faith

we’d been headed out to dinner after a day of taking in Buenos Aires, making our way along one of its more popular streets, Avenida Florida is closed to traffic but teems with the to and fro of shoppers, tourists, merchants, and of course minstrels, entertainers, we’d seen a pair of men dancing the tango together for coins, each in a formal though somewhat worn-out black suit, young novices, a girl in black as well, in mesh, sultry hose, dark, beautiful and mysterious, stood to the side awaiting her moment, we thought they were probably students of tango, their steps were informed but not quite yet smooth and silken as the dance requires

Greg had been telling me about a mime who’d done magic for children, they would drop a coin into a box for her and she would then somehow make a light glow in their palm as she dropped something into it

I’d listened inattentively, making my way through the crowd instead, that flowed like a turbulent river all around and kept me alert especially to its currents

look, Greg said, it was a stone angel he was pointing at, a charcoal statue about the size of a man, the wings hadn’t been intricately described but they were the right size and spread convincingly above the reverent posture, the head was bent forward somewhat in prayer, the hands piously enfolded, a stone tunic fit the shape and turns of the heavenly body as though it were indeed cloth, the feet, the articulated toes, rested mystically upon the charcoal pedestal

I don’t remember seeing that there, I said to Greg, we’d been along that street before but I’d also always paid more attention to the traffic than the storefronts, and wasn’t unduly surprised that I’d missed maybe even this angel

do you have any change, Greg asked, I noticed a box at the foot of the angel, also charcoal, part of the sculpture, though I thought it strange in fact on public art

no, I said instinctively, careful not to squander my meagre pot, but when he asked again after I’d further considered, rued my initial ungenerous response, I dredged up a few pesos from an alternate pocket

Greg held out the coin to a little girl who stood nearby with her mother, offered it for her to take, whereupon she came by, accepted the change, then proceeded to the sculpture, and dropped the offering into the box for donations, then withdrew

but by then the angel had quivered, was coming to splendid life, and like a revelation had begun to unfold

of course this was a man, I understood in the very moment, but a man in the guise of an angel, which of course is an angel in the guise of a man, for where does the line begin or end which divides them

with a wave of his hand he beckoned the little girl back, she returned and in her palm which he held in his own blessed hand he bestowed a gift, which didn’t glow, I incidentally thought, but must nevertheless be wondrous

already I quivered, frozen in awe, but quaking like a leaf in a mystical wind

the little girl turned around to Greg, held out the gift in her little palm to give it safely and dutifully back to him, but when she opened her hand for him to retrieve the holy thing he merely touched it back again enclosing it there for her to keep, the act itself of another angel, spontaneously selfless, selflessly spontaneous, munificent

by this time of course there were tears in my eyes, I’m a sucker for the acts of angels, but the angel himself had been observing the kindness being proferred in his name, he signalled Greg over and bestowed upon him a gift which again he retrieved from a breast pocket stitched in the stone above his heart

Greg returned with a miniature silver crucifix that gleamed and glistened in his palm, not a glow, incidentally, but an incandescence, and indeed wondrous

but the angel was not about to leave me out and beckoned that I might too receive this blessing so that I advanced to receive also my little cross, he must’ve recognized my fervent admiration, my dumbfounded awe, and would honour me also, I gathered, with his favour

others followed suit, deposited their pesetas, received their little crosses from an always consummate angel, calm, poised, respectful, and profoundly inspirational always, until the wave of them wore off

I still quavered as though the earth had moved, like any creature stunned by for instance lightning, like any one of us before a force of nature starkly and grandly manifested, there is so much we overlook

but driven by finally logic and the practicality of moving on – even mystical experiences are finite – we wended our way forward toward our dinner out, but only a few yards on, meters if you will, out from where we’d had our visitation, I felt I’d left something wholly unfinished, wholly unsaid, asked Greg to return and with me, for me, tell the angel he’d been miraculous, magnificent, that I’d been so very much inspired, in Spanish, for all I could speak was English, and Greg was versed in their tongue

in his ear Greg spoke a fervent Spanish, he’d been there too, was also eager, I slipped a larger, more appropriate amount, I thought, into the coin box, more in keeping with the experience

but the angel didn’t move

he probably didn’t hear, Greg later pointed out, paper won’t sound like change will

but unresponsive to Greg too, I’d wondered, who’d poured his Spanish heart into the angel’s ear, maybe wax from the makeup, he’d thought

for a moment then the angel remained a sculpture, still, and in character, and of stone

then with deep generous eyes that slowly he opened, heavy with the weight, I thought, of maybe the very world, he peered deep into my own

beautiful, I responded, beautiful, the only word I could utter in exalted admiration

then in English, clear and reverberant, like an oracle, I thought, for us all to understand and behold, he replied, simply but wondrously, cryptically enough indeed but with great portent, thank you

to which I could only add, amen