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Category: a poem to ponder

an April poem‏

 "Red April" - Sam Gilliam

Red April (1970)

Sam Gilliam

_____

as March was a month of music for me,
specifically mostly Beethoven, with pop
but poignant love songs thrown in,
for
pathos and corresponding agony,
surefire anti-depressants, April is
purportedly the month of poems

here’s one, to itself, the month of
showers, flowers, but also of
ephemerality, evanescence,
regeneration and change, according
to this poem

don’t throw your Aprils away, it
says, tend to them, they’re what,
for better or worse, we have

Richard

________________

Song of a Second April

April this year, not otherwise
Than April of a year ago,
Is full of whispers, full of sighs,
Of dazzling mud and dingy snow;
Hepaticas that pleased you so
Are here again, and butterflies.

There rings a hammering all day,
And shingles lie about the doors;
In orchards near and far away
The grey wood-pecker taps and bores;
The men are merry at their chores,
And children earnest at their play.

The larger streams run still and deep,
Noisy and swift the small brooks run
Among the mullein stalks the sheep
Go up the hillside in the sun,
Pensively,—only you are gone,
You that alone I cared to keep.

Edna St. Vincent Millay

seizing the iridescent moment

"Hibiscus and Sparrow" - Katsushika Hokusai

Hibiscus and Sparrow

Katsushika Hokusai

_______

standing behind a Japanese man
at the check-out counter the other
day at Safeway’s, thinking their
express line was about as fast
as a slow lane in Manhattan, I
listened to the cashier explaining,
over other transactional
considerations, that their point
cards were no longer in use

with the deference that seems to
me their trademark as a culture,
who else wears white gloves
when they’re driving a taxi, who
else returns your lost trinket to
your hotel room on no less than
a silver platter the following week
when you return – I’d been a flight
attendant, I know, I lived it – o
leally,
the Asian man replied

wherein I discovered completely
my patience, Manhattan, for the
moment at least, be damned, I
needed to stop to partake of this
serendipitous nugget, to carpe
this inadvertent and delightful
diem, midst the dross I’d’ve
otherwise, by default, probably
allowed

for that matter, what’s dross, I
wondered, isn’t dross itself in
the eye of the beholder

leally and tluly, I surmised, life
is in its details

Richard

psst: the attendant at Safeway
was, as usual there, utterly,
and enchantingly, gracious,
despite such as my own,
however in this instance
arrested, individualized
customer stress

a birthday wish

  "Happy Birthday"- Fernando Botero

Happy Birthday (1971)

Fernando Botero

_________

a friend of mine was eighty today,
she’s gone off to London to celebrate,
she didn’t want anyone to make a fuss

a fuss, I said, it’s your eightieth birthday,
one should make a fuss, she’s gone to
London anyway

from this side of the ocean, and indeed
from this side of the continent, it seemed
nevertheless remiss of me not say
something

but as in Hallmark cards, sometimes
the message is better in someone
else’s words, in this case Bob Dylan’s
but sung by Joan Baez, just click

May God bless and keep you always
May your wishes all come true
May you always do for others
And let others do for you
May you build a ladder to the stars
And climb on every rung
May you stay forever young
Forever young

May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the light surrounding you
May you always be courageous
Stand upright and be strong
May you stay forever young
Forever young

May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift
May your heart always be joyful
May your song always be sung
May you stay forever young
Forever young, forever young
May you stay forever young

Bob Dylan

happy birthday, dear friend, may you
live forever

Richard

“April Showers” – “Buddy” DeSylva‏

"April Showers, Champs Élysées Paris" - Childe Hassam

April Showers, Champs Élysées Paris (1888)

Childe Hassam

________

when I was a boy the obliteration of
Al Jolson as an extraordinary talent
hadn’t yet occurred, black indignation
hadn’t, however justifiably, banished
him from our cultural landscape

but he’d been big, consider the array
of songs he made indelible from
April Showers to My Mammy
by way of You Made Me Love You,
for instance, or About a Quarter to
Nine
“,
among other equally
noteworthy melodies, airs we all still
sing on occasion, complete with all
their familiar words

the film, The Jolson Story is still
one of my very favourite musicals,
available in segments here if you
follow the links, its every megabyte
worth watching, you’ll come away
enraptured and singing

and there’s even a sequel

meanwhile here are the lyrics to
this irrepressibly hopeful tribute
to the month of bluebirds and
daffodils and, of course, violets

of which I wish you boundless
bouquets

April Showers

Life is not a highway strewn with flowers,
Still it holds a goodly share of bliss,
When the sun gives way to April showers,
Here’s a thought that we should never miss:

Though April showers
May come your way,
They bring the flowers
That bloom in May;
And if it’s raining,
Have no regrets;
Because it isn’t raining rain, you know,
It’s raining violets

And when you see clouds
Upon the hill,
You soon will see crowds
Of daffodils;
So keep on looking for the bluebird,
And listening for his song,
Whenever April showers come along.

Though April showers
May come your way,
They bring the flowers
That bloom in May;
And if it’s raining,
Have no regrets;
Because, it isn’t raining rain, you know,
It’s raining violets.

And when you see clouds
Upon the hill,
You soon will see crowds
Of daffodils;
So keep on looking for the bluebird,
And listening for his song,
Whenever April showers come along

“Buddy” DeSylva

__________

Richard

“Primavera” – Sandro Botticelli‏

Sandro Botticelli - "Primavera"

Primavera (1478)

Sandro Botticelli

_________

on the right, Zephyrus, god of the west
wind, and messenger of spring, having
prised Chloris from his brother, Boreas,
the icy north wind, ravishes her, the
naked nymph, who is being transformed
into Flora, goddess of flowers, note
Chloris‘ hand dissolving into Flora‘s
arm

but listen to Ovid tell it

“‘I, called Flora now, was Chloris: the first letter in Greek
Of my name, became corrupted in the Latin language.
I was Chloris, a nymph of those happy fields,
Where, as you’ve heard, fortunate men once lived.
It would be difficult to speak of my form, with modesty,
But it brought my mother a god as a son-in-law.
It was spring, I wandered: Zephyrus saw me: I left.
He followed me: I fled: he was the stronger,
And Boreas had given his brother authority for rape
By daring to steal a prize from Erechteus‘ house.
Yet he made amends for his violence, by granting me
The name of bride, and I’ve nothing to complain in bed.
I enjoy perpetual spring: the season’s always bright,
The trees have leaves: the ground is always green.
I’ve a fruitful garden in the fields that were my dower,
Fanned by the breeze, and watered by a flowing spring.
My husband stocked it with flowers, richly,
And said: “Goddess, be mistress of the flowers.”
I often wished to tally the colours set there,
But I couldn’t, there were too many to count.””

Fasti, Book V, May 2 – Ovid

________________

I love “It would be difficult to speak of my
form, with modesty”

go, girl, indeed goddess

on the left of the painting the three Graces,
Aglaea, Euphrosyne, and Thalia dance

on the far left, Mars, whence, incidentally,
our name for the month of March, is god
not only of war, but of also agriculture

Venus, who needs no introduction,
presides at the centre, accompanied
by her prankish son, Cupid, fluttering
above

“Love looks not with the eyes, but
with the mind”, Shakespeare says,
“And therefore is winged Cupid
painted blind” *

as he is in the painting above

no painting has yet replaced Botticelli‘s
Primavera as a universal symbol of
spring

may yours be equally timeless,
enchanted

Richard

* A Midsummer Night’s Dream
Act 1, scene 1, lines 234 – 235

– William Shakespeare

March: “Black March” – Stevie Smith‏

"The Frozen Pool, March" - Willard Metcalf

The Frozen Pool, March (1909)

Willard Metcalf

_______

in this wonderful film about Stevie Smith,
Glenda Jackson is the celebrated poet,
whose poem, “Black March“, I’ve chosen
to introduce the new month

you’ll love also Mona Washbourne in it,
as Stevie’s beloved aunt

the site presents the film in numbered
episodes, which seamlessly flow if you
don’t touch your dial, but should you,
just click on the episode number, one
of eleven, when you return

Richard

psst: you might also want to compare
this story with that of Emily
Dickinson in The Belle of Amherst“,
another, unconventionally then,
unmarried woman, for which Julie
Harris got a richly deserved Tony
in 1977

read all about it in one of my recent
blog
s

_________________

Black March

I have a friend
At the end
Of the world.
His name is a breath

Of fresh air.
He is dressed in
Grey chiffon. At least
I think it is chiffon.
It has a
Peculiar look, like smoke.

It wraps him round
It blows out of place
It conceals him
I have not seen his face.

But I have seen his eyes, they are
As pretty and bright
As raindrops on black twigs
In March, and heard him say:

I am a breath
Of fresh air for you, a change
By and by.

Black March I call him
Because of his eyes
Being like March raindrops
On black twigs.

(Such a pretty time when the sky
Behind black twigs can be seen
Stretched out in one
Uninterrupted
Cambridge blue as cold as snow.)

But this friend
Whatever new names I give him
Is an old friend. He says:

Whatever names you give me
I am
A breath of fresh air,
A change for you.

Stevie Smith

“February”- Margaret Atwood‏

Arlen Redekop - "Cherry blossoms..."

Cherry blossoms have bloomed at the corner of Nelson and Bute in Vancouver, B.C., February 11, 2015

Arlen Redekop

_______

Vancouver has been unimpeachable this
February, my sister through her
intercession with my dad, who is as close
to us as heaven, must’ve brought along
with her the sun and the unfettered blue
sky from her otherwise wintry home

there has been rain but sparsely here,
just enough to wean spring blossoms
out of hiding, as pictured above

but we are aware that not everywhere is
the same

here’s what Margaret Atwood thinks of
February

____________

February

Winter. Time to eat fat
and watch hockey. In the pewter mornings, the cat,
a black fur sausage with yellow
Houdini eyes, jumps up on the bed and tries
to get onto my head. It’s his
way of telling whether or not I’m dead.
If I’m not, he wants to be scratched; if I am
He’ll think of something. He settles
on my chest, breathing his breath
of burped-up meat and musty sofas,
purring like a washboard. Some other tomcat,
not yet a capon, has been spraying our front door,
declaring war. It’s all about sex and territory,
which are what will finish us off
in the long run. Some cat owners around here
should snip a few testicles. If we wise
hominids were sensible, we’d do that too,
or eat our young, like sharks.
But it’s love that does us in. Over and over
again, He shoots, he scores! and famine
crouches in the bedsheets, ambushing the pulsing
eiderdown, and the windchill factor hits
thirty below, and pollution pours
out of our chimneys to keep us warm.
February, month of despair,
with a skewered heart in the centre.
I think dire thoughts, and lust for French fries
with a splash of vinegar.
Cat, enough of your greedy whining
and your small pink bumhole.
Off my face! You’re the life principle,
more or less, so get going
on a little optimism around here.
Get rid of death. Celebrate increase. Make it be spring.

Margaret Atwood

____________

truly

Richard

“Probability” – Lia Purpura‏

"The Miracle of Light While Flying" - Gerardo Dottori

The Miracle of Light While Flying (1931)

Gerardo Dottori

_________

miracles, like beauty, are in the eye
of the beholder

they are astonishing circumstances
sufficient to transcend

if one dares

__________

Probability

Most coincidents are not
miraculous, but way more
common than we think—
it’s the shiver
of noticing being
central in a sequence
of events
that makes so much
seem wild and rare—
because what if it wasn’t?
Astonishment’s nothing
without your consent.

Lia Purpura

__________

ever

Richard

psst:

coincidents, incidentally, are the,
plural, components of a coincidence

coincidences are the components
of, as stated above, miracles

note also “Probability‘s” loose rhymes,
“sequence”, “events”, “coincidents” /
“wasn’t”, “consent” / “more”, “shiver”,
“rare”, like glimpses of gold beneath
a nebulous surface, open to discovery,
something miraculous

“No Ideas But In Things” – Jessica Greenbaum‏

   "Lady with a Squirrel and a Starling" (c.1527) - Hans Holbein the Younger

Lady with a Squirrel and a Starling (c.1527)

Hans Holbein the Younger

__________

it’s been a while since I’ve offered
up a poem, it’s been a while since
I’ve read one, and I miss them

but this one inadvertently this
morning struck a conversational
tone I found particularly engaging,
easy to read, though with cadences

no paragraphs

Jessica Greenbaum uses longer
iambic pentameters than I do, you
might note, decidedly more
punctuation

but she sings her lines, her daily
prose, as if they were poems

that’s what I especially like

Richard

_____________

No Ideas But In Things

We checked the vents and hidden apertures of the house,
then ran out of ideas of where it might be open to the world.
So we couldn’t figure out how the squirrel was getting in.
We each had methods that succeeded in shooing him,
or her, out the door—but none of them lasted. Whether
it was the same squirrel—terrified when in the house, and
persistently so—or various we couldn’t tell because,
tipped off by a glance, he zigzagged from froze-to-vapor,
vanishing, Zorro-like, until signs would tell us he had
revisited the sideboard to dig in the begonia. (Escaping
Newcastle in a search for coal.) We plotted his counter-
escape, laying a path of pecans to a window opening
on the yard. A few days would pass, and, believing him
gone, we felt inexplicably better than when we began.
Then, from another room, the amplified skritch of nutmeg
being grated—and, crash. Bracelets off dresser tops, bud
vases, candy dishes, things houses have that the back yard
doesn’t. You don’t think of squirrels knocking things over,
but inside it was like living with the Ghost and Mrs. Muir.
When we couldn’t trust the quiet or prove his absence,
we cast him as that hapless shade: worry. Our own gray
area, scat-trailing proof of feral anxiety. But after a few
cycles of release-and-catch I grew bored with the idea,
with its untamed projections. Since he dashes up walls,
(yanked, like a pulley), or seeks treasure in a five-inch pot,
daily, why not adopt him as optimism’s travelling rep?
I tried. But the sun comes up, we step toward the stove,
and he shoots out like a cue ball, banks off the kitchen door
—what mayhem is caused by going to make coffee!—
and the day, again, begins with a shriek. We are now in
week three and I accept that, inside, the squirrel is going
to stand for something else. And so is the May rain
and so is the day you took off your coat and the tulips
joined in with the cherry blossoms and the people came out
and the pear-tree petals floated down in polka dots
around the tulips, and even around the cars. We name life
in relation to whatever we step out from when we
open the door, and whatever comes back in on its own.

Jessica Greenbaum

a February poem‏

Aidan wants 6 Power Rangers (November, 2014)

Aidan wants 6 Power Rangers (November, 2014)

____________

February 15, 1959, John is born,
August 25, 1989, John dies, I
think it is the end, but somehow
I survive

February 15, 2010, Aidan is born,
my partner’s grandson, John has
returned, I surmise, giving me
manifest reason to have
remained alive

____________

we’re going to Buenos Aires for a
month next C***mas

plus my mom

I’ll keep you posted

Richard