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at the end of the Romantic Period, 1886, and
encroaching on the upcoming Impressionistic
A major, a musical glimpse into a new age,
this is not Chopin, not Beethoven, not
Schubert, despite obvious, if you’re
listening, homages, references
you’ll note the atonality, musical progressions
that seem askew, eccentric, not as harmonious
as those earlier composers, like a neurosis
taking over
tempo, a second essential element of music
in the West, however changeable might it be,
even within the individual movements, is
recognizable
repetition, the third pillar of Western music
is keeping us on track, bringing us back to
the original statement, to the air each
movement presents at their several
introductions
Frank’s sonata was so appreciated by an
accomplished cellist friend, Jules Delsart,
that he asked if he would transcribe it for
stalwart on the cello circuit
compare, an exercise in sharpening your
aesthetic pencil, try it, enjoy
R ! chard