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by now, if you’ve been listening,
you’ll probably easily tell your
Chopin from your Mozart, even
without looking
if not, the one who isn’t Mozart
is Chopin, the one who isn’t
Chopin is Mozart, cause you’re
likely to recognize the one if not
the other
1788, which even Mozart
deemed “for beginners”, but
its very elementary qualities
suit, here, my purposes
some sixty years later, the
Mozart is Classical, the foundation
of the shape and sound of music
in the West, think of Oriental music,
Chinese, for instance, opera, as an
alternative inspirational direction
he sets, along with Haydn, incidentally,
the parameters of Western music, I
call it its grammar, tempo, tonality,
and repetition, its hallmarks, its sine
qua non, as we say in Latin, its trinity
of imperatives, its without which there
would be no Western music as we
know it
Romanticism, after two revolutions,
the French and the American, comes
along to turn all of that into literature,
prompted by the spirit of democracy,
the first expressions of it since Caesar,
Ancient Rome, where earlier,
everywhere, kings had ruled, and by
extension, even more autocratically,
the Church, for monarchs had
received, morally, and consequently
politically, from it, their mandates
from God
one man, one vote, even theoretically,
upended that entire metaphysical
everyone had a voice, everyone had
a story, the birth of the individual,
and of, by extension, human rights,
for better or for worse, see above
therefore Chopin
listen, Chopin is the new Jesus,
prophet, but for a new age
stay tuned
R ! chard