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two suites – Debussy / Ravel
by
richibi
“
Minuet
“
(1756)
Giovanni Domenico Tiepolo
_________
two pieces
one by Debussy, his
“
Pour le piano
“
or, in English,
“
For the Piano
“
a second, by Ravel, his
“
Le tombeau
de Couperin
“,
or
“
Couperin’s Coffin
“
how are they similar
how are they different
you tell me
a couple o’ clues
“
Pour le piano
“
Prélude
Sarabande
Toccata
“
Le tombeau de Couperin
“
Prélude
Fugue
Forlane
Rigaudon
Menuet
Toccata
R ! chard
psst: both these works are suites, in
the manner of
Bach
, compositions
with more than one segment, the
first a prelude, followed by, at
least, two dance pieces
the form had remained fallow for
nearly two hundred years until it
was revived, atavistically, during
the Impressionist Period
if you can’t tell your sarabande
from your rigaudon, your forlane
from your toccata, don’t fret, they
are now defunct dances, not to
mention that they’ve always been
stylized, these suites, in other
words, weren’t made for dancing,
as the saying goes, but for
performance, listening
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Published:
January 11, 2019
Filed Under:
Debussy
,
in search of beauty
,
in search of God/dess
,
in search of truth
,
Johann Sebastian Bach
,
music to ponder
,
paintings to ponder
,
recitals to ponder
,
up my idiosyncrasies
,
walking in beauty
Tags:
"Le tombeau de Couperin" - Ravel
:
"Minuet" - Giovanni Domenico Tiepolo
:
"Pour le piano" - Debussy
:
English Suite no 4 - Bach
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